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Jackie Kennedy compared him to Cellini, the Duchess of Windsor said he was today's Fabergé, and The New Yorker described him as "the new meteor around town." David Webb was the go-to jeweler in the 1960s and 1970s, and David Webb: The Quintessential American Jeweler is the official survey of this important designer. His devoted clientele have included Lee Radziwill, Diane von Furstenberg, Elizabeth Taylor, Barbra Streisand, and Gwen Stefani. This elegantly designed volume--filled with original photography of the jewelry, Webb's own sketches and drawings, and more than sixty images from leading fashion magazines--will become the definitive reference book for collectors, dealers, and curators, and those who swoon at all that glitters.
This sensational design book showcases America’s most gorgeous and inventive art jewelry! For over a decade, the elite invitation-only American Jewelry Design Council (AJDC) has sponsored an annual project: every member creates an original piece based on a given theme. With imagination and skill, jewelers have tackled such concepts as the Mona Lisa, Wheel, Key, Puzzle, Water, Flight, Peekaboo, Sphere, Pyramid, and Secret Treasure. Each of these topics now becomes a dramatically photographed chapter, complete with illuminating introductions by renowned jewelry writers Cindy Edelstein and Frank Stankus. In addition to background information on the AJDC, and the story of the annual design event, artists’ commentaries enhance specific images. A final members’ section includes a biography, headshot, and additional jewelry images for each talented individual.
The identification and dating of American jewelry heretofore has been difficult because few pieces bear standard markings and the references have been diverse, hard to find, and incomplete. Using old trade journals and their related directories as her primary sources, the eminent silver historian Dorothy Rainwater has exhaustively compiled here for the first time a comprehensive reference of jewelry trademarks and manufacturers in alphabetical order. She has also written a history of jewelry making in the United States which explains the framework upon which this enormous industry was built. The large scale manufacturers which began in the 1840s form a major portion of this directory. it is surprising to learn that only in 1961, after years of effort by the Jeweler's Vigilance Committee and the backing of trade journals, did American law require makers' marks on new jewelry. Therefore, this reference should become an important sourcebook for every jeweler, collector, antique jewelry dealer and manufacturing historian for the foreseeable future.
The Phenomenon of Studio Goldsmithing When the history of art in the 1980s is written, much of it will be etched in gold. This is the time of the contemporary goldsmith, an artist who chooses to work in precious metals rather than oils or marble. The contemporary jeweler-as-artist has only recently become a re cognized force. With rare exceptions, the whole field is little more than thirty years old. But it is only within the past fifteen years that these jewelers have entered the jewelry mainstream. The phenomenon of contemporary goldsmithing embraces an eclectic group of artists, each with a unique vision, each taking a per sonal path to jewelry producing. They have as little relationship to the typical, mass-produced jewelry as a champagne maker has to a bottler of orange soda. They approach a piece of art, not a piece of metal. The work is personal and a perfect expression of the "back to the land" movement that spawned it. Many of these goldsmiths were looking not merely for a way to make a living but for a way to make a life that was worthy of living. Running a business while trying to remain a creative metalsmith at the same time is the ongoing challenge. The jeweler-artists have solved or resolved these often conflicting needs in slightly different ways and in a beautiful variety of techniques and styles. Their meth ods, their growth, and their work are discussed here.
The Napier Jewelry book is a visual encyclopedia of Napier Costume Jewelry. It tells the heretofore untold and phenomenal story of The Napier Co. inception, development, flowering, and ultimate success. It chronicles the history of its management, manufacturing, marketing, and most importantly, the unparalleled beauty of Napier fashion jewelry. With approximately 4000 pictures of Napier jewelry history and over 250,000 words of text and descriptions, you will be taken step-by-step, decade by decade, through the development of the Napier style. As a collector, you will learn to recognize the findings, materials, and designs to appropriately circa-date the Napier jewelry in which you are investing. As a lover of vintage costume jewelry, you will enjoy the drama and excitement of the trials, tribulations, and breakthroughs at each stage of the Napier journey. In the end, you will have a deep and lasting appreciation of the romantic story infused into the metal, gemstones, crystals, cabochons, and elegance of each piece of Napier jewelry that you own or are considering owning
This encyclopedic study is the fruit of twenty years of collecting, research, and study of the most significant American costume jewelry from 1930-1950. It offers readers a meticulous, reliable instrument to knowing these gems, which are often true and proper little works of art. In the two volumes, over 966 photographs show hundreds of jewelry items in full color, with an additional 729 illustrations of patents, advertisements, and historic photos. Thirty-seven companies are included, with addtional chapters on jelly belly jewelry and patriotic jewelry in the second volume. In-depth research of the companies makes this the best source on the American costume jewelry industry. The first volume, A-M, covers the companies from Accessocraft to Mosell, and includes Boucher, Coro, Eisenberg, Miriam Haskell, Hobe and others. The second volume N-Z, continues with Norma Jewelry Corp., through Rebajes, Réja, Trifari, to Uncas Manufacturing, with chapters on jelly belly jewelry and American patriotic jewelry.
This book highlights pieces of jewellery from ancient and modern cultures in every part of the globe. Of special interest are the objects that appear in paintings and other works of art: jewel-studded gowns, glittering Renaissance brooches and an Egyptian beaded collar are among the featured works from the "Metropolitan Museum"'s collection. Necklaces, earrings, rings and bracelets fill this book and also included are objects of religious significance, military honours and other kinds of personal decoration. The captions relate anecdotes concerning the artists and wearers and describe the history and style of the jewellery pictured.
What awesome craftsmanship appears throughout this unique volume--the zenith of an art that marries the world’s most exceptional gems with exquisitely-honed metal designs. Approximately forty of the world’s top jewelers present expertly-fashioned settings that embrace a diversity of styles and techniques, including pav�, channel, invisible, gypsy, wire, and tension. Christoph Kr�henmann’s creations display a fabulous fusion of Swiss artisanship and American ingenuity, old world elegance and contemporary chic. Paula Crevoshay’s jewelry focuses on the way gems make light tangib≤ she is considered by many to be one of the finest colorists today. And Kent Raible finds his inspiration in the opulent, intricate gold work of antiquity. Whether encrusted with diamonds or emphasizing just one glimmering stone, all these bejeweled pieces are simply stunning.