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They say that every tragic hero has a fatal flaw, a secret sin, a tiny stitch sewn into his future since birth. And here I am. My sins are no longer secret. My flaws have never been more fatal. And I’ve never been closer to tragedy than I am now. I am a man who loves, a man whose love demands much in return. I am a king, a king who was foolish enough to build a kingdom on the bones of the past. I am a husband and a lover and a soldier and a father and a president. And I will survive this. Long live the king.
From USA Today and Wall Street Journal bestselling author Sierra Simone comes the final installment in a steamy polyamorous romance trilogy with a dash of politics and a pinch of magic. His name is Maxen Ashley Colchester, and he swore a duty to his country. Then, he swore his heart to them. They say that every tragic hero has a fatal flaw, a secret sin, a tiny extra stitch sewn into his future since birth. And here Ash is, President of the United States, a king who was foolish enough to build his kingdom on the bones of the past. His sins are no longer secret. His flaws have never been more fatal. And he's never been closer to tragedy than he is now. After losing Embry, their vice president, their prince, Ash and First Lady Greer must not only run for re-election without the man they love, but against him. Yet even political rivalry and the threat of war cannot unravel the years of fire and longing that tie the three of them together, no matter what that bond might cost them. Their country, their careers, their lives--it's all at risk now. Ash knows love was always meant to be the end of their story: his, Embry's, and Greer's. He just hadn't realized it might be the end of them, too. Long live the king.
As a young soldier, Vice President Embry Moore learned the bittersweet truth about loving a hero: it can never last. Having made sacrifice after silent sacrifice to protect the best man he’s ever known, he’s only just now found his way back into Ash’s arms--and into the heart of Ash’s wife, Greer. But when Greer is taken from Ash and Embry’s bed, it sets in motion a series of painful revelations that threaten to turn their years of tortured love against them… From the USA Today bestselling author of American Queen comes the second installment in the New Camelot trilogy, a contemporary fairy tale of power, pain, and an all-consuming love that won’t be denied.
ONE OF USA TODAY'S BEST BOOKS OF THE YEAR • A riveting account of the crucial days, hours, and moments when the Watergate conspiracy consumed, and ultimately toppled, a president—from the best-selling author of One Minute to Midnight. In January 1973, Richard Nixon had just been inaugurated after winning re-election in a historic landslide. He enjoyed an almost 70 percent approval rating. But by April 1973, his presidency had fallen apart as the Watergate scandal metastasized into what White House counsel John Dean called “a full-blown cancer.” King Richard is the intimate, utterly absorbing narrative of the tension-packed hundred days when the Watergate conspiracy unraveled as the burglars and their handlers turned on one another, exposing the crimes of a vengeful president. Drawing on thousands of hours of newly-released taped recordings, Michael Dobbs takes us into the heart of the conspiracy, recreating these traumatic events in cinematic detail. He captures the growing paranoia of the principal players and their desperate attempts to deflect blame as the noose tightens around them. We eavesdrop on Nixon plotting with his aides, raging at his enemies, while also finding time for affectionate moments with his family. The result is an unprecedentedly vivid, close-up portrait of a president facing his greatest crisis. Central to the spellbinding drama is the tortured personality of Nixon himself, a man whose strengths, particularly his determination to win at all costs, become his fatal flaws. Rising from poverty to become the most powerful man in the world, he commits terrible errors of judgment that lead to his public disgrace. He makes himself—and then destroys himself. Structured like a classical tragedy with a uniquely American twist, King Richard is an epic, deeply human story of ambition, power, and betrayal.
The "unputdownable" (Dave Eggers, National Book award finalist) story of the most infamous American con man you've never heard of: James Strang, self-proclaimed divine king of earth, heaven, and an island in Lake Michigan, "perfect for fans of The Devil in the White City" (Kirkus) A New York Times Book Review Editors’ Choice Longlisted for the 2021 Andrew Carnegie Medal for Excellence in Nonfiction Finalist for the Midland Authors Annual Literary Award A Michigan Notable Book A CrimeReads Best True Crime Book of the Year "A masterpiece." —Nathaniel Philbrick In the summer of 1843, James Strang, a charismatic young lawyer and avowed atheist, vanished from a rural town in New York. Months later he reappeared on the Midwestern frontier and converted to a burgeoning religious movement known as Mormonism. In the wake of the murder of the sect's leader, Joseph Smith, Strang unveiled a letter purportedly from the prophet naming him successor, and persuaded hundreds of fellow converts to follow him to an island in Lake Michigan, where he declared himself a divine king. From this stronghold he controlled a fourth of the state of Michigan, establishing a pirate colony where he practiced plural marriage and perpetrated thefts, corruption, and frauds of all kinds. Eventually, having run afoul of powerful enemies, including the American president, Strang was assassinated, an event that was frontpage news across the country. The King of Confidence tells this fascinating but largely forgotten story. Centering his narrative on this charlatan's turbulent twelve years in power, Miles Harvey gets to the root of a timeless American original: the Confidence Man. Full of adventure, bad behavior, and insight into a crucial period of antebellum history, The King of Confidence brings us a compulsively readable account of one of the country's boldest con men and the boisterous era that allowed him to thrive.
The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions.
A fictional account based on the author's provocative theory that American-style democracy and government may not be providing necessary solutions to today's global problems, a depiction of a dystopian world finds the leader of a decimated America declaring himself king, with unexpected results. By the author of Facing Rushmore. Reprint. 15,000 first printing.
Fascinating facts, trivia, and little-known details about the Master of the Macabre’s life from the “world’s leading authority on Stephen King” (Entertainment Weekly). New York Times–bestselling author Stephen Spignesi has compiled interviews, essays, and loads of facts and details about all of Stephen King’s work into this fun and informative compendium for the author’s many fans, from the casual to the fanatical! Did you know. . . ? In his early teens, Stephen King sold typed copies of his short stories at school. King originally thought his novel Pet Sematary was too frightening to publish. King’s legendary Dark Tower series took him more than 30 years to write. Thinner was the novel that revealed his “Richard Bachman” pseudonym to the world. King wrote The Eyes of the Dragon for his daughter Naomi. He has never liked Stanley Kubrick’s film version of his novel The Shining. It took him four years to write what some consider his magnum opus, IT. The 2017 film version of IT has grossed more than $700 million worldwide. In addition to novels, King has written essays, plays, screenplays, and even poetry.
Hollywood director King Vidor (1894-1982) was acknowledged as a master by movie showmen and cinema critics alike, but the range of his films made him impossible to pigeonhole. With The Big Parade (1925), he created the first modern war film and MGM's first major hit. The Crowd (1928) looked at "ordinary people" in city jungles. Hallelujah (1929) was the first all-black major-studio feature. To the Great Depression, Vidor responded with Our Daily Bread (1934), the politically intricate saga of a rural cooperative. Other Vidor films spoke directly to the moviegoing public: that three-handkerchief male weepie, The Champ (1931); and that key women's drama, Stella Dallas (1937). His high-passion postwar melodramas, spurned by contemporary reviewers, have gained champions each year: the epic western Duel in the Sun (1946); Ayn Rand's ultra-right-wing The Fountainhead (1949); and the violent and morbid Beyond the Forest (1949) and Ruby Gentry (1952). This book is the first in-depth story of Vidor's half-century-long career, from his first attempts to rival Hollywood in his home state of Texas through the complex interplay of his independent spirit with "classic" Hollywood's rules about public taste. The title King Vidor, American, celebrates Vidor as a representative man, full of the conflicting generosity and ferocity in the national ethos: with his violent mixture of pioneering optimism and noir torments, of transcendentalism and puritanism, of spiritual verve and physical practicality, of liberal conscience and Social Darwinist savagery, of male dominance and female conciliation. Like Whitman, he contains multitudes. Never narrowly auteurist, this book is a wide ranging integration of film history, political thought, and popular culture.--Adapted from dust jacket.