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The Art Institute of Chicago, although renowned for its holdings of works by the French Impressionists, also houses a wealth of superb examples by American proponents of this distinctive style. The breadth of the museum's collection of American Impressionism is rich, with a substantial body of paintings and watercolors by Winslow Homer, who is seen today as a precursor to Impressionism, as well as impressive portfolios of work by Americans living in Europe, such as James McNeill Whistler and John Singer Sargent, and the only American who was officially part of the French group, Mary Cassatt. In addition, important paintings and watercolors by notable artists such as Cecilia Beaux, William Merritt Chase, Childe Hassam, George Inness, Mauric Prendergast, and John Twachtman are included, along with handsomely reproduced images by lesser-known artists who worked in the Impressionist vein. Distributed for the Art Institute of Chicago
The Art Institute of Chicago, although renowned for its holdings of works by the French Impressionists, also houses a wealth of superb examples by American proponents of this distinctive style. The breadth of the museum's collection of American Impressionism is rich, with a substantial body of paintings and watercolors by Winslow Homer, who is seen today as a precursor to Impressionism, as well as impressive portfolios of work by Americans living in Europe, such as James McNeill Whistler and John Singer Sargent, and the only American who was officially part of the French group, Mary Cassatt. In addition, important paintings and watercolors by notable artists such as Cecilia Beaux, William Merritt Chase, Childe Hassam, George Inness, Mauric Prendergast, and John Twachtman are included, along with reproduced images of lesser-known artists who worked in the Impressionist vein.
This major exhibition featured exquisite paintings, watercolors and pastels by America's most celebrated Impressionists, including Frank Benson, Mary Cassatt, Childe Hassam, John Singer Sargent and Edmund C. Tarbell. Smaller more intimate prints, drawings and watercolors which reveal contemplative aspects of the creative personalities of such important Impressionists as Cassatt, Hassam and Prendergast.This exhibition complimented the museum's exhibition of American Impressionist paintings. This show was a rare opportunity to view these delicate works on paper, including America's best preserved set of Mary Cassatt's color prints.
Auth: Museum of Fine Arts, Boston, Dist by Simon & Schuster, Full-color plates.
An examination of the continuities and differences between American Impressionism and Realism. Copyright © Libri GmbH. All rights reserved.
Lavishly illustrated with masterworks by such noted artists as Chase, Hassam, Twachtman, and Frieseke, this is the classic work on an increasingly popular subject. 400 illustrations, 200 in full color. Copyright © Libri GmbH. All rights reserved.
"This illustrated publication accompanies a major exhibition at the Metropolitan Museum, the first retrospective presentation of Hassam's work in a museum since 1972. Unique to this volume are an account of Hassam's lifelong campaign to market his art, a study of the frames he selected and designed for his paintings, and an unprecedented lifetime exhibition record. Included in addition are a checklist of works in the exhibition and a chronology of Hassam's life. All works in the exhibition as well as comparative materials are reproduced."--BOOK JACKET.
Eugenia Errazuriz, one of the beauties of the late ninteenth century, attests to the collectors' own love of the beautiful in American art.
"The publication of Guy Rose: American Impressionist marks the rediscovery of an American master of the Imressionist style of painting after more than half a century of virtual neglect ... Illustrated by dozens of paintings, most of them never before published, this book reveals Guy Roses's mastery of serveral styles in a variety of subjects, from early still lifes to intimate figure studies, from picturesque scenes of the French countryside to spectatular views of California's Pacific coast at Laguna Beach and Carmel/Monterey. This publication, which includes not only essays but also a detailed chronology of the artist's life and an extensive exhibition record, will provide new and revised information that will serve as a welcome addition to the history of American art."--Front cover flap