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Throughout the new millennium, the number of women interested in amateur wrestling has skyrocketed. From grade school to college, girls and women have been strapping on their head guards and singlets to grapple with their dreams of success on the mat. However, the sport and its participants have not always had an easy time. This book documents the growth of female amateur wrestling in America, and the difficulties and victories it has faced, from removal from the 2013 Olympic Games, to missing the 2020 Games altogether due to Covid-19. The work chronicles the bravery of the women who have led the sport and sets out their performances in the 2021 Olympic Games. With 50 photographs, it also features interviews with the female wrestlers who continue to challenge an often-suppressed field, hoping eventually to leave their mark on the American sports world.
George Gordienko (1928-2002) may be the greatest wrestler you've never heard of. From humble, Ukrainian/Cossack immigrant roots in the Canadian Prairies, he endured a tough childhood during the Great Depression to emerge as a leading "shooter" and one-of-a-kind artist on the mat. Excluded from wrestling in the United States during the McCarthy era because of his association with the Communist Party as a young man, he was deprived of a run with the NWA World Heavyweight Championship, for which he was hand-picked by the great Lou Thesz. After retirement, Gordienko transitioned to a different sort of canvas and became a successful painter. This first full-length biography traces his remarkable career.
For a half-century, the Sheik terrorized fans and foes, becoming wrestling's most feared villain. Yet away from the ring, Ed Farhat was a veteran, family-man and businessman whose real life was shrouded in mystery. For the first time, Blood and Fire tells the whole story.
WHAT DOES IT TAKE TO BE OPENLY GAY IN THE HYPER-MACHO WORLD OF PROFESSIONAL WRESTLING? Just ask Ken "Dazzler" Dunlop, whose Australian professional wrestling career coincided with the AIDS crisis and when homosexuality was not only still taboo but also a criminal act. In the first ever autobiography by an Australian professional wrestler, the life and times of an out-and-proud wrestling legend and a member of the Australian professional Wrestling Hall of Fame are candidly laid out in this wonderful new memoir. Ken "Dazzler" Dunlop is a man who dedicated 24 years to the sport of professional wrestling. Despite his small stature, Ken proved his toughness and resilience by bodyslamming and clotheslining his way to a memorable 24-year Hall of Fame career in Australia and abroad with superstars the likes of Andre the Giant and Mario Milano. Always striving to be the best that he could be, no matter what...Every decision centred around his wrestling career and those who supported him...During his career he also taught many young men to wrestle and became a mentor in their lives as they excelled beyond even their own expectations. From his humble beginnings as a mummy's boy in rural Victoria to his crazy life as an out-and-proud gay man in Australia's Sin City, there were moments of triumph, laughter, mayhem, and plenty of tears. These are the no-holds-barred stories of a bona fide wrestling pioneer who did it all with passion, loyalty, and a no-nonsense honesty. This is the autobiography of Australian Wrestling Legend and Hall of Fame Inductee, Ken "Dazzler" Dunlop. "A true character and legend of the most entertaining and demanding sport in the world...Ken has dreamed it, lived and loved it with everything he is as a champion and as a person...this is a wonderfully honest and humbled sharing of his own story...Marvellous and inspiring..." Brian, Indiebook reviewer
WINNER OF THE EDGAR AWARD WINNER OF THE PETER LOVESEY FIRST CRIME NOVEL CONTEST Friday Night Lights gone dark with Southern Gothic; Eli Cranor delivers a powerful noir that will appeal to fans of Wiley Cash and Megan Abbott. In Denton, Arkansas, the fate of the high school football team rests on the shoulders of Billy Lowe, a volatile but talented running back. Billy comes from an extremely troubled home: a trailer park where he is terrorized by his mother’s abusive boyfriend. Billy takes out his anger on the field, but when his savagery crosses a line, he faces suspension. Without Billy Lowe, the Denton Pirates can kiss their playoff bid goodbye. But the head coach, Trent Powers, who just moved from California with his wife and two children for this job, has more than just his paycheck riding on Billy’s bad behavior. As a born-again Christian, Trent feels a divine calling to save Billy—save him from his circumstances, and save his soul. Then Billy’s abuser is found murdered in the Lowe family trailer, and all evidence points toward Billy. Now nothing can stop an explosive chain of violence that could tear the whole town apart on the eve of the playoffs.
Gene Kiniski (1928-2010) was internationally known to a generation of wrestling fans and to Canadians everywhere as "Canada's Greatest Athlete." Older fans and wrestling historians remember him best for his accomplishments in the ring, his run-'em-over approach to the game, his growly demeanor, and his razor wit he could unleash at will. Drawing on recollections from fellow wrestlers, promoters, and friends, this first biography of Kiniski gives a full account of the life of a champion pro wrestler who won over fans throughout the United States, Canada, and Japan in a career spanning more than three decades.
Any on-screen schmuck can take down a wolfman with a silver bullet. It takes a certain kind of hero to hoist that wolfman overhead into an airplane spin, follow with a body slam, drop an atomic elbow across his mangy neck, leg-lock him until he howls, and pin his furry back to the mat for a three-count. It takes a Mexican masked wrestler. Add a few half-naked vampire women, Aztec mummies, mad scientists, evil midgets from space, and a goateed Frankenstein monster, and you have just some of the elements of Mexican masked wrestler and monster movies, certainly among the most bizarre, surreal and imaginative films ever produced. This filmography features some of the oddest cinematic showdowns ever concocted--Mexican masked wrestlers battling monsters, evil geniuses and other ne'er-do-wells, be it in caves, cobwebbed castles or in the ring. From the 1950s to the 1970s, these movies were staples of Mexican cinema, combining action, horror, sex, science fiction and comedy into a bizarre amalgam aimed to please the whole family. Chapters examine the roots of the phenomenon, including the hugely popular masked wrestling scene and the classic Universal horror films from which Mexican filmmakers stole without compunction. Subsequent chapters focus on El Santo, Blue Demon, and Mil Mascaras, the three most prominent masked wrestlers; wrestling women; other less prominent masked wrestlers; and the insane mish-mash of monsters pitted against the heroes. Each chapter includes background information and a full filmography, and a wide assortment of striking illustrations--posters, lobby cards and other graphic material, some better than the movies they advertised--accompany the text.
The subject is rife with social and cultural implications which Guttmann explores as he traces the development of women's sports from antiquity to the present, including the evolution and the revolution in the 20th century and contemporary controversies.
DING DING DING! Enter the wrestling ring in this all-new graphic novel from Wrapped Up creators Dave Scheidt and Scoot McMahon! The Agents of S.L.A.M. aren’t your average professional wrestlers. They’re led by the fearless and famous Bruno Bravado and work for the president of the United States to protect people from all kinds of threats—both on Earth and in space! And they’ve just been joined by their newest recruit, Katie Jones, a twelve-year-old wrestling vlogger who just might know more about wrestling than the wrestlers themselves. S.L.A.M. will need Katie’s knowledge and skills if they’re going to keep protecting Earth, especially when their toughest rival challenges them!
Thanks in large part to an exploitation film producer and distributor named K. Gordon Murray, a unique collection of horror films from Mexico began to appear on American late-night television and drive-in screens in the 1960s. Ranging from monster movies clearly owing to the heyday of Universal Studios to the lucha libre horror films featuring El Santo and the "Wrestling Women," these low-budget "Mexploitation" films offer plenty of campy fun and still inspire cult devotion, yet they also reward close study in surprising ways. This work places Mexploitation films in their historical and cultural context and provides close textual readings of a representative sample, showing how they can be seen as important documents in the cultural debate over Mexico's past, present and future. Stills accompany the text, and a selected filmography and bibliography complete the volume.