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In this brilliantly combative study, Robyn Wiegman challenges contemporary clichés about race and gender, a formulation that is itself a cliché in need of questioning. As part of what she calls her "feminist disloyalty," she turns a critical, even skeptical, eye on current debates about multiculturalism and "difference" while simultaneously exposing the many ways in which white racial supremacy has been reconfigured since the institutional demise of segregation. Most of all, she examines the hypocrisy and contradictoriness of over a century of narratives that posit Anglo-Americans as heroic agents of racism's decline. Whether assessing Uncle Tom's Cabin, lynching, Leslie Fiedler's racialist mapping of the American novel, the Black Power movement of the 60s, 80s buddy films, or the novels of Richard Wright and Toni Morrison, Wiegman unflinchingly confronts the paradoxes of both racism and antiracist agendas, including those advanced from a feminist perspective. American Anatomies takes the long view: What epistemological frameworks allowed the West, from the Renaissance forward, to schematize racial and gender differences and to create social hierarchies based on these differences? How have those epistemological regimes changed--and not changed--over time? Where are we now? With painstaking care, political passion, and intellectual daring, Wiegman analyzes the biological and cultural bases of racial and gender bias in order to reinvigorate the discussion of identity politics. She concludes that, for very different reasons, identity proves to be dangerous to minority and majority alike.
Volumes 1-5 include Proceedings of the Association of American anatomists (later American Association of Anatomists), 15th-20th session (Dec. 1901/Jan. 1902-Dec. 1905).
This book is a survey of the history of anatomy education in America from colonial times to the early twentieth century. The author, Charles Russell Bardeen, was an American physiologist and anatomist who made significant contributions to the field of medical education. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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"America keeps a fine house," Anatol Lieven writes, "but in its cellar there lives a demon, whose name is nationalism." In this controversial critique of America's role in the world, Lieven contends that U.S. foreign policy since 9/11 has been shaped by the special character of our national identity, which embraces two contradictory features. One, "The American Creed," is a civic nationalism which espouses liberty, democracy, and the rule of law. It is our greatest legacy to the world. But our almost religious belief in the "Creed" creates a tendency toward a dangerously "messianic" element in American nationalism, the desire to extend American values and American democracy to the whole world, irrespective of the needs and desires of others. The other feature, populist (or what is sometimes called "Jacksonian") nationalism, has its roots in an aggrieved, embittered, and defensive White America, centered largely in the American South. Where the "Creed" is optimistic and triumphalist, Jacksonian nationalism is fed by a profound pessimism and a sense of personal, social, religious, and sectional defeat. Lieven examines how these two antithetical impulses have played out in recent US policy, especially in the Middle East and in the nature of U.S. support for Israel. He suggests that in this region, the uneasy combination of policies based on two contradictory traditions have gravely undermined U.S. credibility and complicated the war against terrorism. It has never been more vital that Americans understand our national character. This hard-hitting critique directs a spotlight on the American political soul and on the curious mixture of chauvinism and idealism that has driven the Bush administration.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.