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The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.
Chocolate, papaya, corn, and potatoes - these are only a taste of the many delicious foods native to the Americas and celebrated in this delightful collection. Imaginative, evocative poems and exuberant illustrations introduce 14 different indigenous foods, along with a descriptive paragraph of information for each.
Cake Icing, Butt Budder and Tea Lids has been described as Sweet Home Alabama, the Ya-Ya Sisterhood, Practical Magic and Steel Magnolias all rolled into one. "In the South, if a woman isn't married by age twenty-five, it's time for an intervention." This is the basis behind Delilah and Edna Thibodeaux's dogged determination to make sure their beloved Jezze doesn't end up an old spinster, like her mother and aunt. But what happens when the eccentric antics of the young girl's crazy Cajun aunt and mother put her search for Mr. Right on a 25-year deadline to potential disaster? And why should she have to prove that they are the experts in marriage intervention, anyway? Because she loves them? Yeah, probably. Because they really don't mean any harm? That too. But when they decide her Mr. Right is T-Roy Bertrand, the butt budder salesman, does she really have to agree? And if she's made up her mind, why does her heart refuse to listen?
For the past three decades, many history professors have allowed their biases to distort the way America’s past is taught. These intellectuals have searched for instances of racism, sexism, and bigotry in our history while downplaying the greatness of America’s patriots and the achievements of “dead white men.” As a result, more emphasis is placed on Harriet Tubman than on George Washington; more about the internment of Japanese Americans during World War II than about D-Day or Iwo Jima; more on the dangers we faced from Joseph McCarthy than those we faced from Josef Stalin. A Patriot’s History of the United States corrects those doctrinaire biases. In this groundbreaking book, America’s discovery, founding, and development are reexamined with an appreciation for the elements of public virtue, personal liberty, and private property that make this nation uniquely successful. This book offers a long-overdue acknowledgment of America’s true and proud history.
The authors painstakingly unearthed examples of this once-ubiquitous if short-lived design culture, and present a treasure trove of visual material, most never before seen by today's designers.