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In Chicago, an ordinary key unlocks a magical trunk packed with robbers and a pie. In Boston, five magical bon-bons make an ordinary senator, an ordinary professor, an ordinary girl and her ordinary parents do the most extraordinary things A young cowboy lassoes Father Time; the dummy in Mr. Floman's department store window comes to life; and a tiny beetle gives a New England farmer and his wife a pump which pumps not water, but gold Author of the much-loved Oz books, L. Frank Baum transforms the familiar with his magical mix of humor and enchantment. Most of the twelve stories in this delightful collection are set in America where, so it seems, modern fairies, knooks, and ryls are always causing the most astonishing things to happen These tales will enchant both young and old. When American Fairy Tales first appeared, Baum's reputation as a storyteller had already been established by The Wonderful Wizard of Oz, written in 1900. The twelve stories in this collection were originally syndicated weekly in at least five newspapers during the first half of 1901. The first book edition, which this facsimile reprints, came out later that year.
In the twenty-first century, American culture is experiencing a profound shift toward pluralism and secularization. In Fairy Tales in Contemporary American Culture: How We Hate to Love Them, Kate Koppy argues that the increasing popularity and presence of fairy tales within American culture is both indicative of and contributing to this shift. By analyzing contemporary fairy tale texts as both new versions in a particular tale type and as wholly new fairy-tale pastiches, Koppy shows that fairy tales have become a key part of American secular scripture, a corpus of shared stories that work to maintain a sense of community among diverse audiences in the United States, as much as biblical scripture and associated texts used to.
From award-winning author Adriana Herrera comes a heart-warming—and seriously hot—contemporary romance in her highly-acclaimed Dreamers series. “Herrera delivers an emotionally resonant, sensually charged second Dreamers contemporary (after American Dreamer) that will knock readers’ socks off.”—Publishers Weekly, starred review “American Fairytale is nothing short of magical.”—Book Riot, a Best Books of 2019 pick “A fresh and vital new voice in romance.”—Entertainment Weekly Fairytale endings don’t just happen; they have to be fought for New York City social worker Camilo Santiago Briggs grew up surrounded by survivors who taught him to never rely on anything you didn’t earn yourself. He’s always dreamt of his own happily ever after, but he lives in the real world. Men who seem too good to be true…usually are. And Milo never ever mixes business with pleasure...until the mysterious man he had an unforgettable hookup with turns out to be the wealthy donor behind his agency’s new, next-level funding. Thomas Hughes built a billion dollar business from nothing: he knows what he wants and isn’t shy about going after it. When the enthralling stranger who blew his mind at a black-tie gala reappears, Tom’s more than ready to be his Prince Charming. Showering Milo with the very best of everything is how Tom shows his affection. Trouble is, Milo’s not interested in any of it. The only thing Milo wants is Tom. Fairytale endings take work as well as love. For Milo, that means learning to let someone take care of him, for a change. And for Tom, it’s figuring out that real love is the one thing you can’t buy. Dreamers Book 1: American Dreamer Book 2: American Fairytale Book 3: American Love Story Book 4: American Sweethearts Book 5: American Christmas
Scholars of fairy-tale studies will enjoy Bacchilega's significant new study of contemporary adaptations.
Nineteen stories focus on the magical lore and wondrous imaginings of African American women.
This marvelous collection of fairy tales, some moral, some satirical, some bizarre, reflects the popularity and scope of this enduring and versatile genre. Featuring tales written by figures as diverse as Charles Dickens and Ursula Le Guin, this anthology will appeal to the child that exists in every adult.
Over one hundred stories showcasing the wisdom and artistry of one the world’s richest folktale traditions—the first panoramic anthology of Hispano-American folk narratives in any language. Gathered from twenty countries and combining the lore of medieval Europe, the ancient Near East, and pre-Columbian America, the stories brought together here represent a core collection of classic Latin American folktales. Among the essential characters are the quiet man's wife who knew the Devil's secrets, the three daughters who robbed their father's grave, and the wife in disguise who married her own husband—not to mention the Bear's son, the tricksters Fox and Monkey, the two compadres, and the classic rogue Pedro de Urdemalas. Featuring black-and-white illustrations throughout, this Pantheon Fairy Tale and Folklore Library edition is unprecedented in size and scope, including riddles, folk prayers, and fables never before translated into English.
“A fresh and vital new voice in romance.”—Entertainment Weekly From award-winning author Adriana Herrera comes a novel hailed as one of Entertainment Weekly’s 10 Best Romance Novels of 2019 and a TODAY Show Hot Summer Read. No one ever said big dreams come easy For Nesto Vasquez, moving his Afro-Caribbean food truck from New York City to the wilds of Upstate New York is a huge gamble. If it works? He’ll be a big fish in a little pond. If it doesn’t? He’ll have to give up the hustle and return to the day job he hates. He’s got six months to make it happen—the last thing he needs is a distraction. Jude Fuller is proud of the life he’s built on the banks of Cayuga Lake. He has a job he loves and good friends. It’s safe. It’s quiet. And it’s damn lonely. Until he tries Ithaca’s most-talked-about new lunch spot and works up the courage to flirt with the handsome owner. Soon he can’t get enough—of Nesto’s food or of Nesto. For the first time in his life, Jude can finally taste the kind of happiness that’s always been just out of reach. An opportunity too good to pass up could mean a way to stay together and an incredible future for them both...if Nesto can remember happiness isn’t always measured by business success. And if Jude can overcome his past and trust his man will never let him down. Dreamers Book 1: American Dreamer Book 2: American Fairytale Book 3: American Love Story Book 4: American Sweethearts Book 5: American Christmas
Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images
From Davy Crockett, Wild Bill Hickok, and Calamity Jane to Paul Bunyan, Pecos Bill, and Frank and Jesse James, here are more than 130 colorful stories of the pioneers, cowboys, outlaws, gamblers, prospectors, and lawmen who settled the wild west, creating a uniquely American hero and an enduringly fascinating folk mythology. In this wonderfully boisterous treasury of tall tales, everyone and everything is larger than life and bragging is elevated into an art form. Many of these stories are of real people and real events; more than a few, however, grew taller and funnier as they made their rounds from wagon train to campfire to rodeo to miners' quarters. But even if it is far from established that Daniel Boone and Davy Crockett were able to kill three men with one bullet or subdue ferocious grizzly bears with their fists, they come vividly to life here as beloved characters who have become part of the fabric of the American imagination. With black-and white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library