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An updated edition of Manning Marable's classic--considered one of the best studies of race and class.
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
At the start of the twentieth century, the pre-eminent black sociologist, W.E.B. DuBois, identified the color line as America's great problem. While the color line is increasingly variegated beyond black and white, and more openly discussed than ever before as more racial and ethnic groups call America home, his words still ring true. Today, post-racial and colorblind ideals dominate the American narrative, obscuring the reality of racism and discrimination, hiding if only temporarily the inconvenience of deep racial disparity. This is the quintessential American paradox: our embrace of the ideals of meritocracy despite the systemic racial advantages and disadvantages accrued across generations. This book provides a sociology of the Black American experience. To be Black in America is to exist amongst myriad contradictions: racial progress and regression, abject poverty amidst profound wealth, discriminatory policing yet equal protection under the law. This book explores these contradictions in the context of residential segregation, labor market experiences, and the criminal justice system, among other topics, highlighting the historical processes and contemporary social arrangements that simultaneously reinforce race and racism, necessitating resistance in post-civil rights America.
Explores the intersections of race and ethnicity that stem from recent patterns of American immigration. Essays focus on the politics of African Americans, Latinos, Asians, Africans, and, to a lesser extent, Whites, with material structured around themes of political incorporation, racial polarization, political and media institutions, political behaviors, and race consciousness and gender. Many essays use the scholarship on black politics as a point of departure for discussing the emerging political strategies of newer immigrant groups. The editors teach political science at Indiana University. c. Book News Inc.
Africans to Spanish America expands the diaspora framework to include Mexico, Peru, Ecuador, and Cuba, exploring the connections and disjunctures between colonial Latin America and the African diaspora in the Spanish empires. Analysis of the regions of Mexico and the Andes opens up new questions of community formation that incorporated Spanish legal strategies in secular and ecclesiastical institutions as well as articulations of multiple African identities. The volume is arranged around three sub-themes: identity construction in the Americas; the struggle by enslaved and free people to present themselves as civilized, Christian, and resistant to slavery; and issues of cultural exclusion and inclusion. Contributors are Joan Cameron Bristol, Nancy E. van Deusen, Leo Garafalo, Herbert S. Klein, Charles Beatty Medina, Karen Y. Morrison, Rachel Sarah O'Toole, Frank "Trey" Proctor, and Michele B. Reid.
This is the first major collection of criticism on Black American cinema. From the pioneering work of Oscar Micheaux and Wallace Thurman to the Hollywood success of Spike Lee, Black American filmmakers have played a remarkable role in the development of the American film, both independent and mainstream. In this volume, the work of early Black filmmakers is given serious attention for the first time. Individual essays consider what a Black film tradition might be, the relation between Black American filmmakers and filmmakers from the diaspora, the nature of Black film aesthetics, the artist's place within the community, and the representation of a Black imaginary. Black American Cinema also uncovers the construction of Black sexuality on screen, the role of Black women in independent cinema, and the specific question of Black female spectatorship. A lively and provocative group of essays debate the place and significance of Spike Lee Of crucial importance are the ways in which the essays analyze those Black directors who worked for Hollywood and whose films are simplistically dismissed as sell-outs, to the Hollywood "master narrative," as well as those "crossover" filmmakers whose achievements entail a surreptitious infiltration of the studios. Black American Cinema demonstrates the wealth of the Black contribution to American film and the complex course that contribution has taken. Contributors: Houston Baker, Jr., Toni Cade Bambara, Amiri Baraka, Jacquie Bobo, Richard Dyer, Jane Gaines, Henry Louis Gates, Jr., Ron Green, Ed Guerrero, bell hooks, Phyllis Klotman, Ntongele Masilela, Clyde Taylor, and Michele Wallace.
Covering the last two hundred years, and including Spanish America, Brazil, and the Caribbean, this book examines how African-descended people made their way out of slavery and into freedom, and how, once free, they helped build social and political democracy in the region.