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George Bourne was one of the early American republic’s first immediate abolitionists, an influential figure who paved the way for the campaign against slavery in the antebellum period. His approach to reform was shaped by a conservative Protestant outlook that became increasingly hostile to Catholicism. In To Preach Deliverance to the Captives, Ryan C. McIlhenny examines the interplay of Bourne’s pioneering efforts in abolitionism and his intensely anti-Catholic views. McIlhenny portrays Bourne as both a radical and a conservative, a reformer who desired to get back to the roots of Christianity for the purpose of completely dismantling slavery. Bourne’s commentary on a variety of controversial topics—slavery, race, and citizenship; the role of women; Christianity and republicanism; the importance of the Bible; and the place of the church in civil society—put him at the center of many debates. He remains a complex figure: a polymath situated within the political, social, and cultural possibilities of an early republic that he was eager to play a part in shaping. Bourne’s religious radicalism gave rise to his hope for an emerging post-revolutionary republic that would focus mainly on its religious foundations. The strength of the American nation, in Bourne’s mind, rested not only on institutions indicative of a republican form of government but also on a pure Christianity, exemplified best in historical Protestantism. To Bourne, the future of the fledgling nation depended not only on principles and institutions but also on the activism of Protestant leaders like himself.
Though they disagree on virtually everything else, evangelicals and gays, Catholics and agnostics all agree that sex should be innocent and ecstatic. For most of Western history people have not had such expectations. Innocent Ecstasy shows how Christianity led Americans to hope for so much from sex. The book explains how the sexual revolution could have occurred in a nation so deeply imbued with Christian ethical values. Tracing our strange journey from the hands of Jonathan Edward's angry Puritan God to the loving embrace of Marabel Morgan's Total Woman, Gardella draws his surprising evidence from widely disparate sources, ranging from Catholic confessionals to methodist revival meetings, from evangelical romances to The Song of Bernadette. He reveals the sexual messages of mainstream Protestant theology and the religious aspirations of medical texts found at the Kinsey Institute for Sex Research. He sheds new light on such well-known figures as Henry Adams, Margaret Sanger, Aimee Semple McPherson, and Harriet Beecher Stowe, and introduces us to such fascinating, lesser-known characters as Dr. John Harvey Kellogg and Sylvester Graham, inventors of corn flakes and Graham crackers, who devised their products as anti-aphrodisiacs. While detailing the development of moral obligations to pursue sexual pleasure and to follow certain patterns of sexual practice, Gardella incidentally provides one of the few books to bring together the liberal Protestant, Roman Catholic, and evangelical perspectives on any aspect of American culture. Gardella attributes the American ethic of sexual pleasure to the eagerness of Americans to overcome original sin. This led to a quest for perfection, or complete freedom from guilt, combined with a quest for ecstatic experience. The result, he maintains, is an attitude that looks to sex for what was once expected from religion. In this new edition, a new conclusion explores how popular music, gay liberation, and recovery from sexual abuse have substantially expanded innocent ecstasy during the past thirty years while continuing the Christian themes of redemption and mission. A new afterword deals with contemporary developments in popular culture and offers thoughts about the future