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The year's best photography as selected by a jury of photo and design professionals.
Looks at how documentary photographers have contested the idea of the American dream, and discusses the work of Francis Benjamin Johnston, Lewis Hine, Walker Evans, Dorothea Lange, William Klein, Diane Arbus, and Robert Frank
Scholarship on photography’s earliest years has tended to focus on daguerreotypes on metal or on the European development of paper photographs made from glass or paper negatives. But Americans also experimented with negative-positive processes to produce photographic images on a variety of paper formats in the early decades of the medium. Paper Promises: Early American Photography presents this rarely studied topic within photographic history. The well-researched and richly detailed texts in this book delve into the complexities of early paper photography in the United States from the 1840s to 1860s, bringing to light a little-known era of American photographic appropriation and adaptation. Exploring the economic, political, intellectual, and social factors that impacted its unique evolution, both the essays and the carefully selected images illustrate the importance of photographic reproduction in shaping and circulating perceptions of America and its people during a critical period of political tension and territorial expansion. Due to the fragility of paper photography from this period, the works in this catalogue are rarely displayed, making the volume an essential tool for any scholar in the field and a very rare peek into the mid-nineteenth century.
"This comprehensive new survey places American photography in its cultural context for the first time. Prize-winning author, Miles Orvell, examines this fascinating subject through portraiture and landscape photography, family albums and memory, analyzing the particular way in which American photographers view the world around them - from Alfred Stieglitz to Walker Evans, Andy Warhol to Cindy Sherman."--Back cover.
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American Photography 35 presents the year's best photographs from 2018 as selected by a jury of photography experts. From over 7,000 images submitted to our annual competition, the jury selected only 344 photographs to be presented in the oversized, beautifully printed, deluxe, hardcover, 384-page annual award book. The jury included: Jessica Dimson, The New York Times Magazine; Dustin Drankowski, Mashable; Lea Golis, Apple; Rosey Lakos, Godfrey Dadich; Natasha Lunn, Airbnb; Eve Lyons, The New York Times; and Thea Traff, Time.