Download Free American Chartres Book in PDF and EPUB Free Download. You can read online American Chartres and write the review.

Documents the city’s surviving grain elevators and their profound influence on twentieth-century architecture. On a visit to Buffalo, New York, the French poet Dominique Fourcade was awed by the huge concrete grain elevators that line the city’s river and lakefront. Turning to his guide, the poet Susan Howe, he exclaimed, “The American Chartres!” Taking Fourcade’s exclamation as its title, Bruce Jackson’s American Chartres documents Buffalo’s surviving grain elevators, capturing these monumental buildings in all seasons and in various light; from the Buffalo River, the Ship Canal, and Lake Erie; from inside and from the top floors and roofs; in detail and in toto. Invented in Buffalo by Robert Dunbar and Joseph Dart, the city’s first grain elevator went operational in 1843. By the mid-1850s, Buffalo was the world’s largest grain port, and would remain so well into the twentieth century. Grain elevators made Buffalo rich, and they were largely responsible for the development of the Port of New York. While primarily functional objects, designed to move grain from one transportation modality to another, grain elevators are also beautiful structures, and they exerted a profound influence on many twentieth-century architects. Walter Gropius, one of the founders of the Bauhaus, collected photographs of American grain elevators and published two of Buffalo’s elevators in 1913. The great Modernist architect Erich Mendelsohn came to Buffalo to photograph them in 1924, and they also influenced the practice of architects such as Le Corbusier and the Italian futurist Antonio Sant’Elia. More recently, the conceptual artists and photographers Bernd and Hilla Becher have included grain elevators in their documentation of industrial structures in Europe and North America. Despite their deep impact on twentieth-century architecture, Buffalo’s grain elevators remained underappreciated. As they outlived their economic usefulness, many were destroyed. Only recently have local residents realized what treasures they are. Beautifully illustrated with more than 160 color photographs, this book documents what remains. An accomplished author, photographer, and filmmaker, Bruce Jackson is SUNY Distinguished Professor and James Agee Professor of American Culture at the University at Buffalo, State University of New York. He is also codirector of the university’s Creative Arts Initiative. His numerous books include Inside the Wire: Photographs from Texas and Arkansas Prisons.
Documents the city's surviving grain elevators and their profound influence on twentieth-century architecture.
Reproduction of the original: Mont-Saint-Michel and Chartres by Henry Adams
The author is the world's foremost authority on Chartres, and is in residence there most of the year. He shows us the history of the cathedral and teaches us how to "read" the world-famous stained glass and sculpture, explaining the references to Scripture and the teachings of the Church. Chartres alone, of all the great medieval churches, has survived into the 20th century almost intact, not only architecturally but with its vast inconographic program in 12th-and 13th-century stained glass and sculpture. Medieval art was intended not just to embellish the church but to instruct the people, for there was no printing. Scholars could therefore teach their students, the clergy preach sermons and parents read the lives of the saints to their children using the 'texts' in stained glass and sculpture. The sister churches of Chartres have been sadly vandalized to varying degrees by Reform, revolution, war or natural disaster. Here in Chartres the 'text' is virtually complete. A concise glossary of symbolic images has been included as well as a complete plan of all the windows in the cathedral, and an index.
Medieval Christians knew the past primarily through what they saw and heard. History was reenacted every year in ritual observances particular to each place and region and rooted in the legends of local saints.This richly illustrated book explores the layers of history found in the cult of the Virgin of Chartres as it developed in the eleventh and twelfth centuries. Focusing on the major relic of Chartres Cathedral, the Virgin’s gown, and the Feast of Mary's Nativity, Margot Fassler employs a wide range of historical evidence including local histories, letters, obituaries, chants, liturgical sources, and reports of miracles, leading to a detailed reading of the cathedral's west façade. This interdisciplinary volume will prove invaluable to historians who work in religion, politics, music, and art but will also serve as a guidebook for all interested in the history of Chartres Cathedral.
The enduring search for female salvation in American literature is first expressed through typology, an interpretive framework that pairs type with antitype, historical scriptural promise with future spiritual fulfillment. When Cotton Mather invokes the typos of Esther in Ornaments of the Daughters of Zion, a Puritan conduct book, he offers a female type of divine wisdom, authority and force. In the biblical Book of Esther, Esther acts as a female type of wisdom and redemption, but her story also engages the larger history of Hebrew salvation. In nineteenth-century America, Margaret Fuller seeks to extend the spiritual claims once made by Mather and establish the role of the divine female in the salvation of American culture and society. Fuller supplants the type of male sacrifice with a type of female transfiguration in works such as Woman in the Nineteenth Century. Nathaniel Hawthorne then transforms these iconoclastic ideals into literary life by engaging the multi-faceted figure of Esther as a typos of female redemption and salvation in “Legends of the Province House,” The Scarlet Letter, The Blithedale Romance, and The Marble Faun. Through his female characters -- Esther Dudley, Hester Prynne, Zenobia, and Miriam -- he seeks to fulfill the divine destiny of the American woman. Hawthorne discovers, however, that female redemption is followed by revenge, as Esther turns from saving her people to ensuring an end to their oppression. When Henry Adams later revives Esther Dudley in his novel Esther, he rejects male redemption for the American woman. In Democracy, Esther, Mont Saint Michel, and The Education of Henry Adams, Adams envisions an independent, eternal woman who can rival the political, scientific, artistic, and theological power of men. The movement from male to female salvation is achieved when the terms of female redemption are transformed and the American woman is established as her own source of divine wisdom, power, retribution, and force. The typology of female transfiguration in America is fulfilled by Fuller, Hawthorne, and Adams through the promise extended by the type of Esther.
Author John Gatta delineates a countercultural pattern of mythic assertion that has yet to be acknowledged in standard surveys of American cultural or literary history. Gatta argues that flirtation with the Marian cultus offered Protestant writers symbolic compensation for what might be culturally diagnosed as a deficiency of psychic femininity, or anima, in America.