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This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs, reels, hornpipes, slip jigs, strathspeys, waltzes and airs. the harmonies are written so that various combinations from solo instrument with piano, to duets and trios, to full string quartet/orchestra are possible. the viola book includes melody (solo) viola, viola harmony, third violin, and full score including violin, viola and cello parts with piano accompaniment. All of the Celtic Tunes for Solo and Ensemble books (Violin, Viola and Cello/Bass) are written as ensemble books, so they can be played as solo books or together as ensemble.
This collection contains 16 traditional fiddling tunes from across North America. They are arranged in a theme and variation format, typical of American fiddling. the authentic fiddling style harmonies are written so that various combinations from solo instrument with piano to duets and trios to full string quartet/orchestra are possible. Includes cello melody (solo), cello harmony and piano accompaniment. American Fiddle Tunes for Solo and Ensemble books are written as ensemble books, so they can be played as solo books with piano accompaniment or together as ensemble.
This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs, reels, hornpipes, slip jigs, strathspeys, waltzes and airs. the harmonies are written so that various combinations from solo instrument with piano, to duets and trios, to full string quartet/orchestra are possible. the cello book includes melody (solo) cello, cello harmony, bass and piano accompaniment. All of the Celtic Tunes for Solo and Ensemble books (Violin, Viola and Cello/Bass) are written as ensemble books, so they can be played as solo books or together as ensemble.
This collection contains 16 traditional fiddling tunes from across North America. They are arranged in a theme and variation format, typical of American fiddling. the authentic fiddling style harmonies are written so that various combinations from solo instrument with piano to duets and trios to full string quartet/orchestra are possible. Includes viola melody (solo), viola harmony, third violin, and full score which includes violin, viola and cello parts with piano accompaniment. American Fiddle Tunes for Solo and Ensemble books are written as ensemble books, so they can be played as solo books with piano accompaniment or together as ensemble.
Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, “Going Down the Road Feeling Bad,” author Nate Sabat reveals his creative process in crafting effective basslines from the song’s melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Don’t this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nate’s warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. You’ll not only want to back Nate up—but sing harmony with him too! The impulse to sing can’t help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, you’ll soon be able to play along with the book’s 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If you’ve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, you’ll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.
If you are looking for exciting and challenging fiddle solos by one of America's hottest fiddlers, this book is for you. Contains Craig's outstanding fiddle arrangements on: Dueling Fiddles; Rocky Top; Black Mountain Rag; Tennessee Waltz; Faded Love; Cajun Fiddle; Jole Blon; Gardenia Waltz; Draggin' the Bow; Granny Does Your Dog Bite?; Black-Eyed Suzie; Wabash Cannonball; and many more. Presents 60 great fiddling tunes! the CD is sparkling stereo listening recording featuring Craig Duncan backed up by a top Nashville country rhythm section!
Learning Together consists of sequential unison repertoire for string instruments of the orchestra and is intended for use in string classes, group ensembles, and private lesson settings. Harmony parts and bass lines complete the arrangements and are composed so that any mixed string ensemble, as well as ensembles of like instruments, can perform the pieces. Piano accompaniments are included and can be added to any of these combinations. Performance possibilities include individual solo or unison groups, class ensembles, and district or festival sized orchestras. The Learning Together repertoire can be used to establish solo technique, introduce ensemble skills, develop aural skills, and can serve as a foundation for learning to read music. Each instrument book comes with a CD that includes solo performances, string ensemble performances, and piano accompaniment tracks of the featured repertoire. The authors of Learning Together are award-winning teachers with over 100 years of combined recognized success. They share extensive experience as performers, conductors, clinicians, and studio and classroom teachers. This book demonstrates their commitment to providing rich musical experiences for all students in classroom and studio settings.
Presents 140 of the most frequently played tunes in old time fiddle contests as well as the most popular bluegrass, square dance and country tunes heard throughout the United States. the performance length arrangements of contest tunes include standard as well as challenging variations on hoe-downs, rags, polkas, show pieces, and waltzes complete with suggested accompaniment chords. This encyclopedia of fiddle tunes and variations spotlights American popular fiddle music as played by the great fiddlers of our time.
This collection contains 16 traditional fiddling tunes from across North America. They are arranged in a theme and variation format, typical of American fiddling. the authentic fiddling style harmonies are written so that various combinations from solo instrument with piano to duets and trios to full string quartet/orchestra are possible. Included are two violin parts and piano accompaniment. American Fiddle Tunes for Solo and Ensemble books are written as ensemble books, so they can be played as solo books with piano accompaniment or together as ensemble.
Written as a companion to the wildly popular fiddle book, this method opens up the world of fiddling to the beginning/intermediate cellist. Finally fiddlers, violists and cellists can jam together! Unlike many books for violas and cellos which simply transpose the tunes, the authors went to considerable effort arranging the tunes to be both playable and true to the original melody and key. Variations to the tunes are included illustrating how they can serve as a basis for improvisation. Ensemble skills are taught with chords and lyrics, basic music theory, and demonstrations of such skills as backup and lead playing in this playfully- illustrated book. A high quality, multi-instrumental CD for listening and play-along captures the excitement of the music. Like its fiddle counterpart, this method is destined to be a classic.