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This original publication compiles the finest black-and-white and color illustrations by the artist whose images of healthy, poised, active, and confident women set the standard of American beauty in the early 20th century.
"Photographed by Vogue alumna Claiborne Swanson Frank, American Beauty features over 100 portraits of quintessentially American women such as Lily Aldridge, Solange Knowles, and Jenna Lyons—each of whom possesses an original blend of grit, grace, glamour, and gravitas that echo far beyond the pages of this oversize hardcover."--Publisher description.
Showcases portrait photography of African Americans taken from the 1890s through the 2000s, along with text discussing the evolution of the idea of beauty for men and women.
A field guide to the new American Roots movement, United States of Americana is a vivid, fascinating, and comprehensive survey of how and why young urban Americans are finding inspiration in the cultural traditions of an earlier time in many areas of contemporary life. Compiled by Seattle-based writer, DJ, and entertainer Kurt B. Reighley, United States of Americana explores this vibrant cultural phenomenon—from the music, to the clothing, to the food and drink, to the rebirth of home canning, straight razors, burlesque, and circuses.
"One day this child shall hold the very heart of our family in the palm of her hand," predicts Granny on the day Darcy Heart O'Hara is born in a cottage on Derry Lane, in the town of Pobble O'Keefe, in County Kerry, Ireland. Darcy grows up to be a noticer, delighting in the small beauties all around her: a dew-covered spider web, castles in the clouds, a shiny wooden rosary bead. Life is simple but sweet in Pobble O'Keefe, with her family gathered round the hearth in the evenings while Granddad's voice fills the small room with stories. But in 1845, a blight strikes the land, the potatoes turn rotten, and Darcy and her family must leave Ireland forever. How will Darcy ever find a way to to bring the small beauties of home across the sea to America? Elvira Woodruff's story of emigration, heartbreak, and hope is vividly illustrated with the warm, evocative oil paintings of Adam Rex.
Apparel manufacturing in the American South, by virtue of its size, its reliance upon female labor, and its broad geographic scope, is an important but often overlooked industry that connects the disparate concerns of women's history, southern cultural history, and labor history. In Striking Beauties, Michelle Haberland examines its essential features and the varied experiences of its workers during the industry's great expansion from the late 1930s through the demise of its southern branch at the end of the twentieth century. The popular conception of the early twentieth-century South as largely agrarian informs many histories of industry and labor in the United States. But as Haberland demonstrates, the apparel industry became a key part of the southern economy after the Great Depression and a major driver of southern industrialization. The gender and racial composition of the workforce, the growth of trade unions, technology, and capital investment were all powerful forces in apparel's migration south. Yet those same forces also revealed the tensions caused by racial and gender inequities not only in the region but in the nation at large. Striking Beauties places the struggles of working women for racial and economic justice in the larger context of southern history. The role of women as the primary consumers of the family placed them in a critical position to influence the success or failure of boycotts, union label programs and ultimately solidarity.
Portraits of young women reflect the style that made artist Harrison Fisher popular at the turn of the 20th century. More than 30 ready-to-color illustrations depict ladies at play and in repose.
In Beauty of the Wild, Darrel Morrison shares six decades of experience as a teacher and a designer of nature-inspired landscapes. In native plant gardens at the University of Wisconsin Arboretum, New York Botanical Garden, and Brooklyn Botanic Garden, as well as at the Storm King Art Center, Morrison's ever-evolving compositions were designed to reintroduce ecological diversity, natural processes, and naturally occurring patterns--the "beauty of the wild"--into the landscape.