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In The First American Frontier, Wilma Dunaway challenges many assumptions about the development of preindustrial Southern Appalachia's society and economy. Drawing on data from 215 counties in nine states from 1700 to 1860, she argues that capitalist exchange and production came to the region much earlier than has been previously thought. Her innovative book is the first regional history of antebellum Southern Appalachia and the first study to apply world-systems theory to the development of the American frontier. Dunaway demonstrates that Europeans established significant trade relations with Native Americans in the southern mountains and thereby incorporated the region into the world economy as early as the seventeenth century. In addition to the much-studied fur trade, she explores various other forces of change, including government policy, absentee speculation in the region's natural resources, the emergence of towns, and the influence of local elites. Contrary to the myth of a homogeneous society composed mainly of subsistence homesteaders, Dunaway finds that many Appalachian landowners generated market surpluses by exploiting a large landless labor force, including slaves. In delineating these complexities of economy and labor in the region, Dunaway provides a perceptive critique of Appalachian exceptionalism and development.
Who owns the West? -- Buffalo Bill and Karl May : the origins of German Western fandom -- A wall runs through it : western fans in the two Germanies -- Little houses on the prairie -- "And then the American Indians came over" : fan responses to indigenous resurgence and political change -- Indians into Confederates : historical fiction fans, reenactors, and living history.
A pioneering work in Atlantic studies that emphasizes a transnational approach to the past.
Americans have long cherished romantic images of the frontier and its colorful cast of characters, where the cowboys are always rugged and the ladies always fragile. But in this book, Peter Boag opens an extraordinary window onto the real Old West. Delving into countless primary sources and surveying sexological and literary sources, Boag paints a vivid picture of a West where cross-dressing—for both men and women—was pervasive, and where easterners as well as Mexicans and even Indians could redefine their gender and sexual identities. Boag asks, why has this history been forgotten and erased? Citing a cultural moment at the turn of the twentieth century—when the frontier ended, the United States entered the modern era, and homosexuality was created as a category—Boag shows how the American people, and thus the American nation, were bequeathed an unambiguous heterosexual identity.
Brings together economic, social, and political analyses to formulate a program for an American revival, in terms of the nation's economy and of a more equitable life for the American people.
Log cabins and wagon trains, cowboys and Indians, Buffalo Bill and General Custer. These and other frontier images pervade our lives, from fiction to films to advertising, where they attach themselves to products from pancake syrup to cologne, blue jeans to banks. Richard White and Patricia Limerick join their inimitable talents to explore our national preoccupation with this uniquely American image. Richard White examines the two most enduring stories of the frontier, both told in Chicago in 1893, the year of the Columbian Exposition. One was Frederick Jackson Turner's remarkably influential lecture, "The Significance of the Frontier in American History"; the other took place in William "Buffalo Bill" Cody's flamboyant extravaganza, "The Wild West." Turner recounted the peaceful settlement of an empty continent, a tale that placed Indians at the margins. Cody's story put Indians—and bloody battles—at center stage, and culminated with the Battle of the Little Bighorn, popularly known as "Custer's Last Stand." Seemingly contradictory, these two stories together reveal a complicated national identity. Patricia Limerick shows how the stories took on a life of their own in the twentieth century and were then reshaped by additional voices—those of Indians, Mexicans, African-Americans, and others, whose versions revisit the question of what it means to be an American. Generously illustrated, engagingly written, and peopled with such unforgettable characters as Sitting Bull, Captain Jack Crawford, and Annie Oakley, The Frontier in American Culture reminds us that despite the divisions and denials the western movement sparked, the image of the frontier unites us in surprising ways.
The American Frontier: An Archaeological Study of Settlement Pattern and Process focuses on general rules or laws for the evolution of all agrarian frontiers, emphasizing those that are expanding. A variety of frontiers is also discussed in addition to the agrarian type to pinpoint similarities and differences. Organized into 11 chapters, this book first elucidates the processes of frontier colonization, and then describes the frontier model employed for the interpretation of documentary and material evidence for the examination of the development of South Carolina frontier. Some chapters then focus on the examination of South Carolina's colonial past in terms of the model to determine its degree of conformity with the latter and to set the stage for the archaeological study; the development of archaeological hypotheses; and a consideration of the material record. Other types of frontiers are characterized by separate developmental processes, and several of these are discussed in Chapter 10 as avenues for further research. This book will be valuable to scholars in several fields, including history, geography, and anthropology. Historical archaeologists will find it especially useful in designing research in former colonial areas and in modeling additional kinds of frontier change.
PREACHER + MacCALLISTER = DOUBLE THE MAYHEM Two of the Johnstones’ most legendary heroes—the rugged mountain man known as Preacher and the Scottish clan rancher Jamie Ian MacCallister, here together for the first time—are forced to choose sides in a blood-soaked battle for the heart and soul of a nation divided . . . FRONTIER AMERICA As the father of a young Crow tribesman, Preacher would like nothing more than to see the long-time natives and newly arrived settlers live together in peace. Then the killing starts . . . As a family man and frontiersman, Jamie Ian MacCallister is more than happy to help the officers at Fort Kearny negotiate a peace treaty with the Crow nation. Until it all goes to hell . . . This is not the American dream they were looking for. This is a nightmare. A brutal, blood-drenched frontier war that two heroic men must fight and win—or one struggling nation will never come together. For liberty and justice for all . . . Live Free. Read Hard.