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Although firmly rooted in ancient East Asia cultures, stone appreciation has no necessary boundaries; around the mid-twentieth century it found a congenial reception in the West, where it slowly began to flourish. While after more than a half-century, Asian perspectives on connoisseurship of natural stones have become well established in the West, books on viewing stones still predominantly feature East Asian examples. This is the first book to feature outstanding North American viewing stones from private and institutional collections, and includes introductory essays on Native American stone appreciation and a brief history of stone collecting on the continent. North America has a rich and varied geological history that is yielding many types of beautiful and unusual stones. Some resemble natural features, plateaus or mountains with cascading rivulets, while others are figurative, portraying creatures real or mythical. Some are abstract in form, while others exhibit appealing shapes, beautiful colors, or fascinating surface patterns. However, all share one quality: an ability to elicit an emotional response in the viewer. They confront us with the beauty and diversity of the natural world and demand a response, while we are drawn, willingly, to comply. Sixty-three individuals and institutions participated in this project. From over 330 professional photographs submitted for consideration, 151 stones were selected for inclusion. A jury of stone enthusiasts evaluated each submission based on seven criteria, without knowing the identity of either collector or owner. The result is fabulous array of beautiful and unusual stones from a diverse group of collectors, demonstrating not only the richness and diversity of the continent's geological resources but also the vibrancy and enthusiasm of the North American collecting community.
A comprehensive guide to viewing stone traditions and practices, featuring a gallery of stunning stone displays by an international array of collectors. This volume offers fresh perspectives on an ancient practice to all readers, from the curious to the connoisseur.
The Japanese Art of Stone Appreciation is an exploration into the art of suiseki—small, naturally formed stones selected for their shape, balance, simplicity and tranquility. Written by two leading experts in the field of Japanese gardening and art, this concise introduction offers aesthetic guidance and direct practical advice that is a window into traditional Japanese culture. It details the essential characteristics of a high-quality suiseki, describing the various systems of stone classification in this Japanese art form and explaining how to display a suiseki to its best advantage. There is also a section on incorporating suiseki alongside a bonsai tree, the most popular and rewarding complement to peaceful suiseki miniature landscape gardens. Sections include: Historical Background Characteristics and Aesthetic Qualities Classification of Suiseki Displaying a Stone Suiseki with Bonsai and Other Related Arts Collecting Suiseki How to Make a Carved Wooden Base Suiseki Classification Systems
Brilliant photographs of scholars' rocks, or Chinese ornamental stones, from a leading collection Shaped by nature and selected by man, scholars' rocks, or gongshi, have been prized by Chinese intellectuals since the Tang dynasty, and are now sought after by Western collectors as well. They are a natural subject for the photographer Jonathan Singer, most recently acclaimed for his images of those other remarkable hybrids of art and nature, Japanese bonsai. Here Singer turns his lens on some 150 fine gongshi, ancient and modern, from the world-class collection of Kemin Hu, a recognized authority on this art form. In his photographs, Singer captures the spiritual qualities of these stones as never thought possible in two dimensions; he shows us that scholars' rocks truly are, in Hu's words, "condensations of the vital essence and energy of heaven and earth." Hu contributes an introductory essay on the history and aesthetics of scholars' rocks, explaining the traditional terms of stone appreciation, such as shou (thin), zhou (wrinkled), lou (channels), and tou (holes). She also provides a narrative caption for each stone, describing its history and characteristics.
Small Stones Worlds Apart is the most comprehensive book featuring small-sized viewing stones ever published in the English language. The 272-page illustrated book features 439 stones or stone displays. The book is a product of an online Small Stone Contest sponsored by the Viewing Stone Association of North America (VSANA). Each stone or display is assigned to one of four categories: traditional stones, contemporary stones, traditional stone displays or contemporary stone displays.
Chrysanthemum stones are so called due to their unique mineral formations that resemble chrysanthemum flowers. A rarity in nature, they are found primarily in East Asia, where they have been admired for nearly three centuries; they are now are achieving notice among Western collectors, and recently have been found in the United States. Chrysanthemum Stones is the first comprehensive presentation of these extraordinarily beautiful stones, and sets a new standard for books relating to the art of stone appreciation that has flourished in Asia for over 2,000 years. The authors traveled extensively in China and Japan to bring historical information together with new data, which is generously illustrated with over 120 full-color photographs. Readers are shown the full range of chrysanthemum stones, from the rarest and most valuable to those more frequently encountered in the marketplace, and are provided the most complete set of published references to chrysanthemum stones available. Book jacket.
This text is meant to educate and help people with the identification of unusual stones fashioned by early man. Many of these stones are nothing short of true works of art, as you will see. In these pages are photographs and drawings of stones collected over thirty years, and four years to write this book—60,000 words and 318 photos and drawings to help you understand how ancient man used and really looked at a stone, and you will too. There's no book like this on earth!
A major contribution to both art history and Latin American studies, A Culture of Stone offers sophisticated new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and played a vital role in the unfolding of Inka history. Examining the multiple uses of stone, she argues that the Inka understood building in stone as a way of ordering the chaos of unordered nature, converting untamed spaces into domesticated places, and laying claim to new territories. Dean contends that understanding what the rocks signified requires seeing them as the Inka saw them: as potentially animate, sentient, and sacred. Through careful analysis of Inka stonework, colonial-period accounts of the Inka, and contemporary ethnographic and folkloric studies of indigenous Andean culture, Dean reconstructs the relationships between stonework and other aspects of Inka life, including imperial expansion, worship, and agriculture. She also scrutinizes meanings imposed on Inka stone by the colonial Spanish and, later, by tourism and the tourist industry. A Culture of Stone is a compelling multidisciplinary argument for rethinking how we see and comprehend the Inka past.
Winner, American Library Association Booklist’s Top of the List, 2019 Adult Nonfiction Acclaimed writer Marie Arana delivers a cultural history of Latin America and the three driving forces that have shaped the character of the region: exploitation (silver), violence (sword), and religion (stone). “Meticulously researched, [this] book’s greatest strengths are the power of its epic narrative, the beauty of its prose, and its rich portrayals of character…Marvelous” (The Washington Post). Leonor Gonzales lives in a tiny community perched 18,000 feet above sea level in the Andean cordillera of Peru, the highest human habitation on earth. Like her late husband, she works the gold mines much as the Indians were forced to do at the time of the Spanish Conquest. Illiteracy, malnutrition, and disease reign as they did five hundred years ago. And now, just as then, a miner’s survival depends on a vast global market whose fluctuations are controlled in faraway places. Carlos Buergos is a Cuban who fought in the civil war in Angola and now lives in a quiet community outside New Orleans. He was among hundreds of criminals Cuba expelled to the US in 1980. His story echoes the violence that has coursed through the Americas since before Columbus to the crushing savagery of the Spanish Conquest, and from 19th- and 20th-century wars and revolutions to the military crackdowns that convulse Latin America to this day. Xavier Albó is a Jesuit priest from Barcelona who emigrated to Bolivia, where he works among the indigenous people. He considers himself an Indian in head and heart and, for this, is well known in his adopted country. Although his aim is to learn rather than proselytize, he is an inheritor of a checkered past, where priests marched alongside conquistadors, converting the natives to Christianity, often forcibly, in the effort to win the New World. Ever since, the Catholic Church has played a central role in the political life of Latin America—sometimes for good, sometimes not. In this “timely and excellent volume” (NPR) Marie Arana seamlessly weaves these stories with the history of the past millennium to explain three enduring themes that have defined Latin America since pre-Columbian times: the foreign greed for its mineral riches, an ingrained propensity to violence, and the abiding power of religion. Silver, Sword, and Stone combines “learned historical analysis with in-depth reporting and political commentary...[and] an informed and authoritative voice, one that deserves a wide audience” (The New York Times Book Review).