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A lavish presentation of this fine Milwaukee collection. Two hundred pieces of seventeenth-, eighteenth-, and early nineteenth-century American furniture. Each entry includes all known information about the particular object's history, cost, design sources, regional origin and unique qualities, as well as a photograph of the piece and a description of its salient construction features. Complimenting this rich catalogue are two essays. The first summarizes stylistic developments in the period 1680-1820 and seeks to place the Stone collection in historical perspective. The second, by Stanley Stone himself, discusses a personal approach to collecting that mixes obvious aesthetic joy and keen judgment--two qualities everywhere evident in this remarkable collection.
Between 1790 and 1840, millions of middle-class Americans throughout the nation encountered "Fancy": they rode in a Fancy sleigh, dressed up in Fancy clothes, blew their noses in Fancy handkerchiefs, bought goods at Fancy shops, ate at Fancy tables on Fancy dishes, and slept under Fancy coverlets. Not just fancy but Fancy: an early nineteenth-century cultural phenomenon born out of new and enlightened ways of seeing, understanding, and responding to the surrounding world. Fancy expressed itself in just about everything that pleased the senses; generally colorful and boldly patterned, it elicited delight, awe, surprise, whim, and caprice. Whether experienced in the form of painted surfaces, kaleidoscopic quilts, or imaginary landscapes, Fancy engaged the emotions and expanded the imagination, expressing the core of human fancy. "American Fancy" offers an appropriately fantastic experience of this uniquely American sensibility. Author Sumpter Priddy has assembled and produced an original oeuvre in the field of decorative arts, going beyond the traditional modes of furniture analysis, which concentrate on style, history, and construction, to consider the perceptual and emotional responses through which the original users and viewers would have interacted with these material things. To this end he employs the interpretive methods used in the fields of literature, fine arts, philosophy and even psychology. Rich, fully illustrated, wondrously researched, and bound in a cover that imitates a typical Fancy pattern, "American Fancy" does its marvelous subject true.
An innovative social and cultural history of the British roots of Federal style furniture in Boston.
Lively prose and wonderful color photographs portray a veteran's passion for British household pottery.
Features articles on the Lloyd family's furniture legacy, furniture fakes from the Chipstone collection, Pennsylvania clouded limestone, joiner's trade in seventeenth-century America, the Claypoole family joiners of Phiadelphia, the politics of the caned chair, tradition and exclusion in American furniture scholarship, and seventeenth-century cupbo
An annual publication forging a link between social history, American studies, and the decorative arts
Charles Rohlfs (1853-1936) ranked among the most innovative furniture makers at the turn of the twentieth century. Praised by the international press and exhibited throughout the United States and Europe, his beautiful works grew out of an interesting mix of styles that included Arts and Crafts, Art Nouveau, and proto-modernism. This book presents the first major study of this important American designer and craftsman, drawing upon new photographs and fresh sources of information. Alongside traditional historical approaches, the book presents detailed formal, structural, and stylistic analyses of Rohlfs's well-known masterpieces from major museums, together with lesser-known objects in public and private collections. Topics include discovering the contribution of Rohlfs's wife--mystery novelist Anna Katharine Green--to his designs; the far-ranging sources of his idiosyncratic motifs; his influence on Gustav Stickley's designs; his commissioned interiors; his efforts at self-promotion and marketing; and his attempts to define a conceptual framework for his artistic endeavor. Handsomely designed and illustrated, the book also features a complete set of unpublished period illustrations of over seventy works.
The Chipstone Foundation's annual American Furniture and its sister publication Ceramics in America are the most influential publications to have emerged in the decorative arts field during the last twenty-five years. These journals continue to set new standards for cutting edge research, photography, and graphic design while forging links between academia, museums, craftspeople, and the collecting world. Acknowledged as the journal of record in its field, American Furniture presents new research on furniture design, use, production, and appreciation. Begun in 1993, this award-winning annual provides a comprehensive forum on furniture history, technology, connoisseurship, and conservation by the foremost scholars in the field. It is the only interdisciplinary journal devoted exclusively to furniture made or used in the Americas from the seventeenth century to the present.
Acknowledged as the journal of record in its field, American Furniture presents new research on furniture design, use, production, and appreciation. The 1999 volume presents articles devoted to Rhode Island furniture, plus the usual book reviews, bibliography of recent works, and index.