Download Free American Persephone Book in PDF and EPUB Free Download. You can read online American Persephone and write the review.

The tale of Demeter and Persephone, a central myth of Victorian women's culture, is used to interpret the life and work of a 19th-century Maine writer.
In Persephone in America, Alison Townsend deftly weaves autobiography with myth in this reinvention of the tale of Demeter and Persephone as seen from the modern woman’s perspective. Fraught with emotional honesty, this captivating collection of lyrical and narrative poems chronicles the struggles of the figurative Persephone in three parts—the abduction, descent to the underworld, and return. Townsend turns a shrewd eye to her own experiences, as well as to the lives of other women, to offer an unflinching yet deeply compassionate exploration of such themes as girlhood and the vulnerability of the motherless; the demons of depression, addiction, and abuse; as well as passion, aging, and celebration of the natural world. Although the poems traverse dark emotional territory at times, the picture that emerges ultimately is one of revelation and wisdom. Persephone in America is above all a journey of the soul, following the narrator as she explores what it means to be a woman in America, at times descending into darkness, only to emerge into redemption and realize “time’s sweet and invincible secret—that everything repeats—and we watch it.” Townsend’s candid portrait of female loss and discovery seeks to illuminate the truths inherent in myth, and the awakenings that hide in our darkest moments. Persephone, Pretending (Madison, Wisconsin) When the news says that the girl who had been missing almost four days, only to be found in a marshy area at the edge of our medium-sized city, was faking it all along, I wondered what made her do it. I'd seen her face—bright smile, dark eyes— on a flier masking-taped to a pillar at the airport the week before, felt the involuntary frisson of the curious, then only fear at the thought of a girl abducted in this place once voted "America's most livable city." She must have wanted something she couldn't name, that good girl with good grades who looks like so many girls in my own classes, but who keeps changing her story. It happened here; no, it happened there; no, I really just wanted to be alone. Then she turns her face away, tired of telling her tale, not sure what to make up next or where invention will take her. “Fictitious victimization disorder,” Time magazine claims, but I wonder what else, imagining her in the marsh, cold, unrepentant, powerless, her mind gone muddy with lack of sleep, no way out of this lie she almost believes, or the lies ahead, nothing but memory of the rope, duct tape, cough medicine, and knife she bought at the PDQ with her own cash, wanting to be taken by someone so badly, she takes us, she does it to herself.
This is a groundbreaking study exploring the significant relationship between western classical mythology and African American women's literature. A comparative analysis of classical revisions by eighteenth and nineteenth century Black women writers Phillis Wheatley and Pauline Hopkins and twentieth century writers Gwendolyn Brooks, Toni Morrison, and Rita Dove reveals that Black women writers revise specific classical myths for artistic and political agency. The study demonstrates that women rework myth to represent mythical stories from the Black female perspective and to counteract denigrating contemporary cultural and social myths that disempower and devalue Black womanhood. Through their adaptations of classical myths about motherhood, Wheatley, Ray, Brooks, Morrison, and Dove uncover the shared experiences of mythic mothers and their contemporary African American counterparts thus offering a unique Black feminist perspective to classicism. The women also use myth as a liberating space where they can 'speak the unspeakable' and empower their subjects as well as themselves.
A Companion to American Fiction, 1865-1914 is a groundbreaking collection of essays written by leading critics for a wide audience of scholars, students, and interested general readers. An exceptionally broad-ranging and accessible Companion to the study of American fiction of the post-civil war period and the early twentieth century Brings together 29 essays by top scholars, each of which presents a synthesis of the best research and offers an original perspective Divided into sections on historical traditions and genres, contexts and themes, and major authors Covers a mixture of canonical and the non-canonical themes, authors, literatures, and critical approaches Explores innovative topics, such as ecological literature and ecocriticism, children’s literature, and the influence of Darwin on fiction
This fascinating book discusses the role played by psychoactive mushrooms in the religious rituals of ancient Greece, Eurasia, and Mesoamerica. R. Gordon Wasson, an internationally known ethnomycologist who was one of the first to investigate how these mushrooms were venerated and employed by different native peoples, here joins with three other scholars to discuss the evidence for his discoveries about these fungi, which he has called entheogens, or "god generated within."
Miles of Stare explores the problem of nineteenth-century American literary vision: the strange conflation of visible reality and poetic language that emerges repeatedly in the metaphors and literary creations of American transcendentalists. The strangeness of nineteenth-century poetic vision is exemplified most famously by Emerson’s transparent eyeball. That disembodied, omniscient seer is able to shed its body and transcend sight paradoxically in order to see—not to create—poetic language “manifest” on the American landscape. In Miles of Stare, Michelle Kohler explores the question of why, given American transcendentalism’s anti-empiricism, the movement’s central trope becomes an eye purged of imagination. And why, furthermore, she asks, despite its insistent empiricism, is this notorious eye also so decidedly not an eye? What are the ethics of casting a boldly equivocal metaphor as the source of a national literature amidst a national landscape fraught with slavery, genocide, poverty, and war? Miles of Stare explores these questions first by tracing the historical emergence of the metaphor of poetic vision as the transcendentalists assimilated European precedents and wrestled with America’s troubling rhetoric of manifest destiny and national identity. These questions are central to the work of many nineteenth-century authors writing in the wake of transcendentalism, and Kohler offers examples from the writings of Douglass, Hawthorne, Dickinson, Howells, and Jewett that form a cascade of new visual metaphors that address the irreconcilable contradictions within the transcendentalist metaphor and pursue their own efforts to produce an American literature. Douglass’s doomed witness to slavery, Hawthorne’s reluctantly omniscient narrator, and Dickinson’s empty “miles of Stare” variously skewer the authority of Emerson’s all-seeing poetic eyeball while attributing new authority to the limitations that mark their own literary gazes. Tracing this metaphorical conflict across genres from the 1830s through the 1880s, Miles of Stare illuminates the divergent, contentious fates of American literary vision as nineteenth-century writers wrestle with the commanding conflation of vision and language that lies at the center of American transcendentalism—and at the core of American national identity.
The first novel to center on the father-daughter relationship in an Italian American family.
DIVArgues against the use of male/female gender categories to characterize public and domestic life./div
Elizabeth Stoddard and the Boundaries of Bourgeois Culture traces Stoddard's emergence as a writer in the 1850s, her conflict-ridden relationships with the writers associated with the genteel tradition, and her efforts to negotiate the boundaries of Victorian culture in the United States. While in many ways a critic of nineteenth-century bourgeois culture, Stoddard remained in other ways an adherent; her work was not a rejection of bourgeois culture but a reworking of it, which suggests that bourgeois culture was not as monolithic as later critics believed. Recovering the richness and possibility that characterized early Victorian writing, this book examines the range of literary expression which had existed at mid-century, a period that boasts some of American literature's most iconoclastic voices.