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Winner of the Pulitzer Prize for Poetry Her most acclaimed volume of poetry, American Primitive contains fifty visionary poems about nature, the humanity in love, and the wilderness of America, both within our bodies and outside. "American Primitive enchants me with the purity of its lyric voice, the loving freshness of its perceptions, and the singular glow of a spiritual life brightening the pages." -- Stanley Kunitz "These poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight." -- May Swenson
Before the Bible Belt fastened itself across the South, competing factions of evangelicals fought over their faith's future, and a contrarian sect, self-named the Primitive Baptists, made its stand. Joshua Guthman here tells the story of how a band of antimissionary and antirevivalistic Baptists defended Calvinism, America's oldest Protestant creed, from what they feared were the unbridled forces of evangelical greed and power. In their harrowing confessions of faith and in the quavering uncertainty of their singing, Guthman finds the emotional catalyst of the Primitives' early nineteenth-century movement: a searing experience of doubt that motivated believers rather than paralyzed them. But Primitives' old orthodoxies proved startlingly flexible. After the Civil War, African American Primitives elevated a renewed Calvinism coursing with freedom's energies. Tracing the faith into the twentieth century, Guthman demonstrates how a Primitive Baptist spirit, unmoored from its original theological underpinnings, seeped into the music of renowned southern artists such as Roscoe Holcomb and Ralph Stanley, whose "high lonesome sound" appealed to popular audiences searching for meaning in the drift of postwar American life. In an account that weaves together religious, emotional, and musical histories, Strangers Below demonstrates the unlikely but enduring influence of Primitive Baptists on American religious and cultural life.
Writing Anthropologists, Sounding Primitives re-examines the poetry and scholarship of three of the foremost figures in the twentieth-century history of U.S.-American anthropology: Edward Sapir, Margaret Mead, and Ruth Benedict. While they are widely renowned for their contributions to Franz Boas's early twentieth-century school of cultural relativism, what is far less known is their shared interest in probing the representational potential of different media and forms of writing. This dimension of their work is manifest in Sapir's critical writing on music and literature and Mead's groundbreaking work with photography and film. Sapir, Mead, and Benedict together also wrote more than one thousand poems, which in turn negotiate their own media status and rivalry with other forms of representation. A. Elisabeth Reichel presents the first sustained study of the published and unpublished poetry of Sapir, Mead, and Benedict, charting this largely unexplored body of work and relevant selections of the writers' scholarship. In addition to its expansion of early twentieth-century literary canons, Writing Anthropologists, Sounding Primitives contributes to current debates about the relations between different media, sign systems, and modes of sense perception in literature and other media. Reichel offers a unique contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by noted early twentieth-century U.S.-American cultural anthropologists. Access the OA edition here.
Biographical poems on artist Horace H. Pippin, who left an invaluable record of African American life during World War I.
Carr (English, U. of London) examines literary and anthropological writings that describe, inscribe, translate, and transform Native American myths and poetry to conform with mainstream American society's conception of the primitive. She draws on post-colonial and feminist theory and the recent textual turn of ethnography. The story she finds is taut with the contradiction of trying to preserve a culture while ruthlessly destroying it. Annotation copyright by Book News, Inc., Portland, OR
Patrick Brantlinger here examines the commonly held nineteenth-century view that all "primitive" or "savage" races around the world were doomed sooner or later to extinction. Warlike propensities and presumed cannibalism were regarded as simultaneously noble and suicidal, accelerants of the downfall of other races after contact with white civilization. Brantlinger finds at the heart of this belief the stereotype of the self-exterminating savage, or the view that "savagery" is a sufficient explanation for the ultimate disappearance of "savages" from the grand theater of world history.Humanitarians, according to Brantlinger, saw the problem in the same terms of inevitability (or doom) as did scientists such as Charles Darwin and Thomas Henry Huxley as well as propagandists for empire such as Charles Wentworth Dilke and James Anthony Froude. Brantlinger analyzes the Irish Famine in the context of ideas and theories about primitive races in North America, Australia, New Zealand, and elsewhere. He shows that by the end of the nineteenth century, especially through the influence of the eugenics movement, extinction discourse was ironically applied to "the great white race" in various apocalyptic formulations. With the rise of fascism and Nazism, and with the gradual renewal of aboriginal populations in some parts of the world, by the 1930s the stereotypic idea of "fatal impact" began to unravel, as did also various more general forms of race-based thinking and of social Darwinism.
Reprint of the original, first published in 1938.
Primitive, rustic, one-of-a-kind furnishings are wildly popular with a wide range of homeowners and professional decorators. Passion for Primitives, with more than 200 lush and stunning photographs, depicts the unpretentious honesty of pieces that come from the imaginations and hearts of the untrained artisans who created them. These furnishings, accent pieces, rustic architectural and structural elements, and displays of country collectibles and folk art are iconic Americana. This book unveils a legacy that is not only intrinsic to our historic design tradition, but is newly flourishing throughout the country. Passion for Primitives is a photographic tour of private homes throughout the U.S., ranging from country simple to modern. It is also a guide to designing with primitives that gives readers an invaluable tool for understanding the range of possibilities in decorating-an ideal book for decorators, designers, architects, and homeowners.
A Wall Street Journal Business Book Bestseller "Primitive provides a path forward to unleash your inner entrepreneur."―Barbara Corcoran, Shark Tank Most people are disengaged with their work and feel uninspired, underappreciated and underpaid. The situation could hardly be clearer: in the wake of a catastrophic global health crisis and amid societal upheaval and economic uncertainty, we can longer afford to play by the conventional rulebook to get ahead in our professional lives. What’s the secret to this kind of success in today’s world? Ironically, it’s honoring our ancient instincts and intuition. It’s about sensing danger and pouncing on opportunity -- as our ancestors did tens of thousands of years ago, or in the manner of playful kids full of curiosity and can-do spirit. Primitive is very different from the familiar, cookie-cutter business book. Marco Greenberg, a close advisor to visionary founders of tech unicorns and the heads of some of the nation’s largest organizations, demonstrates how a range of successful people--those he calls "primitives"--ignore what they "should" do and instead tap a primal drive to power ahead. The good news is that anyone looking to inspire others has a way to apply the primitive mindset, from new college grads to mid-career professionals, from HR directors to CEOs. The key is to go ROAMING ™: be Relentless in pursuing our biggest goals; have the courage to reject group-think and be Oppositional; choose an Agnostic approach rather than overly specialize; adopt a Messianic spirit, so your work becomes not just a job but a true calling; embrace the advantages of being Insecure rather than feign bravado; reap the benefits of sometimes acting a little Nuts; and finally, to realize that being Gallant in following one's passions delivers the ultimate rewards. Primitive captures the keys to breakout success and professional satisfaction.