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The first of 10 of a series of children's picture books developed to introduce children to real world life skills which build character and are valuable for growth and success into adolescence and adulthood.
A “fascinating and well-documented social history” of American beer, from the immigrants who invented it to the upstart microbrewers who revived it (Chicago Tribune). Grab a pint and settle in with AmbitiousBrew, the fascinating, first-ever history of American beer. Included here are the stories of ingenious German immigrant entrepreneurs like Frederick Pabst and Adolphus Busch, titans of nineteenth-century industrial brewing who introduced the pleasures of beer gardens to a nation that mostly drank rum and whiskey; the temperance movement (one activist declared that “the worst of all our German enemies are Pabst, Schlitz, Blatz, and Miller”); Prohibition; and the twentieth-century passion for microbrews. Historian Maureen Ogle tells a wonderful tale of the American dream—and the great American brew. “As much a painstakingly researched microcosm of American entrepreneurialism as it is a love letter to the country’s favorite buzz-producing beverage . . . ‘Ambitious Brew’ goes down as brisk and refreshingly as, well, you know.” —New York Post
As children, our ideas about life are formed by stories of kings that step into their glory, underdogs that win against the odds, and improbable romances that always seem to find their way back to a happy ending. As adults, most of us have found reality to be far less charming. We have to exist here in the real world where our results often falls short of our expectations, emotions create a mess of our minds and most of the villains that we face exist in the form of our own internal resistance. This book is about finding clarity in the process of bridging the gap between who you are and who you want to be. It is a user's manual for those still looking to become the hero in their own lives.
The essays in this volume, some reprinted in their original form and some extensively revised, are concerned with the Arthurian traditions associated with Glastonbury Abbey. Certain of the essays are analytic and others provide editions of hitherto unknown texts. They all examine ways in which legendary materials and historical facts interconnected in the process by which Glastonbury Abbey came to present itself, nationally and internationally, as the custodian of King Arthur's relics and the burial place of Joseph of Arimathea, and the importance, political and ecclesiastical, that it derived from the connection. Professor JAMES CARLEY is the author of Glastonbury Abbey: The Holy House at the Head of the Moors Adventurous and a past editor of Arthurian Literature. Topics: Glastonbury Legends (WATKIN, GRANSDEN), Legend of St Joseph of Glastonbury (LAGORIO), Guinevere at Glastonbury (WOOD), Vera Historia de Morte Arthuri (BARBER, LAPIDGE), Was Mordred buried at Glastonbury? (BARBER), Glastonbury in Welsh Vernacular Tradition (LLOYD-MORGAN), Second Exhumation of Arthur's Remains, 1278 (PARSONS), Abbey Memorial Plate (GOODALL), Arthur's Epitaph/s (CARLEY, BROWN, WRIGHT, WITHRINGTON), Hardyng and Holy Grail (KENNEDY, RIDDY), Henry V and Joseph of Arimathea's Bones, Holy Cross of Waltham at Montacute, Excavation of Arthur's Grave (CARLEY), Perlesvaus (Wells fragment), Quedam Narracio de nobili rege Arthuro, De Origine Gigantum (CARLEY, CRICK, EVANS), Glastonbury tablets (KROCHALIS), Relics in 14th Century (CARLEY, HOWLEY).
This authoritative guide to the southwest corner of Wales by three local experts encompasses a wide sweep of history, from the rugged prehistoric remains that stud the distinctive windswept landscape overlooking the Atlantic to distinguished recent buildings that respond imaginatively to their natural setting. The comprehensive gazetteer encompasses the great cathedral of St David's and its Bishop's Palace, the numerous churches, and the magnificent Norman castles that reflect the turbulent medieval past. It gives attention also to the lesser-known delights of Welsh chapels--both simple rural and sophisticated Victorian examples--in all their wayward variety and provides detailed accounts of a rewarding range of towns, including the county town, Haverfordwest, the attractively unspoilt Regency resort of Tenby, and Milford Haven and Pembroke Dock, with their important naval history. An introduction with valuable specialist contributions sets the buildings in context.
Conclusion -- Appendix -- Bibliography -- Glossary -- Index
The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d’Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular focus on questions of patronage, design and instrumentality. No previous studies of patterns of artistic production during the Romanesque period rival the breadth of coverage encompassed by this volume – both in terms of geographical origin and media, and in terms of historical approach. Topics range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100. The volume also includes papers that attempt to recover the procedures that coloured interaction between artists and patrons – a serious theme in a collection that opens with ‘Function, condition and process in eleventh-century Anglo-Norman church architecture’ and ends with a consideration of ‘The death of the patron’.
The Benedictine abbey of Farfa was one of the most important monastic centers of medieval Europe. As an imperial establishment, patronize and protected by Charlemagne and his successors yet situated only thirty miles northeast of Rome, Farfa was often found at the center of events involving the papacy and the Empire. While its historical importance has long been recognized, the physical remains of the abbey have received little attention until now. This book by Charles B. McClendon is unique in combining an assessment of Farfa's place in the overall development of medieval architecture with an analysis of the abbey's historical role. McClendon has based his study on a detailed architectural survey of the medieval abbey church and on the extensive excavations of the site carried out under his co-direction between 1978 and 1983. By examining archaeological, architectural, and historical sources, McClendon reconstructs the various phases in the growth of the monastic layout from late antiquity to the early Renaissance, analyzes the circumstances under which they were built, and relates his findings to the architectural currents of the day. He shows, for example, that the ninth-century additions to the abbey church by Abbot Sichardus reflect the Carolingian revival of the plan of Old St. Peter's in Rome; that the design of other features points to influence from north of the Alps; that the east end of the abbey church, extensively rebuilt in the mid-eleventh century, should be considered a major monument of the early Romanesque period. Demonstrating that each phase of the architectural history of Farfa reflects the latest developments not only in Italy but also in the north, McClendon makes clear that Farfa provides a valuable understanding of the dynamic forces that helped shape the architecture of the early Middle Ages. "Scholarship at its best. . . . This volume will be the standard reference for many years to come."--Richard Krautheimer, New York University