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“People like us . . . have different rights, different values than do ordinary people because we have different needs which put us . . . above their moral standards.” —Modigliani Amedeo (“Beloved of God”) Modigliani was considered to be the quintessential bohemian artist, his legend almost as infamous as Van Gogh’s. In Modigliani’s time, his work was seen as an oddity: contemporary with the Cubists but not part of their movement. His work was a link between such portraitists as Whistler, Sargent, and Toulouse-Lautrec and that of the Art Deco painters of the 1920s as well as the new approaches of Gauguin, Cézanne, and Picasso. Jean Cocteau called Modigliani “our aristocrat” and said, “There was something like a curse on this very noble boy. He was beautiful. Alcohol and misfortune took their toll on him.” In this major new biography, Meryle Secrest, one of our most admired biographers—whose work has been called “enthralling” (The Wall Street Journal); “rich in detail, scrupulously researched, and sympathetically written” (The New York Review of Books) —now gives us a fully realized portrait of one of the twentieth century’s master painters and sculptors: his upbringing, a Sephardic Jew from an impoverished but genteel Italian family; his going to Paris to make his fortune; his striking good looks (“How beautiful he was, my god how beautiful,” said one of his models) . . . his training as an artist . . .and his influences, including the Italian Renaissance, particularly the art of Botticelli; Nietzsche’s theories of the artist as Übermensch, divinely endowed, divinely inspired; the monochromatic backgrounds of Van Gogh and Cézanne; the work of the Romanian sculptor Brancusi; and the primitive sculptures of Africa and Oceania with their simplified, masklike triangular faces, elongated silhouettes, puckered lips, low foreheads, and heads on exaggeratedly long necks. We see the ways in which Modigliani’s long-kept-secret illness from tuberculosis (it almost killed him as a young man) affected his work and his attitude toward life ; how consumption caused him to embrace fatalism and idealism, creativity and death; and how he used alcohol and opium with laudanum as an antispasmodic to hide the symptoms of the disease and how, because of it, he came to be seen as a dissolute alcoholic. And throughout, we see the Paris that Modigliani lived in, a city in dynamic flux where art was still a noble cause; how Modigliani became part of a life in the streets and a world of art and artists then in a transforming revolution; Monet, Cézanne, Degas, Renoir, et al.—and others more radical—Matisse, Derain, etc., all living within blocks of one another. Secrest’s book, written with unprecedented access to letters, diaries, and photographs never before seen, is an extraordinary revelation of a life lived in art . . . Here is Modigliani, the man and the artist, seemingly shy, delicate, a man on a desperate mission, masquerading as an alcoholic, cheating death again and again, and calculating what he had to do in order to go on working and concealing his secret for however much time remained . . .
A high-speed, high-stakes thriller from Ken Follett, the grand master of international action and suspense. A fabulous "lost masterpiece" becomes the ultimate prize—for an art historian whose ambition consumes everyone around her, an angry young painter with a plan for revenge on the art establishment, and a desperate gallery owner who may have double-crossed his own life away. Behind the elegance and glamour of the art world, anything goes—theft, forgery, betrayal, and maybe even murder. . . .
The life of the modernist painter Amedeo Modigliani (1884-1920) was chaotic and tragically brief. Spanning the last months of Modigliani's life, this evocative novel conjures up the strange workings of the painter's troubled - and often drug-fuelled - mind, and the manner in which his eccentricity expressed itself in his art. Colic's evocative novel captures the full essence of Modigliani's Bohemian lifestyle, and the colourful visitors who came and went through his Paris studio: among them his lover, Jeanne Hébuterne, and the prostitutes who occasionally modelled for him; and succeeds in conveying something of the intense artistic life of Paris in the first decades of the twentieth century.
An illuminating study of Amedeo Modigliani's early drawings and how they reflect the artist's conception of identity One of the great artists of the 20th century, Amedeo Modigliani (1884-1920) is celebrated for revolutionizing modern portraiture, particularly in his later paintings and sculpture. Modigliani Unmasked examines the artist's rarely seen early works on paper, offering revelatory insights into his artistic sensibilities and concerns as he developed his signature style of graceful, elongated figures. An Italian Sephardic Jew working in turn-of-the-century Paris, Modigliani embraced his status as an outsider, and his early drawings show a marked awareness of the role of ethnicity and race within society. Placing these drawings within the context of the artist's larger oeuvre, Mason Klein reveals how Modigliani's preoccupation with identity spurred the artist to reconceive the modern portrait, arguing that Modigliani ultimately came to think of identity as beyond national or cultural boundaries. Lavishly illustrated with the artist's paintings and over one hundred drawings collected by Dr. Paul Alexandre, Modigliani's close friend and first patron, this book provides an engaging and long overdue analysis of Modigliani's early body of work on paper.
This text presents an exploration of Amedeo Modigliani's nude and portrait paintings.
Amedeo Modigliani (1884-1920) produced some of the most memorable art of the early twentieth century. Born in Livorno, Italy, and working in Paris from 1906, his career was tragically short but experimentation and innovation were consistent priorities. This ambitious new monograph is the most comprehensive book on the artist published to date, covering all aspects of Modigliani's brief yet seminal career. This book brings together Modigliani's paintings, sculptures and drawings alongside comparable works by his peers, such as Jacob Epstein and Paul Cézanne, as well as Brancusi and early Picasso. It connects Modigliani with contemporary practice in the bohemian quarter of Montparnasse as well as with wider visual culture in early twentieth-century Paris. All works from the exhibition will be stunningly reproduced in full colour, making this publication one of the most comprehensive surveys of Modigliani's work ever published. This book offers an insight into the artist's life and work from different perspectives and is a vital addition to the library of experts and newcomers alike.
Though he died young in relative obscurity, the works of Amedeo Modigliani are now regarded as some of the most important canvases of the twentieth century. Modigliani’s innovative portraits and nudes are characterised by their asymmetrical compositions, elongated figures and monumental use of line. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Modigliani’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Amedeo Modigliani — over 350 paintings, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Modigliani’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the paintings you wish to view * Includes a selection of Modigliani's drawings and sculptures - explore the artist’s varied works * Scholarly ordering of plates into chronological order Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights PORTRAIT OF PEDRO THE HORSEWOMAN HEAD, 1911 CARYATID PIERROT BEATRICE HASTINGS CESLO LAGAR JUAN GRIS JEAN COCTEAU CHAIM SOUTINE SEATED NUDE, 1916 NUDE SITTING ON A DIVAN MADAME ZBOROWSKA RECLINING NUDE WITH BLUE CUSHION LEOPOLD ZBOROWSKI SEATED BOY WITH CAP JEANNE HÉBUTERNE, WITH A DOOR IN THE BACKGROUND The Paintings THE COMPLETE PAINTINGS ALPHABETICAL LIST OF PAINTINGS Other Artworks LIST OF DRAWINGS AND SCULPTURES Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
Renowned for his distinctive, elongated female nudes, Amedeo Modigliani is a legend of early modernism. His unique figuration corresponded to his own personal idea of beauty, but drew upon a rich variety of visual influences, including contemporary Cubism, African carvings, Cambodian sculptures, and 13th-century painting from his native Italy.
Amedeo Modigliani stands as one of Italy's best-known painters and sculptors of the 20th century, posthumously renowned for his characteristic style and eccentric personality. Writing in the 1950s, Modigliani's daughter Jeanne was only a baby when her father died. Nevertheless, her interest in her father's short life resulted in this biography - the fruits of Jeanne's researches and conversations with those who remembered him are now considered valuable by art historians. We learn of the artist's early years in Italy, his journeys and work in France, his romances and excesses, and the challenges he faced selling his works. Though he had friends to lend him money when times were hard, Modigliani constantly grappled with poverty and illness. The final years of Modigliani's life saw his greatest yet most tragic romance, to the young art student Jeanne Hébuterne. A gifted painter in her own right, Jeanne fell in love with Modigliani and doted on him as his health faltered. When Modigliani expired from tuberculosis, Jeanne was inconsolable, and committed suicide two days later. It was not until the year 2000 that her artworks were showcased alongside her husband's, with the permission of her heirs. This biography includes more than 130 examples of the letters and artworks of Modigliani that the reader may appreciate and observe how his unique art progressed with the years.