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Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified multiauthored reference work, containing more than one hundred specially commissioned essays by leading contemporary critics from around the world. Providing the first international comparative reassessment of the novel, these essential volumes reveal the form in unprecedented depth and breadth--as a great cultural, social, and human phenomenon that stretches from the ancient Greeks to today, where modernity itself is unimaginable without the genre. By viewing the novel as much more than an aesthetic form, this landmark collection demonstrates how the genre has transformed human emotions and behavior, and the very perception of reality. Historical, statistical, and formal analyses show the novel as a complex literary system, in which new forms proliferate in every period and place. Volume 1: History, Geography, and Culture, looks at the novel mostly from the outside, treating the transition from oral to written storytelling and the rise of narrative and fictionality, and covering the ancient Greek novel, the novel in premodern China, the early Spanish novel, and much else, including readings of novels from around the world. These books will be essential reading for all students and scholars of literature.
An authoritative and lively account of the development of the genre, by leading experts in the field.
Quixotic Fictions is the first book-length study of the role of Don Quixote in early American literature. Coinciding with the quadricentenary of Don Quixote's first publication, Quixotic Fictions reaffirms the global reach of Cervantes's influence and explores the complex, contradictory ways in which Don Quixote helped to shape American fiction at a formative moment in its development.
No detailed description available for "Novels, Readers, and Reviewers".
This is the fullest and richest account of the American Renaissance available in any literary history. The narratives in this volume made for a four-fold perspective on literature: social, cultural, intellectual and aesthetic. Michael D. Bell describes the social conditions of the literary vocation that shaped the growth of a professional literature in the United States. Eric Sundquist draws upon broad cultural patterns: his account of the writings of exploration, slavery, and the frontier is an interweaving of disparate voices, outlooks and traditions. Barbara L. Packer's sources come largely from intellectual history: the theological and philosophical controversies that prepared the way for transcendentalism. Jonathan Arac's categories are formalist: he sees the development of antebellum fiction as a dialectic of prose genres, the emergence of a literary mode out of the clash of national, local and personal forms. Together, these four narratives constitute a basic reassessment of American prose-writing between 1820 and 1865. It is an achievement that will remain authoritative for our time and that will set new directions for coming decades in American literary scholarship.
Michigan in the Novel records 1,735 novels published from 1816 through 1996 that are set wholly or partially in the state of Michigan. Consulting literally thousands of novels and visiting scores of libraries, Robert Beasecker spent more than twenty years researching this exhaustive bibliography. Works included are mainstream fiction, mystery and romance novels, juveniles, religious tracts, dime novels, and other marginal or popular genre literature. Omitted are short stories, poetry, drama, screenplays and pageants, and serially published novels with no subsequent separate publication. Through its six indexes, Michigan in the Novel provides literary and cultural access to Michigan novels, classifying novels by to title, series, setting, chronology, subject and genre, and Michigan imprints. Intended to serve as a guide for students, teachers, scholars, and readers to explore Michigan's vast, varied, and rich literary landscape, Michigan in the Novel is the most expansive compilation of its kind.
Literary Research and the American Realism and Naturalism Period: Strategies and Sources will help those interested in researching this era. Authors Linda L. Stein and Peter J. Lehu emphasize research methodology and outline the best practices for the research process, paying attention to the unique challenges inherent in conducting studies of national literature.
Best known for her culinary and domestic guides and the award-winning short story –Mrs. Washington Potts,” Eliza Leslie deserves a much more prominent place in contemporary literary discussions of the nineteenth century. Her writing, known for its overtly moralistic and didactic tonesãthough often presented with wit and humorãalso provides contemporary readers with a nuanced perspective for understanding the diversity among American women in Leslieês time. Leslieês writing serves as a commentary on gender ideals and consumerism; presents complicated constructions of racial, national, and class-based identities; and critiques literary genres such as the Gothic romance and the love letter. These criticisms are exposed through the juxtaposition of her fiction and nonfiction instructive texts, which range from lessons on literary conduct to needlework; from recipes for American and French culinary dishes to travel sketches; from songs to educational games. Demonstrating the complexity of choices available to women at the time, this volume enables readers to see how Leslieês rhetoric and audience awareness facilitated her ability to appeal to a broad swath of the nineteenth-century reading public.
Volume Two of A History of the Book in America documents the development of a distinctive culture of print in the new American republic. Between 1790 and 1840 printing and publishing expanded, and literate publics provided a ready market for novels, almanacs, newspapers, tracts, and periodicals. Government, business, and reform drove the dissemination of print. Through laws and subsidies, state and federal authorities promoted an informed citizenry. Entrepreneurs responded to rising demand by investing in new technologies and altering the conduct of publishing. Voluntary societies launched libraries, lyceums, and schools, and relied on print to spread religion, redeem morals, and advance benevolent goals. Out of all this ferment emerged new and diverse communities of citizens linked together in a decentralized print culture where citizenship meant literacy and print meant power. Yet in a diverse and far-flung nation, regional differences persisted, and older forms of oral and handwritten communication offered alternatives to print. The early republic was a world of mixed media. Contributors: Elizabeth Barnes, College of William and Mary Georgia B. Barnhill, American Antiquarian Society John L. Brooke, The Ohio State University Dona Brown, University of Vermont Richard D. Brown, University of Connecticut Kenneth E. Carpenter, Harvard University Libraries Scott E. Casper, University of Nevada, Reno Mary Kupiec Cayton, Miami University Joanne Dobson, Brewster, New York James N. Green, Library Company of Philadelphia Dean Grodzins, Massachusetts Historical Society Robert A. Gross, University of Connecticut Grey Gundaker, College of William and Mary Leon Jackson, University of South Carolina Richard R. John, Columbia University Mary Kelley, University of Michigan Jack Larkin, Clark University David Leverenz, University of Florida Meredith L. McGill, Rutgers University Charles Monaghan, Charlottesville, Virginia E. Jennifer Monaghan, Brooklyn College of The City University of New York Gerald F. Moran, University of Michigan-Dearborn Karen Nipps, Harvard University David Paul Nord, Indiana University Barry O'Connell, Amherst College Jeffrey L. Pasley, University of Missouri-Columbia William S. Pretzer, Central Michigan University A. Gregg Roeber, Pennsylvania State University David S. Shields, University of South Carolina Andie Tucher, Columbia University Maris A. Vinovskis, University of Michigan Sandra A. Zagarell, Oberlin College
This is the only collection ever made of Bryant's letters, two-thirds of which have never before been printed. Their publication was foreseen by the late Allan Nevin as "one of the most important and stimulating enterprises contributory to the enrichment of the nation's cultural and political life that is now within range of individual and group effort. William Cullen Bryant (1794–1878) was America's earliest national poet. His immediate followers—Longfellow, Poe, and Whitman—unquestionably began their distinguished careers in imitation of his verses. But Bryant was even more influential in his long career as a political journalist, and in his encouragement of American art, from his lectures at the National Academy of Design in 1828 to his evocation of the Metropolitan Museum of Art in 1870. Between the appearance of his first major poem, "Thanatopsis," in 1817, and his death sixty-one years later at the age of eight-three, Bryant knew and corresponded with an extraordinary number of eminent men and women. More than 2,100 of his know letters have already been recovered for the present edition. When William Cullen Bryant signed the first of 314 letters in the present volume, in 1809, he was a frail and shy farm boy of fourteen who had nonetheless already won some fame as the satirist of Thomas Jefferson. When he wrote the last, in 1836, he had become the chief poet of his country, the editor of its principal liberal newspaper, and the friend and collaborator of its leading artists and writers. His collected poems, previously published at New York, Boston, and London, were going into their third edition. His incisive editorials in the New York Evening Post were affecting the decisions of Andrew Jackson's administration. His poetic themes were beginning to find expression in the landscape paintings of Robert Weir, Asher Durand, and Thomas Cole. The early letters gathered here in chronological order give a unique picture of Cullen Bryant's youth and young manhood: his discipline in the classics preparatory to an all-too-brief college tenure; his legal study and subsequent law practice; the experiments with romantic versification which culminated in his poetic masterpieces, and those with the opposite sex which led to his courtship and marriage; his eager interest in the politics of the Madison and Monroe Presidencies, and his subsequent activities as a local politician and polemicist in western Massachusetts; his apprenticeship as magazine editor and literary critic in New York City, from which his later eminence as journalist was the natural evolution; the lectures on poetry and mythology which foreshadowed a long career as occasional orator; the collaboration in writing The Talisman, The American Landscape, and Tales of Glauber-Spa, and in forming the National Academy of Design, and the Sketch Club, which brought him intimacy with writers, artists, and publishers; his first trip to the Aemrican West, and his first long visit to Europe, during which he began the practice of writing letters to his newspaper which, throughout nearly half a century, proved him a perceptive interpreter of the distant scene to his contemporaries. Here, in essence, is the first volume of the autobiography of one whom Abraham Lincoln remarked after his first visit to New York City in 1860, "It was worth the journey to the East merely to see such a man." And John Bigelow, who of Bryant's many eulogists knew him best, said in 1878 of his longtime friend and business partner, "There was no eminent American upon whom the judgment of his countrymen would be more immediate and unanimous. The broad simple outline of his character and career had become universally familiar, like a mountain or a sea."