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'In those terrible days of the lockdown during the pandemic, we were all waiting. We were waiting for things to be all right. And one day, they will indeed be all right. But the dead will never come back. The businesses that have closed and will not reopen; the dreams dashed; the families and relationships that could not withstand the strain. This is why it is important to note down all the changes in our lives. Write them down in a journal. When we do that, we are recording our own history.' - Drawing as a way of keeping a diary, writing down thoughts in a journal as a way of maintaining a historical record - in watercolours and also in words. These were resources that Amitava Kumar had been using even before the pandemic arrived. But the task gained urgency just when he felt most isolated and afraid. The Blue Book is a writer's artistic response to our present world: one that has bestowed upon us countless deaths from a virus, a flood of fake news, but also love in the face of loss, travels through diverse landscapes, and - if we care to notice - visions of blazing beauty. From one of the acclaimed and accomplished authors of our time, this writer's journal is a panoramic portrait of the experience, both individual and collective, of the pandemic. - 'To mull over a beautiful line while looking upon a beautiful painting is the sublime pleasure offered by Amitava Kumar's The Blue Book. This painted diary is a collage of the personal and the political, of terrifying news, the fleeting seasons, everyday pleasures, precious conversations, families and friendships-and on every page, the solace of art.' -- KIRAN DESAI 'A lovely homage to--and extension of--the tradition of writer-artists such as John Berger.' -- GEOFF DYER 'It's not good to read another person's diary. But Amitava Kumar makes the experience so intimate in The Blue Book that you don't feel guilty. You feel like it is your own.' -- GULZAR
As cash-strapped metropolitan newspapers struggle to maintain their traditional influence and quality reporting, large national and international outlets have pivoted to serving readers who can and will choose to pay for news, skewing coverage toward a wealthy, white, and liberal audience. Amid rampant inequality and distrust, media outlets have become more out of touch with the democracy they purport to serve. How did journalism end up in such a predicament, and what are the prospects for achieving a more equitable future? In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market. She details how Google, Facebook, and the digital-advertising ecosystem have wreaked havoc on the economic model for quality journalism, leaving local news to suffer. Usher also highlights how the handful of likely survivors—well-funded media outlets such as the New York Times—increasingly appeal to a global, “placeless” reader. News for the Rich, White, and Blue concludes with a series of provocative recommendations to reimagine journalism to ensure its resiliency and its ability to speak to a diverse set of issues and readers.
You are crossing the Atlantic on a liner with your boyfriend who may or may not be planning to propose. You are fleeing the past - your ex-lover Arthur, the man who helped you dupe the vulnerable into believing loved ones were trying to make contact from beyond the grave. But there's a secret you've kept from Arthur, a deception about the two of you that threatens to emerge when you discover Arthur's presence on the boat.
American policing is in crisis. Here, award-winning investigative journalist Joe Domanick reveals the troubled history of American policing over the past quarter century. He begins in the early 1990s with the beating of Rodney King and the L.A. riots, when the Los Angeles Police Department was caught between a corrupt and racist past and the demands of a rapidly changing urban population. Across the country, American cities faced similar challenges to law and order. In New York, William J. Bratton was spearheading the reorganization of the New York City Transit Police and later the 35,000-strong New York Police Department. His efforts resulted in a dramatic decrease in crime, yet introduced highly controversial policing strategies. In 2002, when Bratton was named the LAPD's new chief, he implemented the lessons learned in New York to change a department that previously had been impervious to reform. Blue ends in 2015 with the LAPD on its unfinished road to reform, as events in Los Angeles, New York, Baltimore, and Ferguson, Missouri, raise alarms about the very strategies Bratton pioneered, and about aggressive racial profiling and the militarization of police departments throughout the United States. Domanick tells his story through the lives of the people who lived it. Along with Bratton, he introduces William Parker, the legendary LAPD police chief; Tom Bradley, the first black mayor of Los Angeles; and Charlie Beck, the hard-nosed ex-gang cop who replaced Bratton as LAPD chief. The result is both intimate and expansive: a gripping narrative that asks big questions about what constitutes good and bad policing and how best to prevent crime, control police abuse, and ease tensions between the police and the powerless. Blue is not only a page-turning read but an essential addition to our scholarship.--Adapted from book jacket.
In a series of personal essays, prominent journalist and LGBTQIA+ activist George M. Johnson's All Boys Aren't Blue explores their childhood, adolescence, and college years in New Jersey and Virginia. A New York Times Bestseller! Good Morning America, NBC Nightly News, Today Show, and MSNBC feature stories From the memories of getting his teeth kicked out by bullies at age five, to flea marketing with his loving grandmother, to his first sexual relationships, this young-adult memoir weaves together the trials and triumphs faced by Black queer boys. Both a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color, All Boys Aren't Blue covers topics such as gender identity, toxic masculinity, brotherhood, family, structural marginalization, consent, and Black joy. Johnson's emotionally frank style of writing will appeal directly to young adults. (Johnson used he/him pronouns at the time of publication.) Velshi Banned Book Club Indie Bestseller Teen Vogue Recommended Read Buzzfeed Recommended Read People Magazine Best Book of the Summer A New York Library Best Book of 2020 A Chicago Public Library Best Book of 2020 ... and more!