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America views itself as a nation inhabiting a "promised land" and enjoying a favoured relation with God. This view of unique election has been coupled with racial exclusivism and the marginalization of non-white citizens. America, Amerikkka traces the historical and ideological patterns behind America’s sense of itself. In its examination of America’s "chosenness", the book ranges across the doctrine of the "rights of man" in the 18th and 19th centuries, the role of America in the twentieth century as "global policeman", and the enforcement of neo-colonial relations over the "third world". The volume argues for a vision of global relations between peoples based on justice and mutuality, rather than hegemonic dominance.
From the beginning of the American Occupation in 1945 to the post-bubble period of the early 1990s, popular music provided Japanese listeners with a much-needed release, channeling their desires, fears, and frustrations into a pleasurable and fluid art. Pop music allowed Japanese artists and audiences to assume various identities, reflecting the country's uncomfortable position under American hegemony and its uncertainty within ever-shifting geopolitical realities. In the first English-language study of this phenomenon, Michael K. Bourdaghs considers genres as diverse as boogie-woogie, rockabilly, enka, 1960s rock and roll, 1970s new music, folk, and techno-pop. Reading these forms and their cultural import through music, literary, and cultural theory, he introduces readers to the sensual moods and meanings of modern Japan. As he unpacks the complexities of popular music production and consumption, Bourdaghs interprets Japan as it worked through (or tried to forget) its imperial past. These efforts grew even murkier as Japanese pop migrated to the nation's former colonies. In postwar Japan, pop music both accelerated and protested the commodification of everyday life, challenged and reproduced gender hierarchies, and insisted on the uniqueness of a national culture, even as it participated in an increasingly integrated global marketplace. Each chapter in Sayonara Amerika, Sayonara Nippon examines a single genre through a particular theoretical lens: the relation of music to liberation; the influence of cultural mapping on musical appreciation; the role of translation in transmitting musical genres around the globe; the place of noise in music and its relation to historical change; the tenuous connection between ideologies of authenticity and imitation; the link between commercial success and artistic integrity; and the function of melodrama. Bourdaghs concludes with a look at recent Japanese pop music culture.
For half of the twentieth century, there were two superpowers in the world and a gulf of silence between them. Knowledge of Russian culture was based on propaganda and rumour, and their knowledge of the West was no better. When the Soviet Union fell, Russians began to travel to America more regularly, and what they discovered was a very different place to the one they had imagined, but, at the same time, not exactly the one that Americans think they know. This collection of beautifully written and entertaining literary essays by a wide range of Russian writers - young and old, funny and sombre, angry and celebratory, many being translated for the first time - offers readers a unique chance to see Americans in a whole new light, to question how the American dream stands up to the American reality, and to experience the wit and generosity of today's Russian writers.
The deadliest parasite in the world's history threatens to make the human race extinct.
The book police and prison officials never wanted you to read! Kamaj Tawhid tells the truth to America about America!Part memoir, part manifesto, and all social and political commentary, follow the author's provocative, insightful, and heart-thumping journey from nationally-recognized schoolboy scholar to the first American prisoner fighting to be euthanized as an alternative to serving life imprisonment for a wrongful conviction. Kamaj currently awaits trial for the false accusations of orchestrating the attempted murders and kidnappings of three prison guards during a 2017 prisoner uprising...
Depicts the tragicomic misadventures of a young immigrant in New York.
This volume documents the Unspeakable Art and Performances of Reverend Steven Johnson Loyba a natived American artist whose ritualistic, sexual adn political mixed media paintings and performances reflect our times with a reicentiess and fiorcely unapologetic vision Redemer of the swastika and dosecrator of the American flag 'to mock; blind nationalism and patriotism Leqba is a master of art as social satire giving birth to conroversies and theretical debatos alike.
Now in a new edition updated through the unprecedented 2016 presidential election, this provocative book makes a compelling case for a hidden “deep state” that influences and often opposes official U.S. policies. Prominent political analyst Peter Dale Scott begins by tracing America’s increasing militarization, restrictions on constitutional rights, and income disparity since World War II. With the start of the Cold War, he argues, the U.S. government changed immensely in both function and scope, from protecting and nurturing a relatively isolated country to assuming ever-greater responsibility for controlling world politics in the name of freedom and democracy. This has resulted in both secretive new institutions and a slow but radical change in the American state itself. He argues that central to this historic reversal were seismic national events, ranging from the assassination of President Kennedy to 9/11. Scott marshals compelling evidence that the deep state is now partly institutionalized in non-accountable intelligence agencies like the CIA and NSA, but it also extends its reach to private corporations like Booz Allen Hamilton and SAIC, to which 70 percent of intelligence budgets are outsourced. Behind these public and private institutions is the influence of Wall Street bankers and lawyers, allied with international oil companies beyond the reach of domestic law. Undoubtedly the political consensus about America’s global role has evolved, but if we want to restore the country’s traditional constitutional framework, it is important to see the role of particular cabals—such as the Project for the New American Century—and how they have repeatedly used the secret powers and network of Continuity of Government (COG) planning to implement change. Yet the author sees the deep state polarized between an establishment and a counter-establishment in a chaotic situation that may actually prove more hopeful for U.S. democracy.
Alaska, 1987. In a world where Alaska is still a Russian possession, charter captain Grigoriy Grigorievich has a stained past—as a major in the Czar’s Troika Guard he was cashiered for disobeying a direct order. Now, ten years later, Grisha charters out to a Cossack and discovers his past has not only caught up with him, but is about to violently change his future, and the future of all nine of the nations of North America as well. Revolution against an oppressor, continent-wide alliances, and an epic struggle of a people to be free–spanning Alaska from the Southeastern Inside Passage to the frozen Yukon river, this is an epic tale of one man’s journey of redemption and courage to face old fears, new challenges, and help birth a new nation.
Cultural and literary historians investigate the unique literary bridge between German-speaking women and the "New World," examining novels, films, travel literature, poetry, erotica, and photography. In a 1798 novel by Sophie von La Roche, a European woman swims across a cold North American lake seeking help from the local indigenous tribe to deliver a baby. In a 2008 San Francisco travel guide, Milena Moser, the self-proclaimed "Patron Saint of Desperate Swiss Housewives," ponders the guilty pleasures of a media-saturated world. Wildly disparate, these two texts reveal the historical arc of a much larger literary constellation: the literature of German-speaking women who interact with the New World. In this volume, cultural historians from around the world investigate this unique literary bridge between two hemispheres, focusing on New-World texts written by female authors from Germany, Austria, or Switzerland. Encompassing a broad range of genres including novels, films, travel literature, poetry, erotica, and even photography, the essays include women's experiences across both American continents. Many of the primary literary texts discussed in this volume are available in the online collections of Sophie: A Digital Library of Works by German-Speaking Women (http: //sophie.byu.edu/). Contributors: Christiane Arndt, Karin Baumgartner, Ute Bettray, Ulrike Brisson, Carola Daffner, Denise M. Della Rossa, Linda Dietrick, Silke R. Falkner, Maureen O. Gallagher, Nicole Grewling, Monika Hohbein-Deegen, Gabi Kathöfer, Thomas W. Kniesche, Julie Koser, Judith E. Martin, Sarah C. Reed, Christine Rinne, Tom Spencer, Florentine Strzelczyk, David Tingey, Petra Watzke, Chantal Wright. Rob McFarland and Michelle Stott James are both Associate Professors of German at Brigham Young University.