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Reproduction of the original: The American Horsewoman by Mrs. Elizabeth Karr
• An insightful and meaningful reader about relationship training methods between man and horse • Features an overview of how horses came to live with Native Americans and the impact on their lives • Provides philosophies and techniques for relationship training methods • Also includes Native American stories and legends about their special relationships with their horses
This "hugely entertaining, riveting page-turner" (Louise Penny) follows the complicated relationship between mother and daughter as they face off in the Olympics—and into a ride they can barely control. Maggie Atwood and Becky McCabe, mother and daughter, both champion riders, vowed to never, ever, go up against one another. Until the tense, harrowing competitions leading to the Paris Olympics. Mother and daughter share a dream: to be the best horsewoman in the world. Coronado is Maggie’s horse. An absolutely top-tier Belgian warmblood. Sky is Becky’s horse. A small, speedy Dutch warmblood. Only James Patterson could bring you such breakneck speed, hair-raising thrills and spills. Only hall of fame sportswriter Mike Lupica could make it all so real.
This volume of the Sports She Wrote series presents a trilogy of influential books on 19th-century equestrianism written by women from 1884 to 1893, with more than 100 illustrations, providing readers a window into the world of horsemanship in the Victorian Era. Elizabeth Karr's The American Horsewoman (1884) proudly states that hers is the first book exclusively for women riders written by an American woman. C. De Hurst's How Women Should Ride (1892) is a foundational guide covering essential aspects of horse riding and management with practical lessons for aspiring riders. Alice M. Hayes's The Horsewoman (1893) weaves personal anecdotes and adventurous tales, offering a captivating glimpse into the life of a 19th-century equestrienne. All three books in this trilogy (160,000 words) depict women riding side-saddle, capturing a moment in history when the debate over women riding astride was in its infancy. The side-saddle, symbolic of femininity during this era, adds an intriguing layer to the narratives, showcasing the evolving role of women in the equestrian world. Despite this antiquated perspective, much of the information in the books regarding riding and caring for horses remains relevant today. Two additional volumes about equestrianism in the Sports She Wrote series are Equestrian Reports and Nannie Lambert O’Donoghue. Other volumes with equestrian articles include Diana’s Outdoor Sports; Women on the Hunt; and Adelia Brainerd, The Outdoor Woman of Harper’s Bazar. Sports She Wrote is a 31-volume time-capsule of primary documents written by more than 500 women in the 19th century.
On May 14, 1804 Captain Meriwether Lewis and William Clark left the docks in St. Louis, leading a secret expedition up the Missouri River with the goal of finding a passage to the west coast of the continent. A young blacksmith's apprentice, Hugh McNeal, begs for and gains a last minute spot on the company's roster. As they travel up river, the company experiences hardship, sickness and the dangers involved with meeting the primitive natives that inhabit the banks of the Missouri. But the promiscuous nature of the Indian women they meet proves a distraction from the men's daily tribulations. A light-skinned, red-haired child is born of a liaison between Hugh and a young Dakotah girl, Bright Morning. It is a difficult birthing aided by the girl's medicine god and mystical dreams. Fearing that the child's medicine is strong, the young girl's husband changes her name to Horse Woman and names the baby Horse Woman's Child.
There are over seven million horses in America -- even more than when they were the only means of transportation. Nir began riding horses when she was just two years old and hasn't stopped since. This is her funny, moving love letter to these graceful animals and the people who are obsessed with them. She takes us into the lesser-known corners of the riding world and profiles some of its most captivating figures, and speaks candidly of how horses have helped her overcome heartbreak and loss.
This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture. In focusing on the construction of identity in painting and photography—of Blacks, women, and the animals themselves involved in horseracing, rodeo, and horse show competition—it illuminates the strategic and varying roles visual artists have played in producing cultural understandings of human-animal relationships. As the first book to offer a history of American equine and equestrian imagery, it shrinks the chasm of literature on the subject and illustrates the significance of the genre to the history of American art. This book further connects American equine and equestrian art to historical, theoretical, and philosophical analyses of animals and attests to how the horse endures as a vital, meaningful subject within the art world as well as culture at large. This book will be of interest to scholars in art history, American art, gender studies, race and ethnic studies, and animal studies.