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With this publication, produced in conjunction with the largest expansion in the history of the Virginia Museum of Fine Arts, the full scope of the museum's outstanding American art collection is represented for the first time. Following an introduction tracing the history of American art at this encyclopedic museum--a state-supported, privately endowed institution--readers will discover lively and generously illustrated essays about selected paintings, sculptures, and works on paper by many of America's leading artists: John James Audubon, Thomas Hart Benton, Mary Cassatt, Frederic Church, John Singleton Copley, Edward Hopper, Jacob Lawrence, Georgia O'Keeffe, Charles Willson Peale, Augustus Saint-Gaudens, John Singer Sargent, William Wetmore Story, Henry Ossawa Tanner, and James McNeill Whistler. Also included are decorative objects by well-known artisans and firms, such as John Henry Belter, the Goddard-Townsend group, Herter Brothers, Paul Revere, Louis Comfort Tiffany, and Frank Lloyd Wright. Organized in chronological sections ranging from the colonial era to the mid-twentieth century, this long-awaited book examines a noteworthy collection through a variety of interpretive lenses--aesthetic and cultural--for the benefit of a broad readership. Published by the Virginia Museum of Fine Arts in association with the University of Virginia Press
Spanning more than five thousand years and representing a significant array of world cultures, this extensively updated, beautifully reproduced volume showcases masterworks of ancient Mediterranean and American art; Asian, African, and European paintings, as well as Byzantine and Western Medieval Sculpture and the Decorative Arts are also characterized.
"From Jackson Pollock's dynamic 1948 drip painting to Kehinde Wiley's colorful 2006 hip-hop portrait, 114 works--paintings, sculpture, video art, prints, drawings, photographs, and collage--offer art enthusiasts their old favorites, hidden treasures, and exciting new acquisitions."--Cover.
"Selections from the Virginia Museum of Fine Arts features the 100 objects and essays original to the 1997 edition plus 50 entries detailing major acquisitions added to the permanent collection since that time...This reader- and visitor-friendly edition represents objects of the finest quality. The mixture of signature pieces and those that deserve to be better known and understood illustrates the breadth of VMFA's collection and captures the flavor and character of the Museum." "Each object receives a two-page spread with full-color reproduction, a brief description and history, and sidebars with additional, at-a-glance information. Included also are a new Foreword by VMFA director Alex Nyerges and an updated Introduction highlighting the expansion and renovations of the building and grounds."--Publisher description.
Using recreated itineraries, travel along with Edward Hopper on his various road trips and encounter hotels, staff, and guests as seen through the artist's eyes The painter, draftsman, and illustrator Edward Hopper (1882-1967) is one of America's best-known and most frequently exhibited artists. Hotels, motels, and tourist homes are recurring motifs in his work, along with streets, lighthouses, and gas stations forming a visual vocabulary of transportation infrastructure. In ten essays, this fascinating volume explores Hopper's lifelong investigation of such spaces, shedding light on both his professional practice and far-reaching changes in transportation and communications, which affected not only work and leisure but also dynamics of race, class, and gender. Hopper's covers for the trade journal Hotel Management, in addition to other well-known works, invite reflection on the complicated roles of the nascent New Woman; the erasure of hotel work and workers; contemporary associations of the color white with cleanliness and purity; the watercolors Hopper made from hotel windows and rooftops in Mexico; and the broader context of transportation history. A final chapter then situates Hopper's contribution to the fascinating role that the hotel has played in the broader development of American art in the 20th century. As a unique feature, the book's backflap also holds two "TripTik"-like, removable maps that trace the journeys that Hopper and his wife, the artist Josephine "Jo" Nivison Hopper, took by car in the 1940s and 1950s; selected correspondence and quotations from Jo's own diaries join reproductions of postcards and ephemera illuminating their--and fellow Americans'--shifting travel habits. Distributed for the Virginia Museum of Fine Arts Exhibition Schedule: Virginia Museum of Fine Arts, Richmond (October 26, 2019-February 23, 2020) Indianapolis Museum of Art at Newfields (June 4, 2020-September 13, 2020)
Item is centred round the collection of the artist's sculptures in the Virginia Museum of Fine Arts and the text largely consists of the artist's edited memoirs.