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The origins and construction of 80 starwork coverlets by Pennsylvanian German weavers.
Catalogs the Museum's quilt and coverlet collection and discusses the history of the quiltmaker's art
Celebrated for their rarity, historical importance, and beauty, the maps of the 16th, 17th, and 18th centuries in the collection of the Colonial Williamsburg Foundation provide an invaluable resource for the history of settlement in America. In the colonies, maps were essential in facilitating trade and travel, substantiating land claims, and settling boundary disputes. Today, knowing exactly what maps were owned and used during the period gives us a much richer understanding of the aspirations of early Americans.This large, handsome volume -- a carefully researched cultural investigation -- examines how maps were made and marketed, why people here and abroad purchased them, what they reveal about the emerging American nation, and why they were so significant to the individuals who owned them. Among the rare or unique examples included here are several maps that have never before been published. A must for map collectors and historians, this book will also be treasured by the millions who travel each year to Colonial Williamsburg to celebrate their American heritage.
Showcases one of Norway's most beautiful and enduring folk arts.
Features forty-four coverlets and two quilts made by hand weavers who lived in Western North Carolina, Eastern Kentucky, East Tennessee, and Southwest Virginia. Ms. Wilson has spent many years researching southern Appalachian overshot coverlet weaving.
This richly illustrated book offers a glimpse into the lives and creativity of African American quilters during the era of slavery. Originally published in 1989, Stitched from the Soul was the first book to examine the history of quilting in the enslaved community and to place slave-made quilts into historical and cultural context. It remains a beautiful and moving tribute to an African American tradition. Undertaking a national search to locate slave-crafted textiles, Gladys-Marie Fry uncovered a treasure trove of pieces. The 123 color and black and white photographs featured here highlight many of the finest and most interesting examples of the quilts, woven coverlets, counterpanes, rag rugs, and crocheted artifacts attributed to slave women and men. In a new preface, Fry reflects on the inspiration behind her original research--the desire to learn more about her enslaved great-great-grandmother, a skilled seamstress--and on the deep and often emotional chords the book has struck among readers bonded by an interest in African American artistry.
This collection of nineteenth- and early twentieth-century weaving drafts from the Southern Highlands region of Appalachia includes 112 overshot drafts and drawdowns, and 31 drafts and drawdowns for the all-white summertime cotton bedspreads called counterpanes. Color photos of the original samples are shown side by side with valuable modern translations of the drafts, which enable today's weavers to make them. A vibrant example of our weaving heritage, these drafts were originally gathered in the nine states of the Southern Highlands region between 1892 and 1918 by the legendary Frances L. Goodrich. Handwoven counterpanes and coverlets were important possessions, and often were the only item of beauty in the women's otherwise impoverished living conditions. These are drafts Goodrich carefully collected but did not include in her classic Brown Book. Dozens of vintage photographs of Goodrich, the communities she served, and the women who invented the drafts help bring this part of our American craft heritage to life.
A collection of traditional eighteenth and nineteenth century weaving drafts, written sequences of the threading order on the loom used to create specific patterns. They are presented here in their original form as gathered by Frances L. Goodrich and illustrated in over 160 color photos. This volume also contains over 200 valuable modern translations of the same drafts for use by today's weavers. In 1890, Frances L. Goodrich came to the southern mountains in North Carolina from a life of culture to live and work among people who had little opportunity for education or social enrichment. Through her work for the Presbyterian Home Mission Board, she grew to love and respect these neighbors who worked so hard and had so little. She established schools, a small hospital, and the Allanstand Cottage Industries. As she traveled the mountain roads and trails on horseback, Miss Goodrich collected these precious weaving drafts from the women who wove for Allanstand Cottage Industries. In your hands is the heart of that collection.