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Reveals how, through auctions, early Americans learned capitalism As the first book-length study of auctions in early America, America Under the Hammer follows this ubiquitous but largely overlooked institution to reveal how, across the eighteenth and early nineteenth centuries, price became an accepted expression of value. From the earliest days of colonial conquest, auctions put Native land and human beings up for bidding alongside material goods, normalizing new economic practices that turned social relations into economic calculations and eventually became recognizable as nineteenth-century American capitalism. Starting in the eighteenth century, neighbors collectively turned speculative value into economic “facts” in the form of concrete prices for specific items, thereby establishing ideas about fair exchange in their communities. This consensus soon fractured: during the Revolutionary War, state governments auctioned loyalist property, weaponizing local group participation in pricing and distribution to punish political enemies. By the early nineteenth century, suspicion that auction outcomes were determined by manipulative auctioneers prompted politicians and satirists to police the boundaries of what counted as economic exchange and for whose benefit the economy operated. Women at auctions—as commodities, bidders, or beneficiaries—became a focal point for gendering economic value itself. By the 1830s, as abolitionists attacked the public sale of enslaved men, women, and children, auctions had enshrined a set of economic ideas—that any entity could be coded as property and priced through competition—that have become commonsense understandings all too seldom challenged. In contrast to histories focused on banks, currencies, or plantations, America Under the Hammer highlights an institution that integrated market, community, and household in ways that put gender, race, and social bonds at the center of ideas about economic worth. Women and men, enslaved and free, are active participants in this story rather than bystanders, and their labor, judgments, and bodies define the resulting contours of the American economy.
Iconoclasm is not a barbaric act which takes place somewhere else but is instead a central strand of Anglo-American modernity. Our horror at the destruction of art derives in part from the fact that we did, and still do, that. This is most obviously true of England's iconoclastic century between 1538 and 1643, which stands at the core of this book.
A groundbreaking contribution to the history of the "long Civil Rights movement," Hammer and Hoe tells the story of how, during the 1930s and 40s, Communists took on Alabama's repressive, racist police state to fight for economic justice, civil and political rights, and racial equality. The Alabama Communist Party was made up of working people without a Euro-American radical political tradition: devoutly religious and semiliterate black laborers and sharecroppers, and a handful of whites, including unemployed industrial workers, housewives, youth, and renegade liberals. In this book, Robin D. G. Kelley reveals how the experiences and identities of these people from Alabama's farms, factories, mines, kitchens, and city streets shaped the Party's tactics and unique political culture. The result was a remarkably resilient movement forged in a racist world that had little tolerance for radicals. After discussing the book's origins and impact in a new preface written for this twenty-fifth-anniversary edition, Kelley reflects on what a militantly antiracist, radical movement in the heart of Dixie might teach contemporary social movements confronting rampant inequality, police violence, mass incarceration, and neoliberalism.
Centering on the events of 1963 in Vietnam that led to the assassinations of South Vietnamese President Ngo Dinh Diem and his brother Ngo Dinh Nhu, Ellen Hammer's riveting in-depth study demonstrates how this military coup transformed the Vietnam War into an American war. Having visited the embattled nation many times during the period and having interviewed key characters in the drama, she chronicles the series of misunderstandings between Vietnam and representatives of Western societies that preceded the events of 1963. Hammer's compelling account will provide readers with a fuller understanding of American involvement in Vietnam.
The period leading up to the Civil War was one of great change. Congress divided itself between Northerners and Southerners, citizens on the frontier took up arms against one another, and movements for secession and abolition were more urgent than ever. In The Hammer and the Anvil, the award-winning author Dwight Jon Zimmerman and the renowned artist Wayne Vansant vividly depict the tumultuous time through the lives of two men who defined it: Frederick Douglass and Abraham Lincoln. With a foreword by the Pulitzer Prize-winning historian James M. McPherson, The Hammer and the Anvil reveals that its protagonists each wrestled with the question of slavery from a young age. Douglass, a slave who was spared no brutality, once fought an especially cruel master and eventually escaped north to freedom. Lincoln, who was hired out by his father to do manual labor on neighbors' farms, found this harsh life intolerable. As a senator, Lincoln sought ways to end the westward spread of slavery, believing that adding free states to the Union would diminish the power of the Southern states and lead to the gradual disappearance of the "peculiar institution." Douglass was less patient. He had become a skilled orator and an influential editor of Northern abolitionist journals, and called on white Americans to honor their nation's founding commitment to liberty. When the Civil War erupted in April 1861, Douglass hoped that the conflict would mean the end of slavery. But Lincoln delayed emancipation, and Douglass despaired--until he met the president face-to-face and recognized that their causes were one and the same. Featuring evocative and dramatic scenes of this seminal time, The Hammer and the Anvil will engage both Civil War buffs and young people new to the study of American history.
On July 24, 1964, chaos erupted in Rochester, New York. Strike the Hammer examines the unrest—rebellion by the city's Black community, rampant police brutality—that would radically change the trajectory of the Civil Rights movement. After overcoming a violent response by State Police, the fight for justice, in an upstate town rooted in black power movements, was reborn. That resurgence owed much to years of organizing and resistance in the community. Laura Warren Hill examines Rochester's long Civil Rights history and, drawing extensively on oral accounts of the northern, urban community, offers rich and detailed stories of the area's protest tradition. Augmenting oral testimonies with records from the NAACP, SCLC, and the local FIGHT, Strike the Hammer paints a compelling picture of the foundations for the movement. Now, especially, this story of struggle for justice and resistance to inequality resonates. Hill leads us to consider the social, political, and economic environment more than fifty years ago and how that founding generation of activists left its mark on present-day Rochester.
***NEW YORK TIMES BESTSELLER*** An Explosive, Revelatory Assessment of the Greatest Betrayal in American History, Newly Revised and Updated William Barr · Paul Manafort · Michael Cohen · Steve Bannon · Rudy Giuliani · Mitch McConnell · Roger Stone · George Papadopoulos · Jeff Sessions · And More! "Impressive... a persuasive whodunit narrative." -Washington Post In The Plot to Betray America, New York Times bestselling author and renowned intelligence expert Malcolm Nance reveals exactly how President Trump and his inner circle conspired, coordinated, communicated, and eventually strategized to commit the greatest acts of treachery in the history of the United States: compromising the presidential oath of office in exchange for power and personal enrichment. Seduced by the promises of riches dangled in front of them by Vladimir Putin, the Trump administration eagerly decided to reap the rewards of the plan to put a Kremlin-friendly crony in the Oval Office. Even after his impeachment, Trump continues to defend Putin and jeopardize American intelligence. And instead of interfering, Trump's powerful Republican allies have done everything they can to facilitate Trump's irreparable damage to national security. Through in-depth research and interviews with intelligence experts and insiders, Nance charts Trump's deep financial ties to Russia through his family's investments-including those of Donald Trump Jr., Ivanka Trump, and Jared Kushner-and exposes the corrupt behavior of Trump's other double-crossing pro-Moscow associates. In doing so, Nance also draws a portrait of a venal and selfish president, one who willingly sells American national security to dictators, strongmen, and the ultra-rich at the expense, and sometimes the lives, of American citizens. In this newly revised and updated edition, The Plot to Betray America ultimately sketches the blueprint of the Trump administration's conspiracy against our country-and shows us how we can still fight to defend democracy, protect our national security, and save the Constitution.
For readers of Brent Weeks, Joe Abercrombie, Peter V. Brett, and Scott Lynch comes the first book in a fantastic, hilarious new sword-and-sorcery series that puts a clever new twist on the golden age of epic fantasy. Robbing tombs for fun and profit might not be a stable career, but Egil and Nix aren’t in it for the long-term prospects. Egil is the hammer-wielding warrior-priest of a discredited god. Nix is a roguish thief with just enough knowledge of magic to conjure up trouble. Together, they seek riches and renown, yet often find themselves enlisted in lost causes—generally against their will. So why should their big score be any different? The trouble starts when Nix and Egil kill the demonic guardian of a long-lost crypt, nullifying an ancient pact made by the ancestors of an obscenely powerful wizard. Now the wizard will stop at nothing to keep that power from slipping away, even if it means freeing a rapacious beast from its centuries-old prison. And who better than Egil and Nix—the ones responsible for his current predicament—to perform this thankless task? Praise for The Hammer and the Blade and Paul S. Kemp “A gripping tale [with] the feeling of a classic Dungeons & Dragons campaign.”—Publishers Weekly “Most heroes work up to killing demons. Egil and Nix start there and pick up the pace.”—Elaine Cunningham, author of the Thorn Trilogy “Kemp delivers sword and sorcery at its rollicking best, after the fashion of Fritz Leiber’s Fafhrd and the Gray Mouser.”—Library Journal
This comprehensive, lavishly illustrated catalogue offers an in-depth survey of the incredibly vital but often overlooked legacy of Los Angeles's African American artists, featuring many never-before-seen works.
He thought Hell was the worst they could throw at him. He was wrong. Back from tangling with the Hammer of Kraa, the most brutal, trigger-happy tyrants in humanspace, Junior Lieutenant Michael Helfort is assigned to the Federated Worlds heavy cruiser Ishaq, which is struggling to rise to the threat posed by a newly resurgent Hammer. Aboard the floundering ship, Helfort is coming to grips with a painful injury and the unpleasant truth that nobody likes a young hero–least of all senior officers. Without warning, the Ishaq and twenty-seven Fed merchant ships are blown apart in a horrific ambush, the first step in the Hammer’s master strategy to destroy the hated Federated Worlds. Michael and a pitiful remnant of the Ishaq’s crew escape the inferno. The Feds have no idea who’s behind the heinous attack, and the Hammer are determined to keep it that way, consigning the Ishaq’s survivors to a prison camp deep in the wilderness of the Hammer’s home planet. No one’s getting out alive to derail the Hammer’s lethal master plan–especially not the FedWorlds hero who so humiliated them on the battlefield. It’s payback time, and the Hammers intend to throw their entire space fleet into destroying Michael Helfort and the Federated Worlds. Too bad it won’t be enough.