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'Blood River' is a readable account of an African country now virtually inaccessible to the outside world and what is perhaps one of the most daring and adventurous journeys a journalist has made.
A British journalist retraces the legendary 1874 expedition of H. M. Stanley in this “remarkable marriage of travelogue and history” (Max Hastings, author of Armageddon). When Daily Telegraph correspondent Tim Butcher was sent to Africa in 2000,. he quickly became obsessed with the Congo River and the idea of recreating H. M. Stanley’s nineteenth-century journey along the nearly three-thousand-mile waterway. Despite repeated warnings that his plan was suicidal, Butcher set out for the Congo’s eastern border with just a backpack and a few thousand dollars hidden in his boots. Making his way in an assortment of vehicles, including a motorbike and a dugout canoe, helped along by a cast of characters from UN aid workers to a pygmy rights advocate, he follows in the footsteps of the great Victorian adventurer. Butcher’s forty-four-day journey along the Congo River is an unforgettable story of exploration, survival, and history come to life. “Quite superb . . . a masterpiece.” —John le Carré, #1 New York Times–bestselling author “Do NOT try to repeat Tim Butcher’s audacious and terrifying Congo journey. If you do, you will probably die.” —The Guardian “[Blood River] keeps the heart beating and the attention fixed from beginning to end.”—Fergal Keane, international bestselling author of Wounds “It is the wit and passion of the writing that keeps you engrossed.”—Giles Foden, author of The Last King of Scotland
Twelve-year-old Samuel Collier is a lowly commoner on the streets of London. So when he becomes the page of Captain John Smith and boards the Susan Constant, bound for the New World, he can’t believe his good fortune. He’s heard that gold washes ashore with every tide. But beginning with the stormy journey and his first contact with the native people, he realizes that the New World is nothing like he imagined. The lush Virginia shore where they establish the colony of James Town is both beautiful and forbidding, and it’s hard to know who’s a friend or foe. As he learns the language of the Algonquian Indians and observes Captain Smith’s wise diplomacy, Samuel begins to see that he can be whomever he wants to be in this new land.
On the morning of January 23, 1870, troops of the 2nd U.S. Cavalry attacked a Piegan Indian village on the Marias River in Montana Territory, killing many more than the army’s count of 173, most of them women, children, and old men. The village was afflicted with smallpox. Worse, it was the wrong encampment. Intended as a retaliation against Mountain Chief’s renegade band, the massacre sparked public outrage when news sources revealed that the battalion had attacked Heavy Runner’s innocent village—and that guides had told its inebriated commander, Major Eugene Baker, he was on the wrong trail, but he struck anyway. Remembered as one of the most heinous incidents of the Indian Wars, the Baker Massacre has often been overshadowed by the better-known Battle of the Little Bighorn and has never received full treatment until now. Author Paul R. Wylie plumbs the history of Euro-American involvement with the Piegans, who were members of the Blackfeet Confederacy. His research shows the tribe was trading furs for whiskey with the Hudson’s Bay Company before Meriwether Lewis encountered them in 1806. As American fur traders and trappers moved into the region, the U.S. government soon followed, making treaties it did not honor. When the gold rush started in the 1860s and the U.S. Army arrived, pressure from Montana citizens to control the Piegans and make the territory safe led Generals William Tecumseh Sherman and Philip H. Sheridan to send Baker and the 2nd Cavalry, with tragic consequences. Although these generals sought to dictate press coverage thereafter, news of the cruelty of the killings appeared in the New York Times, which called the massacre “a more shocking affair than the sacking of Black Kettle’s camp on the Washita” two years earlier. While other scholars have written about the Baker Massacre in related contexts, Blood on the Marias gives this infamous event the definitive treatment it deserves. Baker’s inept command lit the spark of violence, but decades of tension between Piegans and whites set the stage for a brutal and too-often-forgotten incident.
Rough justice has often been served in the pages of serial novels, notably beginning with Don Pendleton's The Executioner in 1969. This is the first overview of the serial vigilante genre, which featured such hard-boiled protagonists as Nick Carter, Mark Stone, Jake Brand and Able Team among the 130 series that followed Pendleton's novel. Serial vigilantes repeatedly take the law into their own hands, establishing and imposing their own moral standards, usually by force. The book examines the connections between the serial vigilante and the pulp hero that preceded him and how the serial vigilante has influenced a variety of tough guys, private eyes, spies and cops in different media. A complete bibliography for each series is featured.
"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one A William C. Morris Debut Award Finalist 2018 National Book Award Longlist Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do. ★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review
This work is the only comprehensive guide to sequels in English, with over 84,000 works by 12,500 authors in 17,000 sequences.
An epic saga based on true events of the American West—with the trailblazing fur trappers and the mountain men who lived it. This is an unforgettable journey into the untamed American frontier. Where nature is cruel, violence lurks behind every tree, and where only the strongest of the strong survive. This is a story of America. TO THE RIVER’S END Luke Ransom was just eighteen years old when he answered an ad in a St. Louis newspaper that would change his life forever. The American Fur Company needed one-hundred enterprising men to travel up the Missouri River—the longest in North America—all the way to its source. They would hunt and trap furs for one, two, or three years. Along the way, they would face unimaginable hardships: grueling weather, wild animals, hunger, exhaustion, and hostile attacks by the Blackfeet and Arikara. Luke Ransom was one of the brave men chosen for the job—and one of the few to survive . . . Five years later, Luke is a seasoned trapper and hunter, a master of his trade. The year is 1833, and the American Fur Company is sending him to the now-famous Rendezvous at Green River. For Luke, it may be his last job for the company. After facing death countless times, he is ready to strike out on his own. But when he encounters a fellow trapper under attack by Indians, his life takes an unexpected turn. A new friendship is forged in blood. And a dangerous new journey begins…
For longevity, countless cultivators would use all sorts of methods to either hone themselves, ascend one level at a time, or treat all living things as ruminants, regardless of the method. It was a deceitful, deceitful, dark, and magnificent scene of hundreds of millions of cultivators fighting in the air and on the ground. It was both a place of longevity and a place of protection for all living things ..."God's camp 136877794, welcome to the camp!"Is Long...