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This lavishly illustrated guide to one of the premier collections of woven coverlets in the United States is an essential reference for collectors, historians, specialists in material culture, and all those who are interested in American textiles. Information about the lives and professional careers of more than seven hundred weavers is included. In-depth discussions explore fifty coverlets that are depicted in detail.
This lavishly illustrated guide to one of the premier collections of woven coverlets in the United States is an essential reference for collectors, historians, specialists in material culture, and all those who are interested in American textiles. Information about the lives and professional careers of more than seven hundred weavers is included. In-depth discussions explore fifty coverlets that are depicted in detail.
Catalogs the Museum's quilt and coverlet collection and discusses the history of the quiltmaker's art
Buschman annotates more than 550 books and periodical titles published on the techniques and history of handweaving from 1928 through October 1989. She includes works on how to weave_basic weaving texts, books on looms and equipment, and patterns both for weaving and for woven articles; handweaving history and historic fabrics from around the world; works on Native American weaving, ranging from the Chilkats of the Northwest coast of North America, to the Pueblos and Navajos of our Southwest, Mexico, and Central America, and on through the rich weaving culture of the Andes; reference works containing specialized bibliographies and information on fibers, dyes, education and marketing; and periodicals. With author, title, and subject indexes.
For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.
The first encyclopedia to look at the study of material culture (objects, images, spaces technology, production, and consumption), and what it reveals about historical and contemporary life in the United States. Reaching back 400 years, Material Life in America: An Encyclopedia is the first reference showing what the study of material culture reveals about American society—revelations not accessible through traditional sources and methods. In nearly 200 entries, the encyclopedia traces the history of artifacts, concepts and ideas, industries, peoples and cultures, cultural productions, historical forces, periods and styles, religious and secular rituals and traditions, and much more. Everyone from researchers and curators to students and general readers will find example after example of how the objects and environments created or altered by humans reveal as much about American life as diaries, documents, and texts.
Nineteenth-century handwoven coverlets are exceptional windows on the early years of American culture. They are increasingly prized by collectors for their superb craftsmanship and beauty of design as well as their historical significance. Produced by professional weavers, many of whom had fled the industrial revolution in Europe, coverlets were used as the uppermost coverings of beds. In addition to their intricate and colorful designs, many have personal inscriptions woven into their corner blocks or borders. The peak of production for handwoven coverlets was the relatively short period between 1820 and the end of the Civil War, when the weaving industry was rapidly becoming fully mechanized. The Don and Jean Stuck Coverlet Collection at the Columbus Museum of Art is the largest public collection of coverlets in the United States. The works of 185 known weavers are documented here, as are those of many anonymous weavers. With works from the nine most prominent coverlet-producing states and Canada, the collection includes examples of most weave structures and has a broad representation of colors, centerfield and border designs, and corner blocks.