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A Perennial Bestseller on Townsfolk Life Amazing Tales-First Series together with Amazing Tales-Second Series authored by Ling Mengchu (1580-1644), a famous writer of venacular stories, have topped the best-loved works of Chinese fiction in the past centuries. Stories from the collections are known to almost everyone in China. In close-knit plots, often punctuated with surprising denouements, and vivid colloquial language, these stories cover a wide range of subjects, from young men and women in love and family disputes to complicated legal cases. Now both books have been translated into English. In Amazing Tales-First Series 18 stories are selected from the original 40 to sing the praise of fidelity of love and all-weather friendship, expose the greed of some nefarious monks and nuns for sex and wealth, and urge the authorities to uphold justice in handling cases. While enjoying these fascinating tales, the reader can get a glimpse of the ethics, customs, and social life of seventeenth-century China.

China

The Editorial Committee of Chinese Civilization: A Source Book, City University of Hong Kong

Published: 2007-04-01

Total Pages: 833


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Written with precision and flair by a host of leading academics from Beijing and Hong Kong, this single volume is a welcome addition to the study of world civilizations, a broad yet detailed chronological sweep through time. Every aspect of Chinese civilization is explained, interpreted, contextualized and brought to life with well-balanced commentary and photographic documentation. Published by City University of Hong Kong Press. 香港城市大學出版社出版。
This book presents an extensive literary survey of the influence of ancient Chinese cultural classics around the globe, highlighting a mammoth research project involving over forty countries or regions and more than twenty languages. As the book reveals, ancient Chinese culture was introduced to East Asian countries or regions very early on; furthermore, after the late Ming Dynasty, Chinese “knowhow” and ideas increasingly made inroads into the West. In particular, the translation of and research on Chinese classics around the world have enabled Chinese culture to take root and blossom on an unprecedented scale. In addition to offering a valuable resource for readers interested in culture, the social sciences, and philosophy, the book blazes new trails for the study of ancient Chinese culture.
Chinese traders and explorers first visited the Maldives, an archipelago in the Indian Ocean, in the early fourteenth century. The traveler Wang Dayuan “discovered” the island sultanate for the Chinese world, and merchants increasingly dealt in Maldivian goods such as coconuts, cowrie shells, and ambergris. Zheng He’s fifteenth-century voyages ventured to the islands, by then a trading hub, and brought their envoys to Beijing. But the Maldives faded from Chinese records by the end of the sixteenth century, after the Ming state suddenly retreated from the Indian Ocean and shifted focus to Southeast Asia. Discovered but Forgotten is a pioneering examination of China’s relations with the Maldives and Sino-Indian Ocean interactions, offering new ways to understand Chinese maritime exploration and the global history of the Indian Ocean. Drawing on a wide range of sources—including written records, Chinese and Jesuit maps, and archaeological analysis of shipwrecks—Bin Yang provides a comprehensive account of Chinese links to the Maldives and the Indian Ocean world from ancient times through the late Ming era. He scrutinizes Chinese understandings of the islands, emphasizing both seafaring material culture and textual knowledge production. Yang reconsiders the works of travelers such as Marco Polo and Ibn Battuta in light of Chinese explorations, and he opens a window onto a colorful world of intriguing commodities, port marriages, and voyages across the vast waters of maritime Asia. Transregional and interdisciplinary, Discovered but Forgotten reveals how a remote archipelago shaped the vast Chinese empire.
As Amazing Tales—First Series by Ling Mengchu (1580-1644) made a hit, the publisher urged him to write a sequel to it. This gave rise to Amazing Tales—Second Series, which has become another bestseller for the last few centuries. Our English version of the Second Series features 19 stories carefully chosen from the original 40. In fascinating plots and a highly expressive colloquial language, they are mostly about women’s fate, their miserable existence in a polygamous society, their daring struggle for genuine love, and their implications in legal cases. All these shed precious light on the social mosaic of seventeenth-century China.
This book presents a comprehensive and systematic study of the narrative history and narrative methods of Chinese and Western popular fiction from the perspectives of narratology, comparative literature, and art and literature studies by adopting the methodology of parallel comparison. The book is a pioneering work that systematically investigates the similarities and differences between Chinese and Western popular fiction, and traces the root causes leading to the differences. By means of narrative comparison, it explores the conceptual and spiritual correlations and differences between Chinese and Western popular fiction and, by relating them to the root causes of cultural spirit, allows us to gain an insight into the cultural heritage of different nations. The book is structured in line with a cause-and-effect logical sequence and moves from the macroscopic to the microscopic, from history to reality, and from theory to practice. The integration of macro-level theoretical studies and micro-level case studies is both novel and effective. This book was awarded Second Prize at the Sixth Outstanding Achievement Awards in Scientific Research for Chinese Institutions of Higher Learning (Humanities & Social Sciences, 2013).
As the first volume of a two-volume set on Chinese narratology, this title introduces the cultural fundamentals that nurture Chinese literary works and investigates the structure and time of Chinese narrative. In the introductory chapter, the author examines the intrinsic association between Chinese writers’ narrative techniques and China’s cultural background by putting forward a Principle of Duixing to facilitate the study of those techniques and three steps to revisit Chinese narrative. Based on Western narrative theories and a close reading of outstanding Chinese literary classics, the volume focuses on structure and time in Chinese narrative. The first part on structure (jiegou) identifies five essential themes to analyze the dual dynamic structure of Chinese narrative. In terms of aspects of time, the author demonstrates how the holistic view of time and space in the Chinese tradition influences the chronological framework of narratives and shapes the outset of a story. The book is a must-read for scholars and students interested in narrative theory, Chinese culture and literature, and the dialogue between Chinese and Western narratological studies.
This book explores poems, novels, legends, operas and other genres of writing from the Ming Dynasty. It is composed of two parts: the literary history; and comprehensive reference materials based on the compilation of several chronologies. By studying individual literary works, the book analyzes the basic laws of the development of literature during the Ming Dynasty, and explores the influences of people, time, and place on literature from a sociological perspective. In turn, it conducts a contrastive analysis of Chinese and Western literature, based on similar works from the same literary genre and their creative methods. The book also investigates the relationship between literary theory and literary creation practices, including those used at various poetry schools. In closing, it studies the unique aesthetic traits of related works. Sharing valuable insights and perspectives, the book can serve as a role model for future literary history studies. It offers a unique resource for literary researchers, reference guide for students and educators, and lively read for members of the general public.