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The first volume of a two-volume survey of American Architecture, this book covers architectural developments from Jamestown to the Civil War.
The second volume of a guide comprehensive guide to American Architecture, covering developments between the years 1860 and 1976.
A History of Architecture and Urbanism in the Americas is the first comprehensive survey to narrate the urbanization of the Western Hemisphere, from the Arctic Circle to Antarctica, making it a vital resource to help you understand the built environment in this part of the world. The book combines the latest scholarship about the indigenous past with an environmental history approach covering issues of climate, geology, and biology, so that you'll see the relationship between urban and rural in a new, more inclusive way. Author Clare Cardinal-Pett tells the story chronologically, from the earliest-known human migrations into the Americas to the 1930s to reveal information and insights that weave across time and place so that you can develop a complex and nuanced understanding of human-made landscape forms, patterns of urbanization, and associated building typologies. Each chapter addresses developments throughout the hemisphere and includes information from various disciplines, original artwork, and historical photographs of everyday life, which - along with numerous maps, diagrams, and traditional building photographs - will train your eye to see the built environment as you read about it.
The skyscraper is an American invention that has captured the public's imagination for over a century. The tall building is wholly manmade and borne in the minds of those with both slide rules and computers. This is the story of the skyscraper's rise and the recognition of those individuals who contributed to its development. This volume is unique; its approach, information, and images are fresh and telling. The text examines America's first tall buildings -- the result of twelve years of in-depth research by an accomplished and published architect and architectural historian. Over 300 compelling photographs, charts, and notes make this the ultimate tool of reference for this subject. Biographies woven throughout with period norms, politics and lifestyles help to place featured skyscrapers in context. Quite simply, there is no book like this. The text, carefully and insightfully written, is clear, concise, and easily digestible, the text being the product of well-documented original research written in an informative tone. The American Skyscraper 1850-1940: A Celebration of Height is a richly documented journey of a fascinating topic, and it promises to be a superb addition to libraries, schools of architecture, students of architecture, and lovers of art.
In this volume the author analyzes 400 architectural books and articles published over the past 150 years to reveal changing societal preferences in architecture and to measure the reputations of individual architects - the text includes a ranked list of the 100 most famous architects.
Why did the colonial Americans give over a significant part of their homes to a grand staircase? Why did the Victorians drape their buildings ornate decoration? And why did American buildings grow so tall in the last decades of the 19th century. This book explores the history of American architecture from prehistoric times to the present, explaining why characteristic architectural forms arose at particular times and in particular places.
This book is about how a consistently high standard of excellence was achieved in Charleston architecture in the eighteenth and nineteenth centuries. Regardless of what style Charleston's architects used—Greek or Roman, Gothic or Renaissance, Adamesque or Greek Revival—they were in agreement about what constituted excellence. Special emphasis is placed on the knowledge that was required to create Charleston's early architecture. An introduction discusses the writings and buildings of Andrea Palladio, Robert Adam, A. Welby Pugin, and other influential architects. Sources of inspiration for Charleston buildings have included specific buildings in Greece, Italy, England, France and Germany. Whenever possible, primary sources of information were used to determine how various types of Charleston buildings were designed and constructed. A dozen of the city's best-documented buildings are considered in detail as a basis for comparison:
Outhouses have been much ridiculed and maligned structures, thought worthy of only the lowliest of humor and virtually ignored by architectural critics as inconsequential blips in the development of building design. And yet--as architect Steve Schaecher so poignantly reveals in this collection of renderings--architects of genius from time immemorial have used their considerable talents to enhance the beauty and function of the outhouse. His extensive research has uncovered a wealth of stunning outdoor bathroom designs that say much about the history of architecture. Although Schaecher's friends and family have worried about his obsession with bathroom drawings, it is clear that with the publication of this tome, his seat in the annals of architectural history will never be put down.Here are reproductions of stylish (dare we say perfectionist?) renderings of Thronehenge, Wright's Flushing Water, the Odor Dame Cathedral, the Taj Ma-stall, Jefferson's Johnicello, Sullivan's Merchants First National Outhouse, Le Corbusier's Bidet Savoye, Fuller's Geodesic Throne, the Hancock's John Building, the Centre Pompidoodoo-the unmistakable outhouse for that weird-looking French museum-and many others. Each is accompanied by insightful historical and analytical text, depending on your definitions of insightful and analytical. The preface, by architectural critic I.P. Daley, will leave you in no doubt of the importance of this completely nonsensical book.
The late nineteenth century, known commonly as the "Gilded Age," produced some of the most beautiful yet controversial architecture in America's history. The great influencers of the period, including Richard Upjohn, Henry Hobson Richardson, and Charles McKim, each spread the gospel of his own architectural style. The result was an eclectic mix of styles that some detested but that others embraced. Caught in the struggle to find an architecture America could claim as its own, Hartford, Connecticut architect William Brocklesby carved out his own stylistic path. In an age when the taste for ostentation and pretension was adopted by many, William Brocklesby produced some of the most dignified and beautiful architecture in the Connecticut Valley. His churches, libraries, and theaters remain as artistic landmarks throughout western New England, and his work at colleges from Hartford to Amherst, Massachusetts make for some of the most picturesque college campuses in America. This book serves as a companion to the author's earlier book, Asher Benjamin, American Architect, Author, Artist. Taken together, the two books provide a view of developments in American architecture from 1790 to 1910. The Architecture of William C. Brocklesby Hailing from Hartford, Connecticut, architect William C. Brocklesby (1847-1910) spent his career designing beautiful yet dignified churches, libraries, and public buildings throughout the Connecticut River Valley and western New England. Working in an age when ostentation was the rule rather than the exception, Brocklesby maintained a restrained hand in the application of ornament. His design ofForbes Library in Northampton, Massachusetts stands out as a monument to his ability as a design architect. In addition, William Brocklesby was among a handful of nineteenth century architects who made the Connecticut River Valley the birthplace of the prototypical American college campus. Working largely within the vision of the famed American landscape architects Andrew Jackson Downing and Frederick Law Olmstead, Brocklesby and others built campuses that were meant to mimic the traditional New England village. “Through the designs of the college buildings by Peabody and Stearns and William Brocklesby, Smith College's architectural history traces the development of late nineteenth-century styles.” - National Register of Historic Places Inventory