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"Originally published in single magazine form in DC Comics presents 52, 59, 81, Supergirl 16, Action comics 560, 563, 565, Ambush Bug 1-4, Son of Ambush Bug 1-6, Ambush Bug stocking stuffer 1, Secret origins 48, Ambush Bug nothing special 1."--Colophon.
Ambush Bug goes to hell...but is hell ready for him?
Superman has received a signal from distant space. An old friend is in deep trouble, and only the Man of Steel can help him. By the time Superman and his son get there, though, the alien who sent the signal is nowhere to be found, and his people appear to be enthralled by a shamanistic storyteller who warns of an ancient grudge with the malevolent Shadowbreed. This leaves Clark and Jonathan Kent to ponder just who sent them the distress message, but before they can find the answer, they’ll discover that an ancient grudge still has very current consequences. Kicking off a new story line, this issue pairs Phillip Kennedy Johnson with his Future State: Superman: House of El collaborator, artist Scott Godlewski! Meanwhile, in the “Tales of Metropolis” backup story it’s...the return of Ambush Bug? Say it ain’t so!
The charge is insanity, the suspect is Ambush Bug, and there’s no hope for anybody who reads this final issue of the year’s oddest excuse for a miniseries, provided by the decade’s oddest excuse for a creative team!
Lifelong naturalists and photographers Norman and Cheryl Lavers share closeup images and riveting stories of the intricate lives of insects. Peek under leaf litter, identify what flies across your path, listen for sounds on summer nights, study insect weaponry and mimicry, and prepare for your woodland walks to be forever changed.
As properties of DC comics continue to sprout over the years, narratives that were once kept sacrosanct now spill over into one another, synergizing into one bona fide creative Universe. Intended for both professional pop culture researchers and general interest readers, this collection of essays covers DC Universe multimedia, including graphic novels, video games, movies and TV shows. Each essay is written by a recognized pop culture expert offering a distinct perspective on a wide variety of topics. Even though many of the entries address important social themes like gender and racism, the book is not limited to these topics. Also included are more lighthearted essays for full verisimilitude, including analyses of long forgotten or seemingly marginal aspects of the DC Extended Universe, as well as in-depth and original interpretations of the most beloved characters and their relationships to one another. Highly accessible and approachable, this work provides previously unavailable in-roads that create a richer comprehension of the ever-expanding DC Universe.
Discover the difference between bugs and insects and explore what makes some of them weird and wonderful. Includes a glossary, photographs, and other resources. This title supports Common Core ELA standards.
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Fans and scholars have long regarded the 1980s as a significant turning point in the history of comics in the United States, but most critical discussions of the period still focus on books from prominent creators such as Frank Miller, Alan Moore, and Art Spiegelman, eclipsing the work of others who also played a key role in shaping comics as we know them today. The Other 1980s offers a more complicated and multivalent picture of this robust era of ambitious comics publishing. The twenty essays in The Other 1980s illuminate many works hailed as innovative in their day that have nonetheless fallen from critical view, partly because they challenge the contours of conventional comics studies scholarship: open-ended serials that eschew the graphic-novel format beloved by literature departments; sprawling superhero narratives with no connection to corporate universes; offbeat and abandoned experiments by major publishers, including Marvel and DC; idiosyncratic and experimental independent comics; unusual genre exercises filtered through deeply personal sensibilities; and oft-neglected offshoots of the classic “underground” comics movement of the 1960s and 1970s. The collection also offers original examinations of the ways in which the fans and critics of the day engaged with creators and publishers, establishing the groundwork for much of the contemporary critical and academic discourse on comics. By uncovering creators and works long ignored by scholars, The Other 1980s revises standard histories of this major period and offers a more nuanced understanding of the context from which the iconic comics of the 1980s emerged.
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