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Artistic vanguards plot new aesthetic movements, print controversial magazines, hold provocative art shows, and stage experimental theatrical and musical performances. These revolutionaries have often helped create America's countercultural movements, from the early romantics and bohemians to the beatniks and hippies. This work looks at how experimental art and the avant-garde artists' lifestyles have influenced, and at times transformed, American culture since the mid-nineteenth century. The work will introduce readers to these artists and rebels, making a careful distinction between the worlds of the high modern artist (salons and galleries) and the bohemian.
"This significant contribution to German history pioneers a conceptually sophisticated approach to German-German relations. Poiger has much to say about the construction of both gender norms and masculine and feminine identities, and she has valuable insights into the role that notions of race played in defining and reformulating those identities and prescriptive behaviors in the German context. The book will become a 'must read' for German historians."—Heide Fehrenbach, author of Cinema in Democratizing Germany "Poiger breaks new ground in this history of the postwar Germanies. The book will serve as a model for all future studies of comparative German-German history."—Robert G. Moeller, author of Protecting Motherhood "Jazz, Rock, and Rebels exemplifies the exciting work currently emerging out of transnational analyses. [A] well-written and well-argued study."—Priscilla Wald, author of Constituting Americans
During the half century after 1650 that saw the gradual imposition of a slave society in England's North American colonies, poor white settlers in the Chesapeake sought a republic of equals. Demanding a say in their own destinies, rebels moved around the region looking for a place to build a democratic political system. This book crosses colonial boundaries to show how Ingle's Rebellion, Fendall's Rebellion, Bacon's Rebellion, Culpeper's Rebellion, Parson Waugh's Tumult, and the colonial Glorious Revolution were episodes in a single struggle because they were organized by one connected group of people. Adding land records and genealogical research to traditional sources, Noeleen McIlvenna challenges standard narratives that disdain poor whites or leave them out of the history of the colonial South. She makes the case that the women of these families played significant roles in every attempt to establish a more representative political system before 1700. McIlvenna integrates landless immigrants and small farmers into the history of the Chesapeake region and argues that these rebellious anti-authoritarians should be included in the pantheon of the nation's Founders.
Many black strategies of daily resistance have been obscured--until now. Race rebels, argues Kelley, have created strategies of resistance, movements, and entire subcultures. Here, for the first time, everyday race rebels are given the historiographical attention they deserve, from the Jim Crow era to the present.
Investigates the appropriation of black popular culture as a symbol of rebellion in postwar Germany
Rebels on the Border offers a remarkably compelling and significant study of the Civil War South's highly contested and bloodiest border states: Kentucky and Missouri. By far the most complex examination to date, the book sharply focuses on the "borderland" between the free North and the Confederate South. As a result, Rebels on the Border deepens and enhances understanding of the sectional conflict, the Civil War, and Reconstruction. After slaves in central Kentucky and Missouri gained their emancipation, author Aaron Astor contends, they transformed informal kin and social networks of resistance against slavery into more formalized processes of electoral participation and institution building. At the same time, white politics in Kentucky's Bluegrass and Missouri's Little Dixie underwent an electoral realignment in response to the racial and social revolution caused by the war and its aftermath. Black citizenship and voting rights provoked a violent white reaction and a cultural reinterpretation of white regional identity. After the war, the majority of wartime Unionists in the Bluegrass and Little Dixie joined former Confederate guerrillas in the Democratic Party in an effort to stifle the political ambitions of former slaves. Rebels on the Border is not simply a story of bitter political struggles, partisan guerrilla warfare, and racial violence. Like no other scholarly account of Kentucky and Missouri during the Civil War, it places these two crucial heartland states within the broad context of local, southern, and national politics.
In this wide-ranging and perceptive work of cultural criticism, Joseph Heath and Andrew Potter shatter the most important myth that dominates much of radical political, economic, and cultural thinking. The idea of a counterculture -- a world outside of the consumer-dominated world that encompasses us -- pervades everything from the antiglobalization movement to feminism and environmentalism. And the idea that mocking or simply hoping the "system" will collapse, the authors argue, is not only counterproductive but has helped to create the very consumer society radicals oppose. In a lively blend of pop culture, history, and philosophical analysis, Heath and Potter offer a startlingly clear picture of what a concern for social justice might look like without the confusion of the counterculture obsession with being different.
American Rebels is an anthology of specially commissioned essays by leading American writers that attempt to reconcile authentic patriotism with original artistic creation, unpopular opinion, and real moral principles that don't change with the winds. It includes rebels in politics, education, journalism, religion, literature, film, sports, music, law, popular culture, and social struggle. These are real rebels against conformity, commercialism, racism, oligarchy, the bogus conventional wisdom, stacked decks, and sacred cows. The Americans celebrated don't fit under any one ideology or party. They are too free-spirited to be categorized, belonging to a continuum of conviction and creation in our tangled national history. Some, like Walt Whitman, Bob Dylan, Marlon Brando, and Frank Sinatra, are famous. Others are less well known but have earned a broad appreciation; among them are Sam Fuller, Paul O'Dwyer, and Mike Harrington. Still others like Edward Abbey, Benjamin Mays, and Bill Hicks are almost cult figures—revered by a small, intense following. Others have faded from memory, like Margaret Sanger and Clarence Darrow, and deserve a new shaft of sunlight. This groundbreaking collection includes original essays by Pete Hamill, Stanley Crouch, Budd Schulberg, Danny Goldberg, J. Hoberman, Patricia Bosworth, Tom Hayden, Steve Earle, and others.
In this pioneering study, Hisham Aidi—an expert on globalization and social movements—takes us into the musical subcultures that have emerged among Muslim youth worldwide over the last decade. He shows how music—primarily hip-hop, but also rock, reggae, Gnawa and Andalusian—has come to express a shared Muslim consciousness in face of War on Terror policies. This remarkable phenomenon extends from the banlieues of Paris to the favelas of Rio de Janeiro, from the park jams of the South Bronx to the Sufi rock bands of Pakistan. The United States and other Western governments have even tapped into these trends, using hip hop and Sufi music to de-radicalize Muslim youth abroad. Aidi situates these developments in a broader historical context, tracing longstanding connections between Islam and African-American music. Thoroughly researched, beautifully written, Rebel Music takes the pulse of a revolutionary soundtrack that spans the globe.
In American Rebel, bestselling author and acclaimed film historian Marc Eliot examines the ever-exciting, often-tumultuous arc of Clint Eastwood's life and career. As a Hollywood icon, Clint Eastwood--one of film's greatest living legends--represents some of the finest cinematic achievements in the history of American cinema. Eliot writes with unflinching candor about Eastwood's highs and lows, his artistic successes and failures, and the fascinating, complex relationship between his life and his craft. Eliot's prodigious research reveals how a college dropout and unambitious playboy rose to fame as Hollywood's "sexy rebel," eventually and against all odds becoming a star in the Academy pantheon as a multiple Oscar winner. Spanning decades, American Rebel covers the best of Eastwood's oeuvre, films that have fast become American classics: Fistful of Dollars, Dirty Harry, Unforgiven, Mystic River, Million Dollar Baby, and Gran Torino. Filled with remarkable insights into Eastwood's personal life and public work, American Rebel is highly entertaining and the most complete biography of one of Hollywood's truly respected and beloved stars–-an actor who, despite being the Man with No Name, has left his indelible mark on the world of motion pictures.