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From the author of Homeland Elegies and Pulitzer Prize winner Disgraced, a stirring and explosive novel about an American Muslim family in Wisconsin struggling with faith and belonging in the pre-9/11 world. Hayat Shah is a young American in love for the first time. His normal life of school, baseball, and video games had previously been distinguished only by his Pakistani heritage and by the frequent chill between his parents, who fight over things he is too young to understand. Then Mina arrives, and everything changes. American Dervish is a brilliantly written, nuanced, and emotionally forceful look inside the interplay of religion and modern life.
A "profound and provocative" new work by the Pulitzer Prize-winning author of Disgraced and American Dervish: an immigrant father and his son search for belonging—in post-Trump America, and with each other (Kirkus Reviews). One of the New York Times 10 Best Books of the Year One of Barack Obama's Favorite Books of 2020 Finalist for the 2021 Andrew Carnegie Medal for Excellence in Fiction A Best Book of 2020 * Washington Post * O Magazine * New York Times Book Review * Publishers Weekly "Passionate, disturbing, unputdownable." —Salman Rushdie A deeply personal work about identity and belonging in a nation coming apart at the seams, Homeland Elegies blends fact and fiction to tell an epic story of longing and dispossession in the world that 9/11 made. Part family drama, part social essay, part picaresque novel, at its heart it is the story of a father, a son, and the country they both call home. Ayad Akhtar forges a new narrative voice to capture a country in which debt has ruined countless lives and the gods of finance rule, where immigrants live in fear, and where the nation's unhealed wounds wreak havoc around the world. Akhtar attempts to make sense of it all through the lens of a story about one family, from a heartland town in America to palatial suites in Central Europe to guerrilla lookouts in the mountains of Afghanistan, and spares no one—least of all himself—in the process.
This book studies the creative works of Ayad Akhtar in the context of a post-9/11 American culture rife with the racialization of Muslims. It explores controversies emerging from the reception of Akhtar’s works and focuses on their aesthetic dimensions to study their role in advocating for racial and gender equity.
“A continuously engaging, vitally engaged play about thorny questions of identity and religion in the contemporary world, with an accent on the incendiary topic of how radical Islam and the terrorism it inspires have affected the public discourse.” New York Times New York. Today. Corporate lawyer Amir Kapoor is happy, in love, and about to land the biggest career promotion of his life. But beneath the veneer, success has come at a price. When Amir and his artist wife, Emily, host an intimate dinner party at their Upper East Side apartment, what starts out as a friendly conversation soon escalates into something far more damaging. Winner of the Pulitzer Prize for Drama, 2013, Disgraced premiered in Chicago before transferring to New York's Lincoln Center in 2012. This new Modern Classics edition features an introduction by J.T. Rogers.
The author of Homeland Elegies and Pulitzer Prize winner Disgraced explores the conflict that erupts within a Muslim family in Atlanta when an independent-minded daughter writes a provocative novel that offends her more conservative father and sister. Zarina has a bone to pick with the place of women in her Muslim faith, and she's been writing a book about the Prophet Muhammad that aims to set the record straight. When her traditional father and sister discover the manuscript, it threatens to tear her family apart. With humor and ferocity, Akhtar's incisive new drama about love, art, and religion examines the chasm between our traditions and our contemporary lives.
Dervish is the vivid and colourful story of one of the more remarkable episodes in the high Empire period of British history. The Mahdis rising in the Sudan in the 1880s starting as a localized Holy War against the decadent Turkish/Egyptian overlords, engulfed a million square miles of arid territory and forced the British Liberal Government to get involved after the early disasters of the Hicks expedition and Gordons death at Khartoum.The narrative, which makes excellent use of the first-hand diaries and reports, including those of Rider Haggards brother Andrew and of Father Ohrwalder (the Austrian missionary who spent ten years of captivity in the Mahdis camp), brilliantly describes the growth and strength of the Mahdist movement and the extraordinary devotion and discipline of the Dervish troops. Facing such opponents with stoic endurance were the British, Egyptian and Sudanese Negro soldiers, and the resulting military engagements evoked amazing feats of courage and derring-do on both sides.The Dervish Empire outlasted the Mahdi by thirteen years. It ended in the battle of Omdurman and Kitcheners reconquest of the Sudan, which was well supported by Reginald Wingates military intelligence operations. It lasted a comparatively brief span of time, but it had been established at the expense not only of the neighbouring Abyssinians but also of the European white man, at a time when Britain was approaching the zenith of its imperial power.Philip Warner is author of Passchendale and The Zeebrugge Raid and numerous other first rate histories. He wrote the biographies of Auchinleck and Horrocks. He was the military obituary writer of The Daily Telegraph for many years. In WW2 he was a POW of the Japanese for 1,000 days. He died in 2000.
An American war widow seeks emotional asylum with her sister at the American Consulate in Constantinople during the Allied occupation in 1919. Through a crossstitched pattern of synchronicity Kazan's heroine becomes a vital thread in the fate of Mustafa Kemal (later Ataturk) and his battle for his country's freedom. Based on firsthand accounts of the Turkish nationalist resistance, The Dervish details the extraordinary events that culminated in 1923 with the creation of the Republic of Turkey.--Publisher.
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From the author of Homeland Elegies and Pulitzer Prize winner Disgraced, a fast-paced play that exposes the financial deal making behind the mergers and acquisitions boom of the 1980s. Set in 1985, Junk tells the story of Robert Merkin, resident genius of the upstart investment firm Sacker Lowell. Hailed as "America's Alchemist," his proclamation that "debt is an asset" has propelled him to a dizzying level of success. By orchestrating the takeover of a massive steel manufacturer, Merkin intends to do the "deal of the decade," the one that will rewrite all the rules. Working on his broadest canvas to date, Pulitzer Prize winner Ayad Akhtar chronicles the lives of men and women engaged in financial civil war: insatiable investors, threatened workers, killer lawyers, skeptical journalists, and ambitious federal prosecutors. Although it's set 40 years in the past, this is a play about the world we live in right now; a world in which money became the only thing of real value.
A "tense, provocative" play (Seattle Times) from the author of Homeland Elegies and the Pulitzer Prize winner Disgraced -- a chilling examination of how far we will go to survive and the consequences of the choices we make. In remote Pakistan, Nick Bright awaits his fate. A successful financial trader, Nick is kidnapped by an Islamic militant group, but with no one negotiating his release, he agrees to an unusual plan. He will earn his own ransom by helping his captors manipulate and master the world commodities and currency markets.