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This powerful anthology brings together reflective and raw plays by American playwrights surrounding the psychic and political boundaries of the many faces and shadows of terrorism. Allan Havis's introduction addresses a variety of terrorism cases from the last 25 years, examines several theories of the root causes of modern terrors, and underscores how theatre forms a unique contour to social and philosophical thought on terrorism. With a foreword from Robert Brustein, the anthology features: Break of Noon by Neil LaBute 7/11 by Kia Corthron Omnium Gatherum by Theresa Rebeck and Alexandra Gersten-Vassilaros Columbinus by PJ Paparelli and Stephen Karam Why Torture is Wrong, and the People Who Love Them by Christopher Durang
This scholarly volume delves into the manner in which British Muslims articulate their cultural, social and religious identities through theatrical productions in 21st-century Britain and examines their portrayal within these performances. The study investigates the factors influencing the emergence and evolution of Islamic theatre in Britain, providing an in-depth analysis of plays by British playwrights of both Muslim and non-Muslim origins that have shaped the trajectory of British Islamic theatre from the late 20th century to the present. Önder Çakırtaş critically examines how British playwrights, predominantly of Muslim origin but also including some of non-Muslim origin, depict Muslim identity and culture from their unique perspectives, particularly in the context of post-9/11 society. Adopting a comprehensive approach to Islamic playwriting and performance, this book highlights the accomplishments and contributions of contemporary British playwrights, primarily from Muslim backgrounds. This study will be of significant interest to scholars and students in theatre studies, as well as related disciplines such as Islamic studies, sociology and political science.
The Theatre of Christopher Durang considers the works of one of the foremost comedic writers for the American stage. From Durang's early success with the controversial Sister Mary Ignatius Explains It All for You (1974) to his recent Tony Award-winning play, Vanya and Sonia and Masha and Spike (2012), he has been an original theatrical voice in American theatre. Edith Oliver, long-time theatre critic for The New Yorker, described Durang as “one of the funniest men in the world.” Durang challenges traditional dramatic idioms with his irreverent comedies that are as shocking as they are prescient and compassionate. This volume provides the first comprehensive examination of Durang's works and incorporates comedic theory to examine how laughter in performance subverts social conventions and hierarchies. Through a clear, detailed discussion of the plays, Miriam Chirico considers Durang's use of black comedy, satire, and parody to explode such topics as: western literature, religion, dysfunctional families, and American social malaise. Robert Combs and Jay Malarcher provide additional critical perspectives about Durang's works, detailing his use of alienation techniques and locating his place within the American parodic tradition. The book also includes a warm introduction by Durang's former student, Pulitzer Prize-winner, David Lindsay-Abaire. The Theatre of Christopher Durang, in demonstrating how Durang has shaped contemporary theatrical possibilities, offers a valuable guide for students of American drama and comedy.
This collection offers new and insightful perspectives on Ingmar Bergman's work as a film and theatre director as well as writer of fiction. Ingmar Bergman's rich legacy as a film director and writer of classics such as The Seventh Seal, Scenes From a Marriage, and Fanny and Alexander has attracted scholars not only in film studies but also of literature, theater, gender, philosophy, religion, sociology, musicology, and more. Less known, however, is Bergman from the perspective of production studies, including all the choices, practices, and routines involved in what goes on behind the scenes. For instance, what about Bergman's collaborations and conflicts with film producers? What about his work with musicians at the opera, technicians in the television studio, and actors on the film set? What about Bergman and MeToo? In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus are brought together with academics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis to discuss Bergman's work from their unique perspectives. In addition, Ingmar Bergman at the Crossroads provides, for the first time, in-depth interviews with Bergman's longtime collaborators Katinka Faragó and Måns Reuterswärd, who both have first-hand experience of working intimately as producers in film and television with Bergman, covering more than 5 decades. In an open exchange between individual and institutional perspectives, this book bridges the often-rigid boundaries between theoreticians and practitioners, in turn pointing Bergman's studies in new directions.
This powerful anthology brings together reflective and raw plays by American playwrights surrounding the psychic and political boundaries of the many faces and shadows of terrorism. Allan Havis's introduction addresses a variety of terrorism cases from the last 25 years, examines several theories of the root causes of modern terrors, and underscores how theatre forms a unique contour to social and philosophical thought on terrorism. With a foreword from Robert Brustein, the anthology features: Break of Noon by Neil LaBute 7/11 by Kia Corthron Omnium Gatherum by Theresa Rebeck and Alexandra Gersten-Vassilaros Columbinus by PJ Paparelli and Stephen Karam Why Torture is Wrong, and the People Who Love Them by Christopher Durang
Recent attacks in Oklahoma City, at the World Trade Towers, and at American embassies in Africa demonstrate the horrifying consequences of a terrorist strike. But as technological advances make weapons of mass destruction frighteningly easy to acquire, a revolution is occurring in the very nature of terrorism--one that may make these attacks look like child's play. In The New Terrorism Walter Laqueur, one of the foremost experts on terrorism and international strategic affairs, recounts the history of terrorism and, more importantly, examines the future of terrorist activity worldwide. Laqueur traces the chilling trend away from terrorism perpetrated by groups of oppressed nationalists and radicals seeking political change to small clusters of fanatics bent on vengeance and simple destruction. Coinciding with this trend is the alarming availability of weapons of mass destruction. Chemical and biological weapons are cheap and relatively easy to make or buy. Even nuclear devices are increasingly feasible options for terrorists. And with the information age, cyber terrorism is just around the corner. Laqueur argues that as a new quasi-religious extreme right rises, with more personal and less ideological motivations than their left-wing counterparts, it is only a matter of time before the attainability of weapons of mass destruction creates a terrifying and unstable scenario. From militant separatism in Kashmir to state-sponsored extremism in Libya and ecoterrorism in the West, The New Terrorism offers a thorough account of terrorism in all its past and current manifestations. Most importantly, it casts a sober eye to the future, when the inevitable marriage of technology and fanaticism will give us all something new to think about.
This book offers a broad interdisciplinary approach to the changes in the U.S. immigration debate before and after 9/11. A nation’s reaction to foreigners has as much to do with sociology as it does with political science, economics and psychology. Without drawing on this knowledge, our understanding of the immigration debate remains mundane, partial, and imperfect. Therefore, our story accounts for multiple factors, including culture and politics, power, organizations, social psychological processes, and political change. Examining this relationship in the contemporary context requires a lengthy voyage across academic disciplines, a synthesis of seemingly contradictory assumptions, and a grasp of research traditions so vast and confusing that an accurate rendering may seem implausible. And yet, to tell the story of the immigration debate in the age of terrorism, polarization, and Trump in any other way is to tell it in part. The immigration debate in the United States has always been about openness. Two questions in particular—how open should the door be and what type of immigrant should walk through it—have characterized policy disputes for well over a century. In the current debate, expansionists want to see more legal immigrants in the U.S. and greater tolerance, if not respect, for immigrants. Restrictionists favor lower levels of immigration, stronger borders, and tighter law enforcement measures to stop the stream of ‘illegal’ migration and alleged crime. The aim of this book is to describe how these opposing views materialized in the news media, political rhetoric, and, ultimately, in policy. Much of our argument rests on the idea that history matters, that the dominant narrative about immigration is in constant flux, and that the ‘winner’ of the immigration debate is determined by a vector of contextual elements: the joint impact of current events, enduring traditions, and political-economic forces. Our approach to the immigration debate avoids deterministic claims and grand-scale projections. Although we argue with conviction that a climate of fear played an important role in shaping the debate, the fear itself and its effects on social attitudes and public policy were neither inevitable nor necessarily long lasting.
The lethality of lone-wolf terrorism has reached an all-time high in the United States. Isolated individuals using firearms with high-capacity magazines are committing brutally efficient killings with the aim of terrorizing others, yet there is little consensus on what connects these crimes and the motivations behind them. In The Age of Lone Wolf Terrorism, terrorism experts Mark S. Hamm and Ramón Spaaij combine criminological theory with empirical and ethnographic research to map the pathways of lone-wolf radicalization, helping with the identification of suspected behaviors and recognizing patterns of indoctrination. Reviewing comprehensive data on these actors, including more than two hundred terrorist incidents, Hamm and Spaaij find that a combination of personal and political grievances lead lone wolves to befriend online sympathizers—whether jihadists, white supremacists, or other antigovernment extremists—and then announce their intent to commit terror when triggered. Hamm and Spaaij carefully distinguish between lone wolves and individuals radicalized within a group dynamic. This important difference is what makes this book such a significant manual for professionals seeking richer insight into the transformation of alienated individuals into armed warriors. Hamm and Spaaij conclude with an analysis of recent FBI sting operations designed to prevent lone-wolf terrorism in the United States, describing who gets targeted, strategies for luring suspects, and the ethics of arresting and prosecuting citizens.
Is one person's terrorist another's freedom fighter? Is terrorism crime or war? Can there be a 'War on Terror'? For many, the terrorist attacks of September 2001 changed the face of the world, pushing terrorism to the top of political agendas, and leading to a series of world events including the war in Iraq and the invasion of Afghanistan. The recent terror attacks in various European cities have shown that terrorism remains a crucial issue today. Charting a clear path through the efforts to understand and explain modern terrorism, Charles Townshend examines the historical, ideological, and local roots of terrorist violence. Starting from the question of why terrorists find it so easy to seize public attention, this new edition analyses the emergence of terrorism as a political strategy, and discusses the objectives which have been pursued by users of this strategy from French revolutionaries to Islamic jihadists. Considering the kinds of groups and individuals who adopt terrorism, Townshend discusses the emergence of ISIS and the upsurge in individual suicide action, and explores the issues involved in finding a proportionate response to the threat they present, particularly by liberal democratic societies. Analysing the growing use of knives and other edged weapons in attacks, and the issue of 'cyberterror', Townshend details the use of counterterrorist measures, from control orders to drone strikes, including the Belgian and French responses to the Brussels, Paris, Nice, and Rouen attacks. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Bringing together a selection of readings that represent some of the most important trends and topics in urban scholarship today, American Urban Politics provides historical context and contemporary commentaries on the economy, politics, culture and identity of American cities. This seventh edition examines the ability of highly autonomous local governments to grapple with the serious challenges of recent years, challenges such as the stresses of the lingering economic crisis, and a series of recent natural disasters. Features: Each chapter is introduced by an editor's essay that places the readings into context and highlights their central ideas and findings. Division into three historical periods emphasizes both the changes and continuities in American urban politics over time. The reader is the perfect complement for Judd & Swanstrom's City Politics: The Political Economy of Urban American, 7/e, also available in a new edition (ISBN 0-205-03246-X)