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As American Melancholy reveals, if you read about depression anywhere today--medical journal, popular magazine, National Institute of Mental Health pamphlet, or pharmaceutical company drug promotional literature--you will find three main pieces of information either explicitly stated or strongly implied: depression is a disease (like any other physical disease); it is extraordinarily prevalent in the world; and it occurs about twice as frequently in women as in men. Yet, depression was not classified as a disease until the 1980 publication of the American Psychiatric Association's Diagnostic and Statistical Manual-III (DSM-III). How is it that such an illness, thought to affect between 14 and 17 million Americans, was not specifically defined until the late twentieth century? American Melancholy traces the growth of depression as an object of medical study and as a consumer commodity and illustrates how and why depression came to be such a huge medical, social, and cultural phenomenon. It is the first book to address gender issues in the construction of depression, explores key questions of how its diagnosis was developed, how it has been used, and how we should question its application in American society.
A nuanced psychological portrait of Abraham Lincoln that finds his legendary political strengths rooted in his most personal struggles. Giving shape to the deep depression that pervaded Lincoln's adult life, Joshua Wolf Shenk’s Lincoln’s Melancholy reveals how this illness influenced both the President’s character and his leadership. Mired in personal suffering as a young man, Lincoln forged a hard path toward mental health. Shenk draws on seven years of research from historical record, interviews with Lincoln scholars, and contemporary research on depression to understand the nature of Lincoln’s unhappiness. In the process, Shenk discovers that the President’s coping strategies—among them, a rich sense of humor and a tendency toward quiet reflection—ultimately helped him to lead the nation through its greatest turmoil. A New York Times Book Review Editors’ Choice SELECTED AS A BEST BOOK OF THE YEAR: Washington Post Book World, Atlanta Journal-Constituion, St. Louis Post-Dispatch, Pittsburgh Post-Gazette As Featured on the History Channel documentary Lincoln “Fresh, fascinating, provocative.”—Sanford D. Horwitt, San Francisco Chronicle “Some extremely beautiful prose and fine political rhetoric and leaves one feeling close to Lincoln, a considerable accomplishment.”—Andrew Solomon, New York Magazine “A profoundly human and psychologically important examination of the melancholy that so pervaded Lincoln's life.”—Kay Redfield Jamison, Ph.D., author of An Unquiet Mind
Cheng proposes that racial identification is itself already a melancholic act--a social category that is imaginatively supported through a dynamic of loss and compensation, by which the racial other is at once rejected and retained. Using psychoanalytic theories on mourning and melancholia as inroads into her subject, Cheng offers a closely observed and carefully reasoned account of the minority experience as expressed in works of art by, and about, Asian-Americans and African-Americans. She argues that the racial minority and dominant American culture both suffer from racial melancholia and that this insight is crucial to a productive reimagining of progressive politics.
This thought-provoking study examines an apparent paradox in the history of American Protestant evangelical religion. Fervent believers who devoted themselves completely to the challenges of making a Christian life, who longed to know God's rapturous love, all too often languished in despair, feeling forsaken by God. Indeed, some individuals became obsessed by guilt, terror of damnation, and the idea that they had committed an unpardonable sin. Ironically, those most devoted to fostering the soul's maturation seemingly neglected the well-being of the psyche. Drawing upon many sources, including unpublished diaries, spiritual narratives, and case studies of patients treated in nineteenth-century asylums, Julius Rubin thoroughly explores religious melancholy - as a distinctive stance toward life, a grieving over the loss of God's love, and an obsession and psycho pathology associated with the spiritual itinerary of conversion. The varieties of this spiritual sickness include sinners who would fast unto death ("evangelical anorexia nervosa"), religious suicides, and those obsessed with unpardonable sin. From colonial Puritans like Michael Wigglesworth to contemporary evangelicals like Billy Graham, Rubin shows that religious melancholy has shaped the experience of self and identity for those who sought rebirth as children of God. Religious Melancholy and Protestant Experience in America offers a fresh and revealing look at a widely recognized phenomenon. It will be of interest to scholars and students of religious studies, American history, psychology, and sociology of religion.
A daring cultural and literary studies investigation, Cultural Melancholy explores the legacy of unresolved grief produced by ongoing racial oppression and resistance in the United States. Using acute analysis of literature, drama, musical performance, and film, Singleton demonstrates how rituals of racialization and resistance transfer and transform melancholy discreetly across time, consolidating racial identities and communities along the way. He also argues that this form of impossible mourning binds racialized identities across time and social space by way of cultural resistance efforts. Singleton develops the concept of "cultural melancholy" as a response to scholarship that calls for the separation of critical race studies and psychoanalysis, excludes queer theoretical approaches from readings of African American literatures and cultures, and overlooks the status of racialized performance culture as a site of serious academic theorization. In doing so, he weaves critical race studies, psychoanalysis, queer theory, and performance studies into conversation to uncover a host of hidden dialogues—psychic and social, personal and political, individual and collective—for the purpose of promoting a culture of racial grieving, critical race consciousness, and collective agency. Wide-ranging and theoretically bold, Cultural Melancholy counteracts the racial legacy effects that plague our twenty-first century multiculture.
2022 Association for Recorded Sound Collections Awards for Excellence—Certificate of Merit in the category of Best Historical Research in Recorded Rock and Popular Music Ten songs, from “Bill Bailey, Won’t You Please Come Home” (1902) to “You Made Me Love You” (1913), ignited the development of the classic pop ballad. In this exploration of how the style of the Great American Songbook evolved, Michael G. Garber unveils the complicated, often-hidden origins of these enduring, pioneering works. He riffs on colorful stories that amplify the rising of an American folk art composed by innovators both famous and obscure. Songwriters, and also the publishers, arrangers, and performers, achieved together a collective genius that moved hearts worldwide to song. These classic ballads originated all over the nation—Louisiana, Colorado, Illinois, Michigan—and then the Tin Pan Alley industry, centered in New York, made the tunes unforgettable sensations. From ragtime to bop, cabaret to radio, new styles of music and modes for its dissemination invented and reinvented the intimate, personal American love ballad, creating something both swinging and tender. Rendered by Frank Sinatra, Ella Fitzgerald, and a host of others, recordings and movies carried these songs across the globe. Using previously underexamined sources, Garber demonstrates how these songs shaped the music industry and the lives of ordinary Americans. Besides covering famous composers like Irving Berlin, this history also introduces such little-known figures as Maybelle Watson, who had to sue to get credit and royalties for creating the central content of the lyric for “My Melancholy Baby.” African American Frank Williams contributed to the seminal “Some of These Days” but was forgotten for decades. The ten ballads explored here permanently transformed American popular song.
The Winter of Melancholy opens in Manzanar Interment Camp, a WWII relocation compound in the Mojave Desert, where Japanese American citizens were incarcerated along with their immigrant family members. Told from the viewpoint of the women whose lives were shaped by this period of isolation, separation and suffering of one extended family, we trace the resilience of the women, their strength, spirit and compassion that weaves through their stories from the immigrant to post war generations. The other short works of fi ction include stories: of a Japanese American girl who encounters racism on a PTA sponsored fi eld trip, a midwife whose work requires her to drive up and down the El Camino Real to ply her trade, a Nisei woman who translates Japanese radio programs during WWII for the U.S. Army to intercept troop movements. These stories and others trace the challenges that women encountered in the face of racism, duty as family bread winners, transformation in response to social change, and finding ways to forge and retain familial connections.