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America's dark theologian: reading Stephen King religiously -- Thin spots: what peeks through the cracks in the world -- Deadfall: ghost stories as God-talk -- A jumble of blacks and whites: becoming religious -- Return to Ackerman's field: ritual and the unseen order -- Forty years in Maine: Stephen King and the varieties of religious experience -- If it be your will: theodicy, morality, and the nature of God -- The land beyond: cosmology and the never-ending questions
Published in the years following 9/11, David Darks book The Gospel according to America warned American Christianity about the false worship that conflates love of country with love of God. It delved deeply into the political divide that had gripped the country and the cultural captivity into which so many American churches had fallen. In our current political season, the problems Dark identified have blossomed. The assessment he brought to these problems and the creative resources for resisting them are now more important than ever. Into this new political landscape and expanding on the analysis of The Gospel according to America, Dark offers The Possibility of America: How the Gospel Can Mend Our God-Blessed, God-Forsaken Land. Dark expands his vision of a fractured yet redeemable American Christianity, bringing his signature mix of theological, cultural, and political analysis to white supremacy, evangelical surrender, and other problems of the Trump era.
"The introduction to this edition by Cornel West was originally published in Dwight N. Hopkins, ed., Black Faith and Public Talk: Critical Essays on James H. Cone's Black Theology & Black Power (Maryknoll, NY: Orbis Books, 1999; reprinted 2007 by Baylor University Press)."
Scholars of religion have begun to explore horror and the monstrous, not only within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought - questions about the nature of the divine, humanity's place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. Theology and Horror: Explorations of the Dark Religious Imagination pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.
In this, the first full-scale black systematic theology in twenty years, James Evans emerges as a major and distinctive voice in American theology.Seeking to overcome the chasm between church practice and theological reflection, Evans situates theology squarely in the nexus of faith with freedom. There, with a sure touch, he uplifts revelatory aspects of black religious experience that reanimate classical areas of theology, and he creates a theology with a heart, a soul and a voice that speaks directly to our condition.
This autobiographical work is truly the capstone to the career of the man widely regarded as the "Father of Black Theology." Dr. Cone, a distinguished professor at Union Theological Seminary, died April 27, 2018. During the 1960s and O70s he argued for racial justice and an interpretation of the Christian Gospel that elevated the voices of the oppressed.ssed.
Originally published: Philadelphia: Westminster Press, 1974.
"The Caucasian race is shrinking in the United States of America. The Hispanic growth rate is increasing. Minority birth rates are growing faster than Caucasian birth rates. What would America be like if Native Americans, Hispanics, African Americans, Muslims, Asians, and all other minority groups formed a coalition and became the New Majority voting bloc"--Page 4 of cover
From the celebrated author of "War Is a Force That Gives Us Meaning" comes a startling expos of the political ambitions of the Christian Right--a clarion call for everyone who cares about freedom.
Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power--and the powerlessness--of religion.