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Essay from the year 2015 in the subject American Studies - Culture and Applied Geography, grade: 1,7, Justus-Liebig-University Giessen (Institut für Anglistik), course: Bob Dylan, language: English, abstract: It is beyond doubt that Bob Dylan is one of the most important and influential persons of 20th century popular music. His many songs are loved and renowned for their extraordinariness in terms of the lyrics, which are often ascribed a very high literary quality. Dylan has repeatedly been said to be one of the few persons who are able to combine music with poetry. Dylan's song 'Like a Rolling Stone', recorded in 1965, certainly belongs to his most important pieces of work. It has been covered by countless artists such as Dylan's contemporaries Bob Marley and Jimi Hendrix, but also by much younger and 'newer' artists like for example Green Day, a British 1990's and 2000's punkrock band. Another indicator for the quality and reputation of the song is the fact that the Rolling Stone – one of the world's most influential music magazines – voted it the best song ever in 2004. The enormous popularity of the song is said to have several reasons; one of them surely is the fact that Like a Rolling Stone, respectively the album Highway 61 Revisited, marked a significant change in Dylan's music and career, moving away from the previously dominant folk music towards R'n'B and rock music. This essay will concentrate on the lyrics of the song. There will be a close and detailed analysis of the most important passages of the song (mainly the chorus) with regard to their supposed meanings and implication. However, Dylan's lyrics usually tend to be very ambiguous and thus allow more than one 'right' or 'true' interpretation. This, of course, will be taken into account during the analysis. Another important element in Dylan's songtexts which can also be refound in Like a Rolling Stone is intertextuality; as a consequence, the lyrics of the song will be also put into context with Jack Kerouac's novel On The Road from 1957. At the end of this paper, there will be a short conclusion that sums up the previous analysis.
Sardonic, bitter, threatening, compassionate, gleeful, and most of all loud, 'Like a Rolling Stone' is much more than a song. Six minutes and six seconds in length, it was released by Dylan despite the received wisdom of the day as to what constituted a single. Originally published on the 40th anniversary of its release and recording, Greil Marcus' extraordinary book reconstructs the context in which the song first appeared, in terms of Dylan's own career (his controversial transformation from folk singer into rock n roll singer) and the world at large (Vietnam, the Watts Riots, the burgeoning counter-culture of the time). This is itself the stage for Marcus' recreation of the song on the page its emergence from fragments, its words, its sound, its discovery of itself. An analysis and critique of an artist at the height of his creative powers, it affords a unique insight into the mistakes, inspirations and bloody mindedness that come together only in the very highest cultural moments.
A close examination of Bob Dylan's songs that locates his transgressive style within a long history of modern (and modernist) art. The 2016 Nobel Prize in Literature recognized Bob Dylan as a major modern artist, elevating his work beyond the world of popular music. In this book, Timothy Hampton focuses on the details and nuances of Dylan's songs, showing how they work as artistic statements designed to create meaning and elicit emotion. With Bob Dylan's Poetics, Hampton offers a unique examination of both the poetics and politics of Dylan's compositions. He studies Dylan not as a pop hero, but as an artist, as a maker of songs. Focusing on the interplay of music and lyric, Hampton traces Dylan's innovative use of musical form, his complex manipulation of poetic diction, and his dialogues with other artists, from Woody Guthrie to Arthur Rimbaud. Moving from Dylan's earliest experiments with the blues through his mastery of rock and country to his densely allusive more recent recordings, Hampton offers a detailed account of Dylan's achievement. Locating Dylan in the long history of artistic modernism, he examines the relationships among form, genre, and the political and social themes that crisscross Dylan's work. With this book, Hampton offers both a nuanced engagement with the work of a major artist and a meditation on the contribution of song at times of political and social change.
In 2016, Bob Dylan received the Nobel Prize in Literature ‘for having created new poetic expressions within the great American song tradition’. This collection of essays by leading poets and critics – with a new foreword by Will Self – examines Dylan’s poetic genius, as well as his astounding cultural influence over the decades. ‘From Orpheus to Faiz, song and poetry have been closely linked. Dylan is the brilliant inheritor of the bardic tradition’ Salman Rushdie ‘The most significant Western popular artist in any form or medium of the past sixty years’ Will Self ‘For fifty and some years he has bent, coaxed, teased and persuaded words into lyric and narrative shapes that are at once extraordinary and inevitable’ Andrew Motion ‘His haunting music and lyrics have always seemed, in the deepest sense, literary’ Joyce Carol Oates ‘There is something inevitable about Bob Dylan... A storyteller pulling out all the stops – metaphor, allegory, repetition, precise detail... His virtue is in his style, his attitude, his disposition to the world’ Simon Armitage
The meaning of Bob Dylan’s songs has long been debated by fans, critics and academics. When, in 2016, Dylan was awarded the Nobel Prize in Literature, the significance of his songs was confirmed. Yet their meaning has never been demonstrably explained. Dylan himself has said that people can learn everything about him through his songs: “if they know where to look.” This book shows his millions of fans exactly where that is. Dylan has written hundreds of songs, many of which are acknowledged masterpieces. “Blowin’ in the Wind”, “Like a Rolling Stone”, “Mr.Tambourine Man”, the list goes on. In the 1960s, he was hailed as a prophet. Since then, he’s generally been considered a genius. One thing he’s always been, though, is an enigma. In Bob Dylan: What the Songs Mean, critic Michael Karwowski analyses the lyrics. In the process, he opens up all sorts of avenues into philosophy, mysticism, religion, literature, art, and, of course, music. This is a “must read” book for anyone who wants to learn more about the meaning behind the songs or anyone interested in understanding how a genius sees the world. It also considers the impact Dylan’s words have had - not only on his fans, but on the worlds of popular music, culture and beyond.
Bob Dylan & The Rolling Stones, illustrated biography.
Greil Marcus gilt als einer der bedeutendsten Musikkritiker der Welt. Bob Dylan gehört zu den einflussreichsten Musikern der letzten 40 Jahren. Und >Like a Rolling Stone ist eines der bekanntesten Musikstücke aller Zeiten. Columbia Aufnahmestudio A, 15. Juni 1965: Ein Sänger spielt gedankenverloren einzelne Töne auf dem Klavier. Als er zu singen beginnt, versagt seine Stimme. Der Takt klingt gequält. Am Ende des Tages wird eine Single aufgenommen sein, sechs Minuten und sechs Sekunden: Like a Rolling Stone. Vier Wochen später stürmt Bob Dylan damit die Charts. Für Greil Marcus markiert der Song einen tiefen Einschnitt in der amerikanischen Geschichte, aber auch in der künstlerischen Entwicklung von Bob Dylan. Nach vier Folk-Alben war er zu dem Protestsänger seiner Generation avanciert. Mit Like a Rolling Stone veröffentlichte er seine erste Rock 'n' Roll-Single. Doch auch die Weltgeschichte stand vor einem großen Umbruch: die Bürgerrechtsbewegung, die Studentenrevolte - alles war im Sommer 1965 greifbar. Nach diesem Moment in der Geschichte hält Greil Marcus Ausschau, nach dem Moment, wo sich Musikgeschichte und Politik begegnen. Ausgehend von den sagenumwobenen Aufnahmen zu Like a Rolling Stone