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During the Civil War, a good map could spell the difference between victory and defeat. This book collects the war's most notable, interesting, and beautiful maps--and tells the story of how they were made. Ranging from exquisitely detailed renderings reproduced in full color to rough pencil sketches drawn from horseback, these maps are both striking works of art and invaluable historical artifacts. The anecdotal text explains the techniques and travails of mapmaking during the war and reveals the little-known cartographic exploits of George Armstrong Custer, writer Ambrose Bierce, and Brooklyn Bridge engineer Washington Roebling, among many others.
During the late eighteenth century, Portugal and Spain sent joint mapping expeditions to draw a nearly 10,000-mile border between Brazil and Spanish South America. These boundary commissions were the largest ever sent to the Americas and coincided with broader imperial reforms enacted throughout the hemisphere. Where Caciques and Mapmakers Met considers what these efforts meant to Indigenous peoples whose lands the border crossed. Moving beyond common frameworks that assess mapped borders strictly via colonial law or Native sovereignty, it examines the interplay between imperial and Indigenous spatial imaginaries. What results is an intricate spatial history of border making in southeastern South America (present-day Argentina, Brazil, and Uruguay) with global implications. Drawing upon manuscripts from over two dozen archives in seven countries, Jeffrey Erbig traces on-the-ground interactions between Ibero-American colonists, Jesuit and Guarani mission-dwellers, and autonomous Indigenous peoples as they responded to ever-changing notions of territorial possession. It reveals that Native agents shaped when and where the border was drawn, and fused it to their own territorial claims. While mapmakers' assertions of Indigenous disappearance or subjugation shaped historiographical imaginations thereafter, Erbig reveals that the formation of a border was contingent upon Native engagement and authority.
Instructive, amusing, colorful—pictorial maps have been used and admired since the first medieval cartographer put pen to paper depicting mountains and trees across countries, people and objects around margins, and sea monsters in oceans. More recent generations of pictorial map artists have continued that traditional mixture of whimsy and fact, combining cartographic elements with text and images and featuring bold and arresting designs, bright and cheerful colors, and lively detail. In the United States, the art form flourished from the 1920s through the 1970s, when thousands of innovative maps were mass-produced for use as advertisements and decorative objects—the golden age of American pictorial maps. Picturing America is the first book to showcase this vivid and popular genre of maps. Geographer Stephen J. Hornsby gathers together 158 delightful pictorial jewels, most drawn from the extensive collections of the Library of Congress. In his informative introduction, Hornsby outlines the development of the cartographic form, identifies several representative artists, describes the process of creating a pictorial map, and considers the significance of the form in the history of Western cartography. Organized into six thematic sections, Picturing America covers a vast swath of the pictorial map tradition during its golden age, ranging from “Maps to Amuse” to “Maps for War.” Hornsby has unearthed the most fascinating and visually striking maps the United States has to offer: Disney cartoon maps, college campus maps, kooky state tourism ads, World War II promotional posters, and many more. This remarkable, charming volume’s glorious full-color pictorial maps will be irresistible to any map lover or armchair traveler.
Although women have been involved in mapping throughout history, their story has largely been hidden. The standard histories of cartography have focused on men. A woman’s name is rarely found. In Women in American Cartography, Judith Tyner argues that women were not deliberately erased but overlooked because of the types of maps they made and the jobs they held.Tyner looks at over fifty women exemplars in American cartography and their maps. She looks at teachers who made school atlases in the early nineteenth century; at pictorial mapmakers and book illustrators who created popular maps; at women who pioneered social and persuasive mapping, promoting causes such as suffrage; at women travelers who recorded their trips and mapped unexplored places; at women whose maps helped win Word War II; at women academics who studied, taught, and wrote about cartographic theory at colleges and universities; and at women who worked in government agencies and commercial mapping companies. These are just a few of the stories of women in American cartography.
The first English language book about the extraordinary life and work of mathematician and scientist Johannes Schöner (d. 1543).
A history of mapmaking spans the period of time from when maps were made on clay tablets, to the present, when satellites chart the planets
Experience the sweep of human and natural history on the Columbia Plateau through the eyes of intrepid explorer and cartographer David Thompson, who established two viable trade routes across the Rocky Mountains in Canada, systematically surveyed the entire 1,250-mile course of the Columbia River, and subsequently distilled his mathematical notations into the first accurate maps of a vast portion of the northwest quadrant of North America.
In the age of MapQuest and GPS, we take cartographic literacy for granted. We should not; the ability to find meaning in maps is the fruit of a long process of exposure and instruction. A "carto-coded" America--a nation in which maps are pervasive and meaningful--had to be created. The Social Life of Maps tracks American cartography's spectacular rise to its unprecedented cultural influence. Between 1750 and 1860, maps did more than communicate geographic information and political pretensions. They became affordable and intelligible to ordinary American men and women looking for their place in the world. School maps quickly entered classrooms, where they shaped reading and other cognitive exercises; giant maps drew attention in public spaces; miniature maps helped Americans chart personal experiences. In short, maps were uniquely social objects whose visual and material expressions affected commercial practices and graphic arts, theatrical performances and the communication of emotions. This lavishly illustrated study follows popular maps from their points of creation to shops and galleries, schoolrooms and coat pockets, parlors and bookbindings. Between the decades leading up to the Revolutionary War and the Civil War, early Americans bonded with maps; Martin Bruckner's comprehensive history of quotidian cartographic encounters is the first to show us how.