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Why does one talented individual win lasting recognition in a particular field, while another equally talented person does not? While there are many possible reasons, one obvious answer is that something more than talent is requisite to produce fame. The "something more" in the field of architecture, asserts Roxanne Williamson, is the association with a "famous" architect at the moment he or she first receives major publicity or designs the building for which he or she will eventually be celebrated. In this study of more than six hundred American architects who have achieved a place in architectural histories, Williamson finds that only a small minority do not fit the "right person–right time" pattern. She traces the apprenticeship connection in case studies of Louis Sullivan, Frank Lloyd Wright, Henry Hobson Richardson, the firm of McKim, Mead & White, Latrobe and his descendants, the Bulfinch and Renwick Lines, the European immigrant masters, and Louis Kahn. Although she acknowledges and discusses the importance of family connections, the right schools, self-promotion, scholarships, design competition awards, and promotion by important journals, Williamson maintains that the apprenticeship connection is the single most important predictor of architectural fame. She offers the intriguing hypothesis that what is transferred in the relationship is not a particular style or approach but rather the courage and self-confidence to be true to one's own vision. Perhaps, she says, this is the case in all the arts. American Architects and the Mechanics of Fame is sure to provoke thought and comment in architecture and other creative fields.
Why does one talented individual win lasting recognition in a particular field, while another equally talented person does not? While there are many possible reasons, one obvious answer is that something more than talent is requisite to produce fame. The "something more" in the field of architecture, asserts Roxanne Williamson, is the association with a "famous" architect at the moment he or she first receives major publicity or designs the building for which he or she will eventually be celebrated. In this study of more than six hundred American architects who have achieved a place in architectural histories, Williamson finds that only a small minority do not fit the "right person–right time" pattern. She traces the apprenticeship connection in case studies of Louis Sullivan, Frank Lloyd Wright, Henry Hobson Richardson, the firm of McKim, Mead & White, Latrobe and his descendants, the Bulfinch and Renwick Lines, the European immigrant masters, and Louis Kahn. Although she acknowledges and discusses the importance of family connections, the right schools, self-promotion, scholarships, design competition awards, and promotion by important journals, Williamson maintains that the apprenticeship connection is the single most important predictor of architectural fame. She offers the intriguing hypothesis that what is transferred in the relationship is not a particular style or approach but rather the courage and self-confidence to be true to one's own vision. Perhaps, she says, this is the case in all the arts. American Architects and the Mechanics of Fame is sure to provoke thought and comment in architecture and other creative fields.
"The process of investigation, analysis, and testing makes Architecture Research Office (ARO) as much a laboratory as a design firm. For Stephen Cassell, Adam Yarinsky, and their team, the starting point of each commission is not the development of an abstract "idea" for the project, but an intensive, hands-on occupation with a project's conditions, with its physical, economic, and social contexts. This practical approach to making architecture, to shrinking the distance between thinking and building, is much evident in their work, which manages to be simultaneously thoughtful and sensual." "The seven projects featured in this, the first monograph on the work of this firm, range from self-directed research (ARO's paper wall project), to private living spaces (the SoHo Loft), to commercial interiors (the Qiora Store and Spa), to the popular U.S. Armed Services Recruiting Station in Times Square, to the stunning Colorado House in Telluride. All of these projects challenge design conventions, while delighting the senses with their unusual materials, careful detailing, and unexpected spatial discoveries." "With essays by Stan Allen, Philip Nobel, Guy Nordenson, and Sarah Whiting."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This lively text provides a candid inquiry into the contemporary means by which architects get work and (for better or worse) become famous. In response to the reciprocal relationship between publicity and everyday architectural practice, this book examines the mechanisms by which architects seek publicity and manage to establish themselves and their work ahead of their colleagues. Through the essays of specialist contributors, this book enables the reader to understand the complex relationship between what they see as the built environment and the unwritten stories behind how it came about.
In this wonderful collection of short biographies, you'll meet a fascinating group of women and men from many different backgrounds. The one trait they have in common is their passion for creating beautiful buildings. The architects you will discover in this book are important both for the buildings they created and for their leadership in developing new designs, construction techniques, and ideas about the role of architecture in our culture. Award-winning author Patricia Brown Glenn takes you on a wondrous journey across time and space and introduces you to each gifted artist. You'll learn how they became interested in architecture, the inspiration for their ideas, and how they influenced their contemporaries as well as later generations of architects. You'll also take a closer look at each architect's most glorious projects. And there are plenty of surprises along the way. Did you know that Thomas Jefferson, writer of the Declaration of Independence and one of our most memorable presidents, was also America's first great architect? You'll also discover the woman who designed William Randolph Hearst's fabled mansion, San Simeon; the architect who, in the 1940s, was banned from building his home in Los Angeles' fanciest suburb because he was black; and the Asian-American who has created some of our most impressive office towers, museums, and libraries. Complete with more than 100 colorful drawings from illustrator Joe Stites, Discover America's Favorite Architects is fun as well as informative. It is a terrific source for writing school reports, a great companion for family vacations, and an inspiration for young readers who might want to grow up to be architects one day.
In this volume the author analyzes 400 architectural books and articles published over the past 150 years to reveal changing societal preferences in architecture and to measure the reputations of individual architects - the text includes a ranked list of the 100 most famous architects.
"In 1990, I. M. Pei: A Profile in American Architecture was published as the first full-length study of the life and work of this extraordinary artist. The revised edition includes a chapter on Pei's work since 1990, when he established a new relationship with his firm that enabled him to pursue more small scale, personal commissions. Illustrated from the rich archives of Pei Cobb Freed & Partners, the book charts Pei's progress from his birth in China in 1917 through every milestone in his career to his preeminent position today. The author, noted architecture critic Carter Wiseman, has supplemented extensive and meticulous research with many hours of conversation with Pei, his family, his associates, and his clients. Wiseman focuses his text on the buildings of special relevance to Pei's career, and, whether discussing the Kennedy Library, the Meyerson Symphony Center, or the Louvre, he carefully considers the project's architectural, sociological, and personal dimensions. One sees how Pei's artistic vision has emerged, how he has deftly met the demands of each new situation and client, and how his charismatic personality has affected events." "Scores of color photographs present Pei's buildings in all their splendid variety - from the urban grandeur of the Dallas City Hall to the daring innovation of the Bank of China skyscraper. Dozens of revealing drawings, plans, and models as well as personal and documentary photographs make this volume the only comprehensive visual record of Pei's work."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Meredith Clausen reveals the enormous power that Belluschi wielded as an arbiter of taste and decision-maker in the 1950s and 1960s; his role in shaping the policy of the State Department in its overseas building program; and his role in securing major commissions for favored architects such as I.M. Pei. Equally important is Clausen's discussion of Belluschi's role in the development of regionalism in the Pacific Northwest and its impact on the definition of modernism as it was emerging in the United States.
In Lucid Language That Speaks To Laymen And Architects Alike, This Book Provides A History Of Twentieth Century Architecture In India. It Examines In Detail The Early Influences On Indian Architecture Both Of Movements Like The Bauhaus As Well As Prominent Individuals Like Habib Rehman, Jawaharlal Nehru, Frank Lloyd Wright And Le Corbusier.
"In this book of thirteen chapters, Howard Davis uses historical, contemporary, and cross-cultural examples to describe the nature and influence of these cultures. He shows how building cultures reflect the general cultures in which they exist, how they have changed over history, how they affect the form of buildings and cities, and how present building cultures, which are responsible for the contemporary everyday environments, may be improved."--Jacket.