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Hand-carved canes are a part of America's culture and art, speaking to our rich national heritage and capacity for self-expression. As vehicles of personal communication and group identity, American folk art canes display images ranging from King Kong to depression-era bathing beauties, from boxer "Gentleman Jim" Corbett to an anonymous shoemaker, and from Civil War soldiers to Dolly Parton. Symbols of fraternal and military organizations also occupy the miniature world on the cane, as do representations of nature, from snakes swallowing frogs to bee-filled gardens. American Folk Art Canes: Personal Sculpture is the first comprehensive, scholarly book focusing on American folk canes and will be a foundation for future research in the field. Reproduced in full color, more than three hundred canes dating from the early nineteenth century to today disclose the complex cultural meanings, obscure individual histories, and light-hearted social commentaries of folk art walking sticks. Detailed, comparative, and historical photographs show the diverse styles, techniques, and themes used by the generations of American carvers who have mastered this expressive and utilitarian art form. Each illustration eloquently demonstrates the carvers' artistry in transforming a simple functional object into a work of art. The introduction and eight original essays by noted scholars examine the methods of dating canes, their sculptural and symbolic qualities, and the aesthetic character and history of Native American, African-American, Civil War, fraternal, and contemporary canes. Details of the canes' imagery, origins, and composition are given in an extensive documentation section. Color plates of relatedfolk art carvings, a selected bibliography, and a thorough index supplement the book.
Hand-carved canes are a part of America's culture and art, speaking to our rich national heritage and capacity for self-expression. As vehicles of personal communication and group identity, American folk art canes display images ranging from King Kong to depression-era bathing beauties, from boxer "Gentleman Jim" Corbett to an anonymous shoemaker, and from Civil War soldiers to Dolly Parton. Symbols of fraternal and military organizations also occupy the miniature world on the cane, as do representations of nature, from snakes swallowing frogs to bee-filled gardens. American Folk Art Canes: Personal Sculpture is the first comprehensive, scholarly book focusing on American folk canes and will be a foundation for future research in the field. Reproduced in full color, more than three hundred canes dating from the early nineteenth century to today disclose the complex cultural meanings, obscure individual histories, and light-hearted social commentaries of folk art walking sticks. Detailed, comparative, and historical photographs show the diverse styles, techniques, and themes used by the generations of American carvers who have mastered this expressive and utilitarian art form. Each illustration eloquently demonstrates the carvers' artistry in transforming a simple functional object into a work of art. The introduction and eight original essays by noted scholars examine the methods of dating canes, their sculptural and symbolic qualities, and the aesthetic character and history of Native American, African-American, Civil War, fraternal, and contemporary canes. Details of the canes' imagery, origins, and composition are given in an extensive documentation section. Color plates of relatedfolk art carvings, a selected bibliography, and a thorough index supplement the book.
For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.
Drawing on the natural folk art tendencies of children, who love to collect buttons, bottle caps, shells, and Popsicle sticks to create beautiful, imperfect art, this activity guide teaches kids about the history of this organic art and offers inspiration for them to create their own masterpieces. The full breadth of American folk art is surveyed, including painting, sculpture, decorative arts, and textiles from the 17th century through today. Making bubblegum wrapper chains, rag dolls, bottle cap sculptures, decoupage boxes, and folk paintings are just a few of the activities designed to bring out the artist in every child. Along the way kids learn about the lives of Americans throughout history and their casual relationships to everyday art as they cut stencils, sew needlepoint samplers, draw calligraphy birds, and design quilts. Important folk artists such as the last surviving Shakers, the legendary Grandma Moses, and the Reverend Howard Finster are also explored in sidebars throughout the book.
A comprehensive study of walking canes from around the world, dating from the distant past to the modern-day. The book presents a historical context on both practical and ceremonial usage. At the same time, specially shot pictures showcase the celebrated A&D Collection of canes, while enlightening prose demonstrates the cane's enduring relevance to society. More than just a mobility aid, the cane has held numerous offices of significance. From the staff of the legendary Monkey King in the classic Chinese Journey to the West, or the stylised crosiers carried by high-ranking prelates from the Roman Catholic church, to the truncheon wielded by Mr Punch in puppet shows, canes are embedded in the culture of almost every country around the globe. Roving the map with one hand and thumbing through history books with the other, A Virtual History of Walking Canes and Sticks seeks not only to introduce the collector to the diverse wealth of canes available but also to entertain the casual reader. Intermingled with over 800 full-colour pictures are descriptions of gadget canes for tradesmen, squirting canes for pranksters, and glamorous Art Nouveau canes for the dapper gentlemen of the '20s. Informative and meticulously researched, this book paves an accessible route into a niche subject while paying homage to our ongoing relationship with canes. This story stretches back as far as history itself.
Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.
Following on from Jeffrey Benson's first volume of travel diaries, One More for the Road, comes a second instalment, as one of the food and drink world's intrepid voyagers continues on his way. No Half Measures whisks the reader to the luxury resorts of the Indian Ocean, tasting cutting-edge cuisine and fine wines on five continents, and celebrates all the cultural diversity the world still has to offer. As before, Benson gives us both barrels of modern travel experience, the vintage and the vin ordinaire, the sublime and the ridiculous, in generous and richly evocative accounts of journeys among family and friends, wine students and superstar chefs. There are glorious gastronomic moments and glimpses of the splendour of the natural world, as well as comic interludes and the odd despairing grumble, all in the company of our witty and humane chaperone. Fasten your seat-belts: it's going to be a thoroughly enjoyable ride.
Identifies the Carolinas' contributions to Southern Folk traditions.