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Celebrating two collectors' passion for Americana and the window it provides into the everyday beauty of the past Becoming America offers a multifaceted view of one of the foremost collections of 18th- and 19th-century American folk and decorative art from the rural Northeast. Essays by leading specialists discuss the culture of furniture workshops, exuberant painted decoration, techniques of sewing and quilting, and poignant stories about the families depicted in the portraits. The collection itself includes Shaker boxes, a beaded Iroquois hat, embroidered samplers, metalwork, scrimshaw, handwoven rugs, ceramics, and a weather vane. The majority of these works have never before been published. With lively essays and profuse illustrations, this handsome volume brings to life the aesthetic of early Americans living in the countryside and is an essential exploration of the period's taste and style. Distributed for The Huntington Library, Art Collections, and Botanical Gardens Exhibition Schedule: The Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA (October 22, 2016-ongoing)
American Weathervanes: The Art of the Winds, published to coincide with an exhibition at the American Folk Art Museum, reveals the beauty, historical significance, and technical virtuosity of American vanes fashioned between the late seventeenth and early twentieth centuries. This American art form has long been an enduring part of the country's skylines. Early church steeples were graced with weathercocks, following a European tradition that dates to the MiddleAges. America's first documented vane maker, metalsmith Shem Drowne of Boston, crafted a number of surviving vanes, including the iconic golden grasshopper that has topped the city's Faneuil Hall since 1742. Farmers, blacksmiths, and other craftsmen proudly fashioned roosters, cows, horses, and other forms for country barns, and as the tradition and public demand expanded over the course of the nineteenth century, so did the diversity of forms, which grew to fill the mail order catalogs of commercial manufacturers in Boston, New York, and other cities. Today, weathervanes hold a well-established place in the canon of American folk art and American Weathervanes celebrates this artistry in the most up-to-date and authoritative work on the subject. Lavishly illustrated with masterworks from prominent private and public collections, this is a book to be treasured by anyone who collects or simply admires American vernacular art and sculpture.
"Severin Roesen was a prolific painter whose impact on the American still-life tradition of the mid-to-late 1800s was far-reaching. His work is representative of the European tenets brought to the United States by himself and other German painters who fled to this country at mid-century. The quality of Roesen's work has caused him to be represented in virtually every discussion of American still-life painting, and his works are in numerous prestigious collections, both public and private." "This book outlines the known biographical information on an elusive, somewhat itinerant artist who was active in this country from 1848, when he arrived in New York City, until 1872, when he disappeared without a trace from the city of Williamsport, Pennsylvania, where he had been living since 1860." "Roesen's exact birthdate is unknown, but the year of his birth has been established as 1815 or 1816 through United States census records, which document his age as forty-four in 1860 while he was living in Huntington, Pennsylvania. It is likely that he is the same Severin Roesen listed as having exhibited a floral piece in Cologne in 1847." "Records of the American Art Union in New York give evidence of Roesen's participation in exhibitions and sales from 1848 until 1852, when the Union closed. City directories list his address until 1858. His wife, Wilhelmena, and three children continued to be listed in subsequent directories after the artist left." "Roesen visited a number of communities in Pennsylvania before settling in Williamsport in 1860, where he worked for twelve years--the longest period that he would work in any American city. He had many patrons in this booming lumber town, often living by the barter system. He also held classes and had both young and old students. Roesen is not listed in the 1871-72 Williamsport city directory, and the last-dated extant painting was completed in 1872. No record of his death has come to light in that community or any other where oral tradition claims he may have gone. Thus, it is only through the quality and quantity of his works that we can truly recall this artist." "Roesen's paintings of lush floral and fruit still-lifes can be analyzed in the context of the Dutch tradition, with regard to the tastes of Victorian America, and in the light of the writings of John Ruskin. His early training in Germany may have been in the decorative arts as a painter on porcelain. Evidence of this in his American works on canvas and board include his pristine rendering of detail, heightened palette, repetition of motifs, and exclusive use of still-life themes as subject matter. His ebullient and lavish compositions parallel the sentiments expressed by the grand landscapes of the concurrent Hudson River School artists, which celebrate the splendor of America's natural resources as a source of national pride." "As a teacher, both directly and indirectly, Roesen had an impact on American painters who turned to the still-life tradition in significant numbers late in the century. Of special note is the itinerant portraitist John Francis, who also worked in rural Pennsylvania and is now better known for his still lifes. A comparison of Roesen's artistic relationship to other immigrant artists such as Charles Baum and Paul Lacroix also relates to the impact of the European school on American artists." "Although this volume cannot be considered a catalogue raisonne, a checklist of more than two hundred and fifty known works by the artist is included as an invaluable reference tool."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This landmark publication reevaluates historical Native American art as a crucial but under-examined component of American art history. The Charles and Valerie Diker Collection, a transformative promised gift to The Metropolitan Museum of Art, includes masterworks from more than fifty cultures across North America. The works highlighted in this volume span centuries, from before contact with European settlers to the early twentieth century. In this beautifully illustrated volume, featuring all new photography, the innovative visions of known and unknown makers are presented in a wide variety of forms, from painting, sculpture, and drawing to regalia, ceramics, and baskets. The book provides key insights into the art, culture, and daily life of culturally distinct Indigenous peoples along with critical and popular perceptions over time, revealing that to engage Native art is to reconsider the very meaning of America. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Ralph and Terry Kovel are proud to present the most authoritative and current art pottery book on the market, Kovels' American Art Pottery: The Collector's Guide to Makers, Marks, and Factory Histories. After the Kovels began collecting American art pottery in the 1960s, they decided to research and write their first book on the subject, The Kovels' Collector's Guide to American Art Pottery (Crown, 1974). Since that time, art pottery has become one of the most important and popular areas of collecting in this country. Today, many pieces are still very affordable, and collectors everywhere are searching for art pottery treasures. Many other pieces are represented in museum collections, and some pieces are selling for thousands of dollars. The Kovels have never stopped researching the history of art pottery factories and products, and have been continuously gathering new or previ-ously unpublished information from rediscovered catalogs and records, archaeological digs, and family histories. And now, they offer the most com-plete and up-to-date pottery book available, Kovels'American Art Pottery. Written with the collector in mind, this book emphasizes all the information needed for an under-standing of art pottery factories and their wares. The Kovels list large and small art pottery firms and include a general history of each one. Makers, artists and their backgrounds, artists' and factory marks, dates, and lines of pottery are all described in detail. The Kovels discuss the well-known factories such as Rookwood, Weller, and Grueby, as well as the lesser-known or recently recognized potteries such as Avon, Radford, and Zanesville. More than 215 potteries are listed here fromA to Z. There is also a full section on tile factories following the art pottery portion of the book. Kovels' American Art Pottery is extensively illustrated with more than 700 beautiful color and black-and-white photographs of art pottery pieces. Also included are fascinating historical photographs and more than 1,000 illustrations of actual artist and factory marks. The thorough range of photographs and illustrations will enable any collector to identify a piece of art pottery by its decoration, shape, color, or identifying mark. And to complete this valuable reference, a bibliography is provided for all those who wish further information about the historical aspects of a pottery. Kovels' American Art Pottery is an indispensable book for all collectors, dealers, museums, or antiques enthusiasts who wish to know all they can about this exquisite art form.
"A Passion for American Art accompanies the exhibition on view at the Peabody Essex Museum from May 11, 2019, through fall 2019."
The art world has never seemed so deceptive--or so much fun. A star of Antiques Roadshow shares his stories of discovering masterpieces and unmasking forgeries. How can you tell a masterpiece from a piece of junk? Philip Mould has been so successful at discovering buried treasures that he's affectionately known as "the art detective." Now, at last, he has decided to let the eleven million fans of Antiques Roadshow in on his secrets. Each chapter revolves around a particular painting and the people who helped unmask its creator's identity-from an ingeniously forged Norman Rockwell (good enough to fool the Rockwell Museum) to a Winslow Homer found in a dump. Witty and compulsively readable, The Art Detective is memoir, art history, and brilliant storytelling all rolled into one.
American Art Pottery, Second Edition, by 32-year collector and dealer Dick Sigafoose, now features the products, histories, and interesting information of 54 potteries. An ideal reference for both advanced and beginning collectors, the book includes the big companies like Weller, Rookwood, Roseville, Brush McCoy, and American Encaustic Tile. It also includes the smaller producers like Newcomb, Muncie, Uhl, Grueby, and California Art Tile. The pricing guide and identification information helps collectors purchase bargains and appraise collections. There are over 650 color photographs of pottery and tiles that include close-ups and shots of backstamps. Old factory catalog pages and advertising also assist collectors with identification. It's a must-have for collectors of any type of American Art Pottery.