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"Contextual in approch, this text draws on socio-economic and political studies as well as histories of religion, science, literature, and popular culture, and explores the diverse, conflicted history of American art and architecture. Thematically interrelating the visual arts to other material artifacts and cultural practices, the text examines how artists and architects produced artwork that visually expressed various social and political values."--Publisher's website.
"American Encounters provides a narrative of the history of American art that focuses on historical encounters among diverse cultures, upon broad structural transformations such as the rise of the middle classes and the emergence of consumer and mass culture, and on the fluid conversations between "high" art and vernacular expressions. The text emphasizes the intersections among cultures and populations, as well as the exchanges, borrowings, and appropriations that have enriched and vitalized our collective cultural heritage"--Washington University Open Scholarship website, viewed February 21, 2018.
A collection of articles that describe the relationships and encounters between Native Americans and Europeans throughout American history.
In the field of American studies, attention is shifting to the long history of U.S. engagement with the Middle East, especially in the aftermath of war in Iraq and in the context of recent Arab uprisings in protest against economic inequality, social discrimination, and political repression. Here, Alex Lubin and Marwan M. Kraidy curate a new collection of essays that focuses on the cultural politics of America's entanglement with the Middle East and North Africa, making a crucial intervention in the growing subfield of transnational American studies. Featuring a diverse list of contributors from the United States, the Arab world, and beyond, American Studies Encounters the Middle East analyzes Arab-American relations by looking at the War on Terror, pop culture, and the influence of the American hegemony in a time of revolution. Contributors include Christina Moreno Almeida, Ashley Dawson, Brian T. Edwards, Waleed Hazbun, Craig Jones, Osamah Khalil, Mounira Soliman, Helga Tawil-Souri, Judith E. Tucker, Adam John Waterman, and Rayya El Zein.
Essays that suggest new ways of understanding the role that US actors and agencies have played in Latin America." - publisher.
In this wide-ranging cultural and political history of Filipinos and the Philippines, Vicente L. Rafael examines the period from the onset of U.S. colonialism in 1898 to the emergence of a Filipino diaspora in the 1990s. Self-consciously adopting the essay form as a method with which to disrupt epic conceptions of Filipino history, Rafael treats in a condensed and concise manner clusters of historical detail and reflections that do not easily fit into a larger whole. White Love and Other Events in Filipino History is thus a view of nationalism as an unstable production, as Rafael reveals how, under what circumstances, and with what effects the concept of the nation has been produced and deployed in the Philippines. With a focus on the contradictions and ironies that suffuse Filipino history, Rafael delineates the multiple ways that colonialism has both inhabited and enabled the nationalist discourse of the present. His topics range from the colonial census of 1903-1905, in which a racialized imperial order imposed by the United States came into contact with an emergent revolutionary nationalism, to the pleasures and anxieties of nationalist identification as evinced in the rise of the Marcos regime. Other essays examine aspects of colonial domesticity through the writings of white women during the first decade of U.S. rule; the uses of photography in ethnology, war, and portraiture; the circulation of rumor during the Japanese occupation of Manila; the reproduction of a hierarchy of languages in popular culture; and the spectral presence of diasporic Filipino communities within the nation-state. A critique of both U.S. imperialism and Filipino nationalism, White Love and Other Events in Filipino History creates a sense of epistemological vertigo in the face of former attempts to comprehend and master Filipino identity. This volume should become a valuable work for those interested in Southeast Asian studies, Asian-American studies, postcolonial studies, and cultural studies.
DIVA collection of essays that examine the production and consumption of Asian American popular culture, from musical expression to television cooking shows./div
How Pearl Harbor has been written about, thought of, and manipulated in American culture.
To understand the creative fabric of digital networks, scholars of literary and cultural studies must turn their attention to crowdsourced forms of production, discussion, and distribution. Digital Encounters explores the influence of an increasingly networked world on contemporary Latin American cultural production. Drawing on a spectrum of case studies, the contributors to this volume examine literature, art, and political activism as they dialogue with programming languages, social media platforms, online publishing, and geospatial metadata. Implicit within these connections are questions of power, privilege, and stratification. The book critically examines issues of inequitable access and data privacy, technology’s capacity to divide people from one another, and the digital space as a site of racialized and gendered violence. Through an expansive approach to the study of connectivity, Digital Encounters illustrates how new connections – between analog and digital, human and machine, print text and pixel – alter representations of self, Other, and world.
People of Asian descent have lived for centuries in North and South America, where they have been actively involved in the creation of multicultural, multiethnic societies. This groundbreaking anthology explores their experiences among ethnic and cultural groups in a unique collection of works by and about Asian Americans. Utilizing a rich blend of analytical, autobiographical, biographical, and narrative essays, oral histories, fiction, photography, and artwork, the anthology focuses especially on the interactions of Asians with others outside the dominant culture. Contributors range from established scholars, writers and artists to little-known voices heard here for the first time. Scholars of Asian diasporas and all readers interested in Asia in the Americas will find this book an extraordinary resource. Contributions by: Kozy K. Amemiya, Himani Bannerji, Monica Cinco Basurto, Raissa Nina Burns, Jeff Chang, Jay Chaudhari, Kathryn Jeun Cho, Rienzi Crusz, Astrid Hadad, Laura Hall, Muriel H. Hasbun, Tomoyo Hiroishi, Velina Hasu Houston, Evelyn Hu-DeHart, Naheed Islam, Feroza Jussawalla, Nguyet Lam, Armando Siu Lau, Stephanie Li, R. Zamora Linmark, Sunaina Maira, Diane Monroe, Ofelia Murrieta, Luis Nishizawa, Dwight Okita, Gary Pak, Monica J. Rainwater, Aly Remtulla, Roshni Rustomji-Kerns, Ann Suni Shin, Jan Lo Shinebourne, Janet Shirley, Lok C. D. Siu, Rajini Srikanth, Leny Mendoza Strobel, Eileen Tabios, Ayumi Takenaka, Gabriela Kinuyo Torres, Kay Reiko Torres, Takeyuki Tsuda, Usha Welaratna, Bill Woo, Karen Tei Yamashita, and Thomas Sze Leong Yu.