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" Art & Place is an extraordinary collection of site–specific art in the Americas. Featuring hundreds of powerful art works in 60 cities – from Albuquerque to Boston and Baja to Rio de Janeiro – the book is both an informative guide and a virtual bucket list of outstanding art destinations. Conceived and developed by Phaidon editors, Art & Place covers carving, painting, murals, frescos, earthworks, land art, and more. Each of the works has a dedicated entry pairing gorgeous, large‐format images with in‐depth descriptions. Maps pinpoint the sites’ locations while specially commissioned plans reveal some of the more complex layouts. The book is organized geographically, offering fresh juxtapositions among familiar art works, such as Anish Kapoor’s Cloud Gate and Robert Smithson’s Spiral Jetty, alongside lesser-known revelations, such as Inhotim Centro de Arte Contemporânea in Brazil. Whether in the mountains, at the heart of a city, or on a remote island, the works in Art & Place are all inextricably linked with their environment. This is art to experience in an immersive way, presented together in a single book for the first time. "
Celebrating the reopening of the newly restored Smithsonian American Art Museum, a premier collection of American art features more than 250 reproductions of great works of American painting, sculpture, folk art, and photography, by such artists as Edward Hopper, Georgia O'Keeffe, Nam June Paik, and other luminaries.
This volume examines folk art in North and South America, including sections for Canada, the United States, Mexico, Antilles, Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, Panama, Colombia, Venezuela, Brazil, Ecuador, Peru, Bolivia, Chile, Paraguay, Argentina, and Uruguay. The art forms covered include basketry, beadwork, jewelry, weaving, toys, metalwork, woodwork, pottery, carving, waxwork, and painting.
A stunning survey of the indigenous art, architecture, and spiritual beliefs of the Americas, from the Precolumbian era to the 20th century This landmark publication catalogues the Art Institute of Chicago’s outstanding collection of Indian art of the Americas, one of the foremost of its kind in the United States. Showcasing a host of previously unpublished objects dating from the Precolumbian era to the 20th century, the book marks the first time these holdings have been comprehensively documented. Richard Townsend and Elizabeth Pope weave an overarching narrative that ranges from the Midwestern United States to the Yucatán Peninsula to the heart of South America. While exploring artists’ myriad economic, historical, linguistic, and social backgrounds, the authors demonstrate that they shared both a deep, underlying cosmological view and the desire to secure their communities’ prosperity by affirming connections to the sacred forces of the natural world. The critical essays focus on topics that bridge traditions across North, Central, and South America, including materials, methods of manufacture, the diversity of stylistic features, and the iconography and functions of various objects. Gorgeously illustrated in color with more than 500 vibrant images, this handsome catalogue serves as the definitive survey of an unparalleled collection.
Explores the formation of public and private collections of Spanish Colonial and modern Latin American art throughout the United States, and the impact of the ever-changing political landscape of Latin American countries.
Corpus Delecti is an unprecedented event in the history of Latino performance art. Assembled and edited by one of the foremost practitioners and theorists in the field, it charts the extraordinary range of practices, narratives and theories which make up this unique area of contemporary performance. Using photos, scripts, essays and poetry, Corpus Delecti explores the impact on performance of Latin American politics, popular culture, and syncretic religions. Nowhere else has such a vibrant and rich collection of writings and documents been fused into a comprehensive archive-volume. Fuco has brought together artists and scholars to bridge the theory/practice divide and to discuss a wide range of genres. -- Publisher's description.
"The unique charm of the folk art of Spain and the Americas is celebrated in this book. Encompassing ceramics, paintings and drawings, sculpture, furniture, kitchen tools, jewelry, and votive art, as well as objects used in the performing arts, this wide-ranging book presents the full spectrum of Spanish folk art expression." "The 124 paintings and objects featured here, mostly in color, span almost five hundred years and have been drawn from museums and private collections from every region of Spain as well as Latin America and the United States. The works demonstrate the vibrancy and appeal of objects designed to be purely decorative as well as those fashioned to fill specific needs. They range from wooden bread stamps used to distinguish a family's loaves and intricately crafted model ships offered to saints in thanks for deliverance from dangerous seas to glazed pottery introduced by Spaniards centuries ago and reinterpreted in Mexico, Guatemala, Peru, and Ecuador." "The text, edited by Marion Oettinger, Jr., with contributions by leading scholars, describes the full range of folk art expression that has been part of Spanish cultural life for hundreds of years and that was transformed into a new aesthetic after arriving in the Americas."--Jacket.
The untold story of how paper revolutionized art making during the Renaissance, exploring how it shaped broader concepts of authorship, memory, and the transmission of ideas over the course of three centuries In the late medieval and Renaissance period, paper transformed society--not only through its role in the invention of print but also in the way it influenced artistic production. The Art of Paper tells the history of this medium in the context of the artist's workshop from the thirteenth century, when it was imported to Europe from Africa, to the sixteenth century, when European paper was exported to the colonies of New Spain. In this pathbreaking work, Caroline Fowler approaches the topic culturally rather than technically, deftly exploring the way paper shaped concepts of authorship, preservation, and the transmission of ideas during this period. This book both tells a transcultural history of paper from the Cairo Genizah to the Mesoamerican manuscript and examines how paper became "Europeanized" through the various mechanisms of the watermark, colonization, and the philosophy of John Locke. Ultimately, Fowler demonstrates how paper--as refuse and rags transformed into white surface--informed the works for which it was used, as well as artists' thinking more broadly, across the early modern world.
This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.
This stunning volume presents nearly 150 pre-Columbian works from the collection assembled by John Bourne in the 1950s and 1960s.