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Nicholas Grabowsky's award-winning, widely-praised aliens-among-us horror/science fiction epic, available for the first time packaged and edited the way it was intended to be! The Everborn concerns the offspring of fallen angels that have lived among us since the dawn of man. Throughout the ages, they live life after life in normal society until each one falls in love and fathers his own child. Before that child is born, they undergo a rapid degeneration into a fetal state before they disappear entirely and become reborn into a new life, essentially becoming their own fathers. All of them male, they live out their commonplace lives under the covert protection of Watchmaids, inter-dimensional female beings whose purpose is to ensure no harm comes to them under penalty of banishment into a state of eternal loneliness. When an Everborn is reborn as a set of twins, one a soulless serial killer on a quest to be born again into a sinless life and the other a kind-hearted ghostwriter for a world-famous rock-and-roll horror novelist, a banished Watchmaid claims her role in an ancient prophecy to use the soulless twin as a means to re-enter our world and bring about its destruction.
The popular film critic offers full-length reviews of his choices for the best one thousand movies from the 1990s to today.
For many centuries, Aristotle's Physics was the essential starting point for anyone who wished to study the natural sciencesThis book begins with an analysis of change, which introduces us to Aristotle's central concepts of matter and form, before moving on to an account of explanation in the sciences and a defence of teleological explanation. Aristotle then turns to detailed, important, and often ingenious discussionsof notions such as infinity, place, void, time, and conintuity. He ends with an argument designed to show that the changes we experience in the world demand as their cause a single unchanging cause of all change, namely God.This is the first complete translation of Physics into English since 1930. It presents Aristotle's thought accurately, while at the same time simplifying and expanding the often crabbed and elliptical style of the original, so that it is very much easier to read. A lucid introduction and extensivenotes explain the general structure of each section of the book and shed light on particular problems.
This fresh, smart novel in the guise of a celebrity memoir probes the inner life of a mega-famous pop star Honestly, what amazes me the most with a lot of the people I meet is that they think they’re so big. They think, ultimately, that the universe revolves around them. And I’m beginning to think that it’s only when you live a life like mine—it’s only when you’re in a position where you don’t even really own yourself, when you can’t even really say that you’re a citizen of any particular country—that you realize that we’re all just tiny pieces of cosmic dust floating through the void until we disappear forever and we’re never heard from again. So begins the life story of our uber famous twenty-two year old narrator. A teen idol since he was twelve, when a video of him singing went viral, his star has only risen since. Now, haunted by the suicide of his manager-father, unsettled by the very different paths he and his teenage love (and girl pop-star counterpart) “Mandy” have taken, and increasingly aware that he has signed on to something he has little control over, he begins to parse the divide that separates him from the “normal people” of the world. Sneakily philosophical, earnest and funny, Justin Kuritzkes's Famous People is a rollicking, unforgettable look at the clash between fame and the human condition.
This volume provides sustained critical attention on Byatt’s wonder tales, both the stand-alone tales and those which are embedded in the wider frame of a novel or novella. In this light, it examines Byatt’s claim that her wonder tales “are modern literary stories and they do play quite consciously with a postmodern creation and recreation of old forms” through a revisitation of the wonder tale in a productive dialogue with tradition as an expanded recognition of this fertile creative-critical dialogue with regards to the significance of the wonder tale in Byatt’s fictional work. The book evinces a fresh variety of conceptions and approaches to Byatt’s wonder tales, some spanning several tales and others focussing on a specific wonder tale, all thoroughly observant of the nature and workings of the relationship between story or novel and genre or tale, and theoretically informed by innovative critical approaches.
Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording