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American Weathervanes: The Art of the Winds, published to coincide with an exhibition at the American Folk Art Museum, reveals the beauty, historical significance, and technical virtuosity of American vanes fashioned between the late seventeenth and early twentieth centuries. This American art form has long been an enduring part of the country's skylines. Early church steeples were graced with weathercocks, following a European tradition that dates to the MiddleAges. America's first documented vane maker, metalsmith Shem Drowne of Boston, crafted a number of surviving vanes, including the iconic golden grasshopper that has topped the city's Faneuil Hall since 1742. Farmers, blacksmiths, and other craftsmen proudly fashioned roosters, cows, horses, and other forms for country barns, and as the tradition and public demand expanded over the course of the nineteenth century, so did the diversity of forms, which grew to fill the mail order catalogs of commercial manufacturers in Boston, New York, and other cities. Today, weathervanes hold a well-established place in the canon of American folk art and American Weathervanes celebrates this artistry in the most up-to-date and authoritative work on the subject. Lavishly illustrated with masterworks from prominent private and public collections, this is a book to be treasured by anyone who collects or simply admires American vernacular art and sculpture.
Weather vanes were used by the ancient Greeks a hundred years before the birth of Christ; by early Scandinavians on their ships; and were common throughout England since William the Conqueror, and throughout Europe since the French Revolution. American vanes were recorded since the seventeenth century — among the first known is the copper cockerel, made in 1656 for the Dutch Reformed Church at Albany. The weather vane found a welcome home in the expanding America of the eighteenth and nineteenth centuries. It was a jaunty bit of decoration that served an important utilitarian function and enlivened the whole landscape with its humorous and homespun motifs, bold and vigorous design, and spirited air of American individualism and independence. By the late nineteenth century weather vane design and manufacture had reached full maturity. There were several firms throughout the United States specializing in weather vanes, some of which issued catalogs displaying their wares. Among the largest and most important of these companies was A. B. & W. T. Westervelt of New York City, whose extensive illustrated 1883 catalog, featuring over 550 copper weather vanes and finials, is herein reprinted. This excellent primary source by one of the principal manufacturers of American weather vanes offers an extraordinarily wide range of styles and motifs, including: horse with sulky and driver, cow or bull, gun and cap, goddess of liberty, dog, ram or sheep, Indian chief, hook and ladder with number, oxen, ocean steamer, Roman banneret and scroll, rooster, cannon, fish, pen, locomotive and tender, initials, lion, liberty cap and arrows, malter's shovel and brew barrel, and many more. Vanes are illustrated with line engravings, are especially well suited to reproduction (all royalty-free), and are accompanied by relevant information on size, materials, and original prices. Indispensable for the architect, antique collector, and historian, this collection of authentic weather vane designs will also prove to be an unusually rich source of royalty-free art and graphic inspiration for the artist, designer, and crafter.
From classic folk art styles to never-before-seen designs, weathervanes from many sources illustrate the distinctive vitality of this artistic form. 60 color plates bring many weathervanes to life visually, as they serve as both practical wind direction indicators and decorative architectural ornaments. Manufacturers are identified and their backgrounds are explored.
Catalog of an exhibit of weathervanes in the collection of the Shelburne Museum, a leading folk, fine, and decorative arts museum in Shelburne, Vermont.
Engaging survey of nearly 200 years of great native folk art: weathervanes, portraits, Indians, ship figureheads, toys, decoys, etc. 17th through 19th century. Styles, uses, technical information, makers. 68 illustrations.
Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft
As the descendants of Mexican immigrants have settled throughout the United States, a great literature has emerged, but its correspondances with the literature of Mexico have gone largely unobserved. In Bordering Fires, the first anthology to combine writing from both sides of the Mexican-U.S. border, Cristina Garc’a presents a richly diverse cross-cultural conversation. Beginning with Mexican masters such as Alfonso Reyes and Juan Rulfo, Garc’a highlights historic voices such as “the godfather of Chicano literature” Rudolfo Anaya, and Gloria Anzaldœa, who made a powerful case for language that reflects bicultural experience. From the fierce evocations of Chicano reality in Jimmy Santiago Baca’s Poem IX to the breathtaking images of identity in Coral Bracho’s poem “Fish of Fleeting Skin,” from the work of Carlos Fuentes to Sandra Cisneros, Ana Castillo to Octavio Paz, this landmark collection of fiction, essays, and poetry offers an exhilarating new vantage point on our continent–and on the best of contemporary literature. From the Trade Paperback edition.
From one of the world's leading graphic designers comes a stunning tribute to America's most enduring icon-the Stars and Stripes.The Revolutionary Congress resolved in 1777 that "the flag of the United States be 13 stripes, alternate red and white, that the Union be 13 white stars in a blue field representing a new constellation." Since that time, the American flag has been raised high in wartime triumph and peacetime celebration; burned in fervent protest; sewn lovingly onto quilts, caps, pillows, and bags; appropriated by the commercial sphere to sell goods as varied as cigars, and designer clothing, and rock-and-roll albums; and faithfully honored every 4th of July to celebrate America's independence. This collection of more than 3,000 Stars and Stripes artifacts ranges from Civil War-era banners and Native American braided moccasins to an early 20th-century "friendship" kimono and original flag art by several of the world's leading designers. In its deluxe format with over 500 illustrations, LONG MAY SHE WAVE gives wide berth to the flag in all its manifestations, and the result is a stunning visual history of America'¬?s most treasured symbol.Full-color throughout, with over 500 illustrations in a deluxe 11 x 14-inch volume-LONG MAY SHE WAVE is the perfect gift for folk-art appreciators, history buffs, and collectors.Features the 3,000-piece exhibit that was displayed at the American Institute of Graphic Arts and the San Jose Museum of Art in 2000. From toy soldiers to collectable spoons, cigar blankets to historic flags—the breadth of the collection is unrivaled.For a list of appearances by this author, check out our Calendar of Events.