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This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
Discussing and illustrating the art forms of the Native Americans of North America, a comprehensive tour covers such areas as the Plains, the Southwest, California, the Great Basin and the Pacific Plateau, the Pacific Northwest Coast, the Arctic Coast, and the Woodlands.
Includes "over three thousand names ... working from 1800 to the present. Typical entries list the artist's tribal affiliation and tribal name, birth and death dates, residence, publications, exhibits, awards, and honors." Also includes "passages of human interest" and "Excerpts from professional reviews and critical essays."
"Women have long been the creative force behind Native American art, yet their individual contributions have been largely unrecognized, instead treated as anonymous representations of entire cultures. 'Hearts of Our People: Native Women Artists' explores the artistic achievements of Native women and establishes their rightful place in the art world. This lavishly illustrated book, a companion to the landmark exhibition, includes works of art from antiquity to the present, made in a variety of media from textiles and beadwork to video and digital arts. It showcases more than 115 artists from the United States and Canada, spanning over one thousand years, to reveal the ingenuity and innovation fthat have always been foundational to the art of Native women."--Page 4 of cover.
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.
"Published on the occasion of the exhibition When I Remember I See Red: American Indian Art and Activism in California, organized by the Crocker Art Museum"--Copyright page.
Brody also explores the role played by the individuals who supported and promoted the Pueblo artists' work, including writers Mary Austin and Alice Corbin Henderson, archaeologist Edgar Lee Hewett, artist and scholar Kenneth M. Chapman, painter John Sloan, and art patrons Mabel Dodge Luhan and Amelia Elizabeth White.
Showcases the work of the early-nineteenth-century artist who made four trips into Native American country as part of an ambition to paint each tribe, noting the influence of period belief systems on his work as well as his passionate affection for his subjects.
The art Helen Hardin created was the product of her deliberate effort to both retain the mystical elements of her heritage (Santa Clara Pueblo) and depart from the traditional style favored by many of the artists whose work surrounded her.
Earth Songs, Moon Dreams: Paintings by American Indian Women is a celebration of the contributions of Native American women to America's cultural heritage. Focusing on both traditional and modern art and offering an historical and stylistic overview, Broder's book includes the work of Native American women belonging to more than forty tribes across the United States and Canada. Earth Songs, Moon Dreams features historically important works by pioneer artists of the early twentieth century, classic examples of the Indian-School tradition, examples of the first successful attempts to interpret the techniques of modernism as compatible with the symbols and stylistic conventions of traditional Indian art, and examples of the work of the most innovative and accomplished Native American women painting today. Includes over 100 gorgeous, full color reproductions. Broder has prepared an introduction on each artist and then presents one or two samples of her work.