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A collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.
A collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.
A collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.
In the colonial period, and for some time after independence, the writing and reading of fiction in America was condemned by members of the Puritan establishment for creating 'momentary scenes of unreal bliss', and twisting 'the understanding into every obliquity of distortion.' At that point, few could have foreseen that by the close of the nineteenth century Americans would not only dominate the theory and practice of fiction but also be among its principal innovators in the realms of naturalism and modernism. This is a unique collection of primary resource materials for the study of post-Independence American fiction. The set provides a comprehensive selection of significant reviews, short articles and essays drawn from famous periodicals such as the Atlantic Monthly, the Nation and Galaxy, as well as many of the lesser known journals and magazines of the period. Americans on Fiction is the first extensive collection of American criticism of American and European fiction to be published. The material presented here compels a reinterpretation of America’s determining contribution to the evolution of theories of fiction in the nineteenth century and beyond.
An authoritative and lively account of the development of the genre, by leading experts in the field.
A collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.
A world list of books in the English language.
First published between 1982 and 1983, this series examines the peculiarly American cultural context out of which the nation’s literature has developed. Covering the years from 1620 to 1930, these four volumes present a coherent, consecutive and comprehensive sequence of interpretations of major American texts, including fiction, non-fiction, poetry and drama. Every chapter includes an extract from the chosen text which serves as a springboard for wider discussion and analysis. Each analysis demonstrates how students can move into and then from the pages of literature to a consideration of the whole text, and thence to an understanding of the author’s oeuvre and of the cultural moment in which he or she lived and wrote. This set will be a valuable resource for students of American literature and American studies.
An outstanding research guide for undergraduate students of American literature, this best-selling book is essential when it comes to researching American authors. Bracken and Hinman identify and describe the best and most current sources, both in print and online, for nearly 300 American writers whose works are included in the most frequently used literary anthologies. Students will know exactly what information is available and where to find it.
In Abolitionists Remember, Julie Roy Jeffrey illuminates a second, little-noted antislavery struggle as abolitionists in the postwar period attempted to counter the nation's growing inclination to forget why the war was fought, what slavery was really like, and why the abolitionist cause was so important. In the rush to mend fences after the Civil War, the memory of the past faded and turned romantic--slaves became quaint, owners kindly, and the war itself a noble struggle for the Union. Jeffrey examines the autobiographical writings of former abolitionists such as Laura Haviland, Frederick Douglass, Parker Pillsbury, and Samuel J. May, revealing that they wrote not only to counter the popular image of themselves as fanatics, but also to remind readers of the harsh reality of slavery and to advocate equal rights for African Americans in an era of growing racism, Jim Crow, and the Ku Klux Klan. These abolitionists, who went to great lengths to get their accounts published, challenged every important point of the reconciliation narrative, trying to salvage the nobility of their work for emancipation and African Americans and defending their own participation in the great events of their day.