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The peoples of the American Southwest during the 13th through the 17th centuries witnessed dramatic changes in settlement size, exchange relationships, ideology, social organization, and migrations that included those of the first European settlers. Concomitant with these world-shaking events, communities of potters began producing new kinds of wares—particularly polychrome and glaze-paint decorated pottery—that entailed new technologies and new materials. The contributors to this volume present results of their collaborative research into the production and distribution of these new wares, including cutting-edge chemical and petrographic analyses. They use the insights gained to reflect on the changing nature of communities of potters as they participated in the dynamic social conditions of their world.
Overzicht van de ontwikkeling van Amerikaanse studio keramiek in de twintigste eeuw.
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} At the height of the Arts and Crafts era in Europe and the United States, American ceramics were transformed from industrially produced ornamental works to handcrafted art pottery. Celebrated ceramists such as George E. Ohr, Hugh C. Robertson, and M. Louise McLaughlin, and prize-winning potteries, including Grueby and Rookwood, harnessed the potential of the medium to create an astonishing range of dynamic forms and experimental glazes. Spanning the period from the 1870s to the 1950s, this volume chronicles the history of American art pottery through more than three hundred works in the outstanding collection of Robert A. Ellison Jr. In a series of fascinating chapters, the authors place these works in the context of turn-of-the-century commerce, design, and social history. Driven to innovate and at times fiercely competitive, some ceramists strove to discover and patent new styles and aesthetics, while others pursued more utopian aims, establishing artist communities that promoted education and handwork as therapy. Written by a team of esteemed scholars and copiously illustrated with sumptuous images, this book imparts a full understanding of American art pottery while celebrating the legacy of a visionary collector.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Explores the characteristics and unique features of the main pottery studios in the U.S.
Primarily a women's art, American Indian pottery reflects a heritage of powerful social, religious, and aesthetic values. Even now, modern American Indian women use the clay, paint, and fire of pottery making to express themselves, creating designs that range from dutifully traditional to strikingly original. This book - written in conjunction with one of the most important exhibitions of American Indian pottery ever mounted - provides an in-depth look at a unique North American art form.
Fifth in Kodansha's award-winning series on American craftspersons. Warren MacKenzie has spent his life working in a wide-ranging folkcraft tradition that draws inspiration from the great potter Bernard Leach in Britain and the mingei movement of postwar Japan.
This successful series offers clear, accessible, easy-to-follow information to help the collector develop an appraiser's eye and a connoisseur's knowledge. At the heart of each book approximately 50 to 60 pairs of related objects are analyzed, compared, and evaluated to discover why one item is more valuable than the other. The factors involved may be age, rarity, intricacy of design, make, marks, provenance, or restoration. A veritable master class in appraising art pottery, this authoritative guide includes an introduction to the subject, covering such topics as buying and selling, materials, decorations, periods, and styles. All the key studios of American art pottery are featured including Paul Revere, Rookwood Grueby Faience, Dedham, Volkmar, and Taco.