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In the thirty-sixth century humanity has conquered the galaxy and colonized countless star systems. The Galactic Empire, modeled along Prussian lines, and the democratic Free Planets Alliance are at war, and the fate of every human being in the universe hangs in the balance. This classic Japanese space opera, adapted into a legendary anime, is finally available in English for the first time. After a coup d'état erupts in the Free Planets Alliance, military strategist Yang Wen-li is ordered to use his tactical wizardry to put down the rebellion, but the ringleader holding the capital is someone he once trusted deeply. Meanwhile, in the Galactic Empire, Reinhard will soon face a new trial, as in the wake of the emperor's death he stands amidst an intensifying power struggle among the aristocracy. The unbeatable magician and the unstoppable genius: the battles these heroes wage will send shock waves across the galaxy!
Born in the 1890s on opposite sides of the Atlantic, friends for more than forty years, Dorothy Thompson and Rebecca West lived strikingly parallel lives that placed them at the center of the social and historical upheavals of the twentieth century. In Dangerous Ambition, Susan Hertog chronicles the separate but intertwined journeys of these two remarkable women writers, who achieved unprecedented fame and influence at tremendous personal cost. American Dorothy Thompson was the first female head of a European news bureau, a columnist and commentator with a tremendous following whom Time magazine once ranked alongside Eleanor Roosevelt as the most influential woman in America. Rebecca West, an Englishwoman at home wherever genius was spoken, blazed a trail for herself as a journalist, literary critic, novelist, and historian. In a prefeminist era when speaking truth to power could get anyone—of either gender—ostracized, blacklisted, or worse, these two smart, self-made women were among the first to warn the world about the dangers posed by fascism, communism, and appeasement. But there was a price to be paid, Hertog shows, for any woman aspiring to such greatness. As much as they sought voice and power in the public forum of opinion and ideas, and the independence of mind and money that came with them, Thompson and West craved the comforts of marriage and home. Torn between convention and the opportunities of the new postwar global world, they were drawn to men who were as ambitious and hungry for love as themselves: Thompson to the brilliant, volatile, and alcoholic Nobel Prize winner Sinclair Lewis; West to her longtime lover H. G. Wells, the lusty literary eminence whose sexual and emotional demands doomed any chance they may have had at love. Tragically, both arrangements produced troubled sons, whose anger and jealousy at their mothers’ iconic fame eroded their sense of personal success. Brimming with fresh insights obtained from previously sealed archives, this penetrating dual biography is a story of twinned lives caught up in the crosscurrents of world events and affairs of the heart—and of the unique trans-Atlantic friendship forged by two of the most creative and complex women of their time.
Throughout the nineteenth century Scotland was transformed from an agricultural nation on the periphery of Europe to become an industrial force with international significance. A landmark in its field, this volume explores the changes in the Scottish book trade as it moved from a small-scale manufacturing process to a mass-production industry. This book brings together the work of over thirty leading experts to explore a broad range of topics that include production technology, bookselling and distribution, the literary market, reading and libraries, and Scotland's international relations.
In Legendary Rivals Jaclyn Neel argues for a new interpretation of the foundation myths of Rome. Instead of a negative portrayal of the city’s early history, these tales offer a didactic paradigm of the correct way to engage in competition. Accounts from the triumviral period stress the dysfunctional nature of the city’s foundation to capture the memory of Rome’s civil wars. Republican evidence suggests a different emphasis. Through diachronic analyses of the tales of Romulus and Remus, Amulius and Numitor, Brutus and Collatinus, and Camillus and Manlius Capitolinus, Neel shows that Romans of the Republic and early Principate would have seen these stories as examples of competition that pushed the bounds of propriety.
One of the few consistent aspects of my life is that I can be described as a people watcher. It is a hobby I engage in every time I am in the presence of others. From my observations there is no trait that we humans possess more obvious, consistent, plentiful, and yet, undeservedly shunned as a monstrosity of power hungry men, than the very trait of ambition. I am still always a little surprised when a cringe follows the allegation of such conduct. If thought about in an everyday context I could envision few circumstances, outside of the atom bomb, which would evoke that same recoil. Certainly, I would say, no one would detest written language, civilization, interstellar technologies, and every other realm where man's ambition carries us onward and upward. I do, however, fully recognize the dark side of man's desire and confess my intent fascination in it. I find it oddly commendable the risks some are willing to take. If administered in the right dosage one's success cannot be quantified. But as in life people do choose to overdose. It is in these choices, and the consequences thereof, where the book resides most heavily.
You can teach the craft, but you must first form the heart. Many preachers want to preach better, but they don't always know how to go about improving, and most books on preaching focus on the mechanics of the craft. But preaching involves more than the steps from a text to a sermon, because every time a preacher stands up to preach, their character shines through—for better or for worse. In The Heart of the Preacher, Rick Reed focuses on the personal heart preparation required before any preacher is ready to preach. He explores issues preachers often wrestle with—like discouragement, insecurity, and pride. He then offers practices to fight these challenges and form a heart that carries the fruit of the Spirit into the pulpit. It takes more than a good speaker to preach. It takes a Spirit-filled person. This book will help you check your heart and cultivate the most important aspect of preaching: your character.
Cohen utilizes the interdisciplinary nature of contemporary literary and cultural studies to shed new light on the relationships between technologies and the people who used them during the early modern period.
Working with a varied and untraditional cast of characters—Wyatt Earp, Jack London, Clara Bow, Gertrude Stein, and Ida Lupino—author Marsha Orgeron examines the Hollywood ambitions of a fading western legend, a successful popular author, a poor Brooklyn girl turned flapper icon, a self-proclaimed avant-garde genius, and a frustrated actress on her way to becoming a director. Investigating their separate involvements with the expanding film industry, Orgeron illustrates the implications of film celebrity during the era in which cinema’s impact was first felt. The aspirations of these individuals demonstrate the unifying role that the American motion picture capital played in shaping cultural notions of reputation, success, glamour, and visibility. Through extensive and unprecedented primary research and illuminating analyses of films, texts, and personal writings, each chapter provides new insight into its subject’s dealings in the mythic city. Hollywood Ambitions affords a unique understanding of the tremendous diversity of the Hollywood experience and its allure in the first half of the cinematic century.
A grand scheme for retaking Iserlohn is delivered to Reinhard, who with renewed determination seeks to become ruler of the galaxy and to fulfill the oath he made with a dear, departed friend. But what are the aims of Phezzan, the third force at work behind the scenes? Meanwhile, no sooner is Yang breathing a sigh of relief when Julian returns from his first combat mission than he is summoned to an inquest and departs for the capital of the alliance. As if waiting for this opportunity to strike, however, the imperial military's secret weapon appears right at the gates of Iserlohn. The battle begins! Who will endure? -- VIZ Media
This comparative study investigates the epic lineage that can be traced back from Derek Walcott’s Omeros and Ezra Pound’s Cantos through Dante’s Divina Commedia to the epic poems of Virgil and Homer, and identifies and discusses in detail a number of recurrent key topoi. A fresh definition of the concept of genre is worked out and presented, based on readings of Homer. The study reads Pound’s and Walcott’s poetics in the light of Roman Jakobson’s notions of metonymy and metaphor, placing their long poems at the respective opposite ends of these language poles. The notion of ‘epic ambition’ refers to the poetic prestige attached to the epic genre, whereas the (non-Bloomian) ‘anxiety’ occurs when the poet faces not only the risk that his project might fail, but especially the moral implications of that ambition and the fear that it might prove presumptuous. The drafts of Walcott’s Omeros are here examined for the first time, and attention is also devoted to Pound’s creative procedures as illustrated by the drafts of the Cantos. Although there has already been an intermittent critical focus on the ‘classical’ (and ‘Dantean’) antecedents of Walcott’s poetry, the present study is the first to bring together the whole range of epic intertextualities underlying Omeros, and the first to read this Caribbean masterpiece in the context of Pound’s achievement.